Kaare Klint Sofa Model 4118 in Mahogany and Patinated Leather

This reupholstered Kaare Klint 4118 sofa is the centrepiece of our recent collaboration with Marthe Armitage Prints for London Design Festival 2023. ...

Rare Kaare Klint Model 4118 two-seat box sofa with profiled cross legged mahogany frame. Made by Rud Rasmussen, Copenhagen, Denmark. Upholstered...

Kaare Klint for Rud. Rasmussens Snedkerier, sofa, model ‘4118’, leather, mahogany, Denmark, design 1930, production 1970s Kaare Klint originally designed the present three-seat sofa...

Kaare Klint for Rud Rasmussen, sofa model '5011', leather, mahogany, Denmark, design 1935, made 1960s Kaare Klint originally designed the present three-seat sofa, known as 5011, in ...

Kaare Klint & Rud Rasmussen snedkerier. A stunning pair of rare Kaare Klint Model no. 4118S two-seater box-shaped sofas with profiled cross legged mahogany frame. (Also called X-Bas...

Oak framed Classic sofa designed by Kaare Klint and made by Mastercabinetmakers Rud Rasmussen. Beautiful crisscross frame-work. Original upholstery which will make a statement in any...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Kaare Klint 2 persons sofa with legs of mahogany. Seat, sides and back upholstered with light fabric. Executed by Rud. Rasmussen.

Model KK 6090 - Reupholstered 3 seater sofa in Savak wool (colour: 41240) with natural leather piping. Mahogany legs. Kaare Klint / Rud. Rasmussen

Kaare Klint three-seat sofa in original leather on a Cuban mahogany frame and produced by cabinetmaker Rud Rasmussen.