Franco Albini for Poggi Pavia Italian Dark Wood LB7 Bookcase, Italy 1970s

Scandinavian Mid-Century Modern design darkwood bookcase designed by Poul Hundevad and produced by Hundevad Møbelfabrik in the 1960s, variable ...

Italian midcentury modern design little credenza sideboard "MB48" model designed by Franco Albini and produced by Poggi with stained walnut wood and brass details, made in Italy 1960...

Italian midcentury modern design bookcase in ash wood serie "Samara", composed of three modular elements, two of which are open storage units and one drawer unit, stackable at will d...

Scandinavian mid-century moder design dark wood wall system designed by Kai Kristiansen and produced by FM Mobler, consisting of 9 shelves of different depths, 1 lectern shelf, 2 co...

Franco Albini Modular bookcase model "LB7" Production Poggi Pavia 1957 This bookcase has two storage modules, one divided into 4 sections and the other with a shelf. Plus two shelves...

The LB7 "Infinito" bookcase by Franco Albini for Poggi is an iconic creation of 1950s Italian design. This bookcase, designed in 1957, bears Albini's distinctive signature with its c...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Wall Bookcase composed of just one bay with height-adjustable shelves. Designed and produced in Italy in the 60 s. The bookcase it is made of lacquered metal structure with brass bas...