Louis XVI Giltwood Stool Attributed to Jacob

The rectangular moulded surround with a zinc liner with a pierced ormolu gallery, above a panelled frieze with a fluted edge, with later handles to the side, raised on turned tapering legs ending in ormolu caps and castors. Joseph Gengenbach, known as Canabas, maître in 1766. This elegant jardinière...

The Louis XVI Giltwood Mirror in the ‘goût grec’ taste, of rectangular shape surmounted by an urn in a circle and hung with a ribbon-tied pendant foliate swag partially wrapping each...

A Directoire Mahogany Bergère Attributed to Georges Jacob, its curved back and padded armrests with finely carved baluster-shaped supports raised on turned front legs and sabre back legs. With a spurious Jacob stamp to back rail. The term "Directoire" refers to a historical period following the French Revolution (1789) and preceding the First Empire when Napoleon reigned, but also to a style of furniture and decoration covering a longer period from 1789 to 1804. It is characterized by the production of furniture with simplified forms and ornaments, inspired by antique decorations. The profound social and political upheavals that marked this period had a direct impact on the production of Directoire furniture. The stripping down of furniture pieces, which had begun in the 1780s under the influence of Greek art, was accentuated during this period. The abolition of guilds by the revolutionaries also forced manufacturers in the Faubourg Saint-Antoine to simplify shapes and materials. Elegant and graceful, the furniture is generally small-scale. They retain the Louis XVI structure. The Directoire style adopts clean shapes, straight lines, simple curves, flat surfaces and right angles. Lines accentuate geometric shapes inspired by Antiquity. A typical trait is the pronounced rolled-over back, similar to a scroll illustrated in our bergere, evocative of the klismos chair. Only the more luxurious pieces of furniture use mahogany, an exotic and expensive wood. Despite his humble origins, Georges Jacob rose to become one of the most renowned menuisiers of his day. Unlike many artisans who joined their fathers or brothers in the middle-class family trade of furniture making, Jacob was from a peasant family and moved to Paris at sixteen to begin his career. He apprenticed in a joinery workshop and eventually became a master in 1765. He developed a reputation for producing inventive designs for chairs, beds, and screens carved with such motifs as twisted ribbons, guilloches, beading, and fluting. Jacob's reputation grew quickly, eventually spreading outside France; the future King George IV of England, Gustavus III of Sweden, and several German princes...

The white painted dial signed Cappy A Paris, 1773 within a laurel wreath carved case on a delicately carved flower entwined ribbon backplate ending in a tassel.