Sofa or Daybed Model FD451 by Peter Hvidt Orla Mølgaard Nielsen, 1950s

Warm, exceptionally versatile and crafted with a range of appealing materials, vintage Peter Hvidt and Orla Mølgaard-Nielsen furniture showcases the Danish duo’s penchant for innovation and durable design. For decades, the pair created sleek coffee tables, seductive lounge chairs and other pieces that are characterized by the practicality and elegance commonly attributed to Scandinavian modernism.

Both Hvidt and Mølgaard-Nielsen attended what is now the Royal Danish Academy of Fine Arts, with Mølgaard-Nielsen having completed his studies under the Danish furniture design pioneer and architect Kaare Klint. Trained as an architect and cabinetmaker, Hvidt established his own firm in 1940 and taught at his alma mater for a few years. After they won a design competition held in Stockholm, Hvidt partnered with Mølgaard-Nielsen in 1944 to establish their firm in Copenhagen.

The collaboration between Hvidt and Mølgaard-Nielsen yielded more than 250 designs and lasted over 30 years. Aside from having created a wardrobe for the Queen of Denmark as well as numerous architectural structures, the pair’s flagship achievements include 1944’s teak Portex chair, which is Denmark’s first-ever stacking chair (and is occasionally attributed to Hvidt alone), and the AX chair.

A masterpiece of technical expertise and innovative woodworking, the sculptural AX armchair shares commonalities with the work of legendary Finnish designer Alvar Aalto — whose output included similarly curvaceous seating such as the Paimio armchair, often designed in partnership with his wife, Aino. It features double-curved laminated wood in the seat and back — which could be mass-produced — and is an early example of knock-down furniture. This meant that it could be easily dismantled and assembled at its destination, which rendered the chair economical for transport on cargo ships and therefore could reach a worldwide audience.

While vintage Hvidt Mølgaard furniture isn’t as popular as the work of Finn Juhl, a like-minded Danish modernist who helped popularize Scandinavian design in America as well as the use of teak in furniture, the innovative AX chair is similarly as expressive and inviting as Juhl’s seating. The AX was designed in collaboration with manufacturer Fritz Hansen during the late 1940s and went into production in 1950. It gave way to a series that includes tables and other types of seating.

Hvidt and Mølgaard-Nielsen collaborated regularly with Fritz Hansen, France Søn and Søborg Møbelfabrik. Their work can be found in New York’s Museum of Modern Art, Copenhagen’s Design Museum and the National Gallery of Victoria in Melbourne.

Find vintage Hvidt Mølgaard dining tables, coffee tables, modular sofas, storage cabinets and more on 1stDibs.

Danish manufacturer France Søn is best known for its prolific output of elegant mid-century modern furnishings in teak and leather, yet its multinational beginnings took shape during the 1930s.

After businessman Charles William Fearnley France (1897–1972) moved from his native England to Denmark in 1936, he began to operate a small mattress factory alongside his friend Eric Daverkosen, a Danish cabinetmaker, under the name France Daverkosen. Shortly afterward, Daverkosen passed away, and when Denmark was invaded during the Second World War, Charles was captured and sent to a prison camp in Germany. When he was released, the British entrepreneur set out to produce furniture in the early 1950s, setting up a shop in Hillerød to manufacture the kind of sleek beech and teak goods that were gaining widespread acclaim around the world. In 1957, France’s son James joined the business, and the company changed its name to reflect the addition.

Throughout the ’50s and ’60s, France Søn produced a stunning array — and staggering quantity — of designs, with elegant modernist lounge chairs and armchairs, teak and rosewood dining tables and other furnishings by the likes of Finn Juhl, Grete Valk, Ole Wanscher, Peter Hvidt and Orla Mølgaard-Nielsen all gracing its catalogues.

Even as there was a focus on mass production at France Søn — and the brand doesn’t quite enjoy the same renown as fellow mid-century Danish furniture makers such as Carl Hansen Søn — Charles France believed in making quality furniture, and the company’s offerings evoke the warmth of the handcrafted work that is typically associated with Scandinavian modernism.

In the 1960s, the company was bought by Danish designer Poul Cadovius, who folded it into the operations at CADO, a company he founded during the 1950s. Surviving examples of early work from the brand as well as modern icons by the likes of Verner Panton that followed in later years continue to be in demand.

Find a collection of France Søn furniture on 1stDibs.