Expensive Brand New George Smith Chelsea Silk Velvet Upholstered Two Seat Sofa

An original custom made soft mottled dark espresso leather tufted with brass tacks and mahogany wood legs by famed bespoke British furniture maker, George Smith. Original label. Exc...

An original custom made soft mottled black leather tufted with brass tacks and mahogany wood legs by famed bespoke British furniture maker, George Smith. Original label. Excellent co...

Vintage 2 seater sofa designed and manufactured in England by George Smith LTD. The piece is upholstered in a beautiful reddish fabric, dark fi...

Classic bench made George Smith Sofa with rolled English arms, turned wood legs with brass casters. Raised on five legs, all with brass toe caps and casters. The three legs at the f...

Na Pali means “the cliffs” and is a breathtaking landscape located on Kauai, a volcanic island resulting from the rain and the blasts of winter waves against t...

Sofa, leather, Europe, 1960s. This two-seat sofa is simplistic, yet stylish in its design. Due to the overall black color of the leatherette, the sofa radiates smoothness and underl...

Kepler 22 Velvet 3 Seater Sofa by spHaus Designed by Filippo Dell'Orto Dimensions: D 90 x W 390 x H 73 cm. Materials: Powder-coated steel bars, elastic belts, polyurethane, natural f...

A generously proportioned two-seat sofa by George Smith, upholstered in a Designer’s Guild fabric and designed in the firm’s signature English country house tradition. The sofa featu...

Monumental bespoke mohair velvet tufted sectional banquette sofa custom designed by George Smith, London UK. The grand "ottoman sofa" was commi...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...