Modular Sofa, Contemporary Sofa Settee Velvet Leather

A decadently designed Italian 1950's settee with a scalloped or petal shaped form and luxuriously upholstered channeled back tufting. The settee has been fully restored and newly reu...

An opulent, cut-velvet, three seater sofa, by Italian architect & designer Toni Facella Sensi della Penna This sofa epitomises elegance, opulence and com...

Moroccan Moorish Arabian Sofa Settee. Fabulous one of a kind Moorish Middle Eastern, handcrafted Settee, finely hand-carved and inlaid. Nice hand carve...

Sofa or settee, leather, wood, Scandinavia, 1950s A beautifully sculpted sofa in the style of Danish designer Arne Vodder. The high back is slightly curved and runs smoothly over in...

The Award winning Fleure Signature Edition is our latest revival of the award winning Fleure 3 Seater Sofa, reimagined in this premium cotton velvet upholstery. This signature piece...

The award winning Fleure Sofa is an eye-catching design which commands an audience. Exuding a contemporary vibe but with traditional style cues, as demonstrated by the exquisite flut...

We are delighted to offer for sale this very rare finely carved Venetian Baroque style figural walnut throne settee or bench, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon...

An Italian Venetian leather upholstered sofa from the 19th century. This antique settee from Italy features a elegantly dramatic arched top rail at ba...

Beautiful mohair upholstered curved sofa with wooden legs. Perfect shape and size. In excellent condition, 1950s, Italy. Same era as: Ch...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...