Cut Steel Apothecary Cabinets

Endless possibilities abound in this special French Confiturier, Small Cupboard. Constructed of solid oak with raised panels, a full door hinge, and a wonderful flip open top, give t...

Rare and extraordinary lacquered wood and metal bar designed by Willy Rizzo for Sabot, 1970s. A sophisticated, elegant, versatile work, which will add a touch of style and glamour t...

Midcentury rare amazing cabinet dry bar with storage for bottle and sliding doors in wood, steel, black laminate and glass by Carlo De Carli for Fiarm. Made in Italy in the 1960s. ...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can sometimes ship it for less and get it to you faster. For a shipping quote, click on "ASK THE SELLER" under the purchase button and provide your zip code. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Vintage 3 Piece 1970s wall display...

A round wooden floor lamp topped with a plexiglass half-sphere complete with its original switches. The lamp opens effortlessly thanks to integrated wheels unveiling a dry bar that a...

The cart is a versatile piece in the décor. It transitions between the practical function in the house and the differentiated elegant aesthetic. Its structure could be produced personalized in carbon steel painted in the black color - matte finish. It has a tray for storing objects as bottles, which is made with curved multilaminated wood and recovered with eco leather in two options: brown croco or black color, as too the shelf below. It's has a fixed wheel, made in natural tauari wood. (Brazilian reforest wood), as the others beautiful details in wood. The cart is na elegant and sophisticated piece in the interior decoration, as it can be used as a bar, tea or coffee cart...

Angelo Mangiarotti, rare and refined Dry Bar / Sideboard in wood and marble made for Molteni. It is a functional piece of furniture, capable of holding large quantities of bottles, b...

Beautiful Gothic oak dry bar with marble top counter. Gothic arches supported by columns, dentil moulding surrounding the top while the base has ...

Introducing a rare Danish-made dry bar designed by the incomparable Knud Bent for Dyrlund. This sculptural and highly functional dry bar, is a refined example of Danish craftsmanship...

Designed with sculptural rigour and a craftsman's sensitivity, this bar by Giuseppe Rivadossi reflects a profound respect for material and form. Signed by the artist, it encapsulates...

Fabulous dry bar with maple slats and raffia paper apron on the sides and a iron footrest. Top is a laminate that looks like wood in great condition original to the piece. Two storag...

Unique midcentury cubic dry bar in lacquered ash wood, mirrored steel and glass dry bar with hidden wheels. This gorgeous Willy Rizzo style dry bar was produced in Italy during the 1970s. The wheeled bar cart's four sides are in mirrored chromed steel, while the top is in dark smoked glass. It moves thanks to four hidden wheels, and the structure is veneered black lacquered oak. A design masterpiece that will become a cult furniture element in a midcentury bar or living room. Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France early. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and travelled to Tunisia for Point de Vue to photograph the conflict in North Africa, later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, allowing him to capture these public figures in unusually candid moments. Hoping to advance his career further, Rizzo travelled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in colour, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Throughout his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before tragically committing suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...