Sofa Bench with Cognac Leather Webbed Back and Seat

19th century French wooden sofa with wickerwork back and seat.

Slightly smaller in size, the two-seat sofa is ideal for apartments or smaller spaces requiring a smaller footprint. The inheritance bench is a versatile piece that can be used as a ...

An 18th century Italian Venetian sofa with removable back. This antique sofa from Italy, just over 6 feet in length, features a beautiful wood trimmed lines throughout; the flat-edged wooden crest...

A Swedish period Baroque three-chair back carved-wood sofa, with upholstered seat, from the 18th century. This fabulous hand carved wood bench features three carved back splats for resting, flanked within wood arm rests at each far end. The top rail is adorn with four finials...

Two-seat bench with tablet.

We are delighted to offer for sale this lovely vintage mini sofa window seat which has been reupholstered in Birds of Paradise velvety fabric. The piece ...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Priced individually - made of blackened flat iron strap and topped with thick leather in natural cognac tone. These have an incredible sleek design, very masculine and extremely ergo...

bench sofa container, "pankassa" model, Magis production based on a design by denis santachiara, 2003 made of hard gray plastic, which can be opened completely, measures 125 cm in...

A Swedish Rococo style three-chair back sofa from the turn of the 18th and 19th century. This antique bench from Sweden features three carved back splats for resting, with sweetly carved flowers adorning the top of each chair rail, flanked within curvy wood arm rests at each far end. The skirt is has an elegantly draped from with shell carving embellishing the center. This piece is nicely presented upon four legs, which are supported with a turned H-stretcher. The front legs are cabriole style with rear legs squared and sabred. The upholstered seat is ready for a refreshment, the perfect opportunity to make this your own. This antique Swedish rococo style sofa...