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French Napoleon III Rope Stool
$4,800List Price
About the Item
- Dimensions:Height: 16 in (40.64 cm)Diameter: 22 in (55.88 cm)Seat Height: 16 in (40.64 cm)
- Style:Napoleon III (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:19th Century
- Condition:Wear consistent with age and use.
- Seller Location:Natchez, MS
- Reference Number:Seller: 33131stDibs: LU808118396992
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Opulence, refinement, audacity of style marriages… so many words agree with Maison Jansen. Through this name, a whole era sounds like a reminder of a certain French chic…
Some names evoke immutable images, atmospheres... Like Jansen, for example. Let’s close our eyes… The 1960s and 1970s are at their peak. France is doing well. It is a country of full employment where everything seems possible. Within the international Jet Set, a carefree crowd of movie stars, public figures, literary idols and crowned heads, we love the Maison Jansen, its taste for styles struck with a good quality exuberance, and its brilliant side.
It all began in 1880, when the Dutchman Jean Henri Jansen founded the eponymous house in Paris. Jansen is part of the continuity of these world-famous furniture manufacturers and companies that operated under the Second Empire and at the time of the Universal Exhibitions, as the ‘Escalier de Cristal’ teaches.
At that time, the Union Centrale des Beaux-Arts appliqués à l'Industrie and the Société du musée des Arts Décoratifs merged to form the Union Centrale des Arts Décoratifs.
Supported by both gallery owners, collectors and manufacturers, this
organization gives the «la» to the whole profession, and in the prevailing politico-ideological slump (France was defeated by Prussia in 1871 and Napoleon III is in exile), the ‘Union Centrale des Art Décoratifs’ focuses production on the celebration of past styles. While this nostalgia evokes memories of an era that we imagine more stable, an innovative exoticism will be all the rage: the reign of Turkish style and Japonisme.
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developed a style derived from the ornamental splendor of the eighteenth, then a little later, so-called «imperial» styles mainly intended for royal families. After the First World War, J.H Jansen was joined by the cartoonist Albert Cazes, by Stéphane Boudin and by Pierre Delbée, who successively directed the house when it disappeared in 1929. At the end of the Kennedy era, Boudin completely redecorated the White House, at the request of the First Lady, Jackie, who had fallen in love with his work after discovering it at Malmaison.
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When the Shah of Iran decided to celebrate the 250th anniversary of the Persian Empire in 1971, Serge Robin and his teams turned to the grandiose and ephemeral setting of Persepolis. A hundred semi-trailers then left the workshops on Rue Saint-Sabin to reach Teheran. At the same time, Princess Soraya of Iran commissioned her a sumptuous palace for Avenue Montaigne, the princes Faisal bin Fahd of Arabia and Mubarak Al-Sabah, and the Agnelli snatched it.
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