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18th Century Queen Anne Lacquer cabinet on stand.
$22,123.38
£16,000
€18,854.59
CA$30,451.71
A$32,897.83
CHF 17,501.96
MX$395,850.39
NOK 221,611.86
SEK 202,670.09
DKK 140,853.15
About the Item
A beautifully decorated Queen Anne period lacquer cabinet on stand. Having pierced, fretted brass hinges and lock plates. Chinoiserie scenes to the doors, opening to reveal ten fitted drawers, each with gilded foliate decoration and brass drop handles. The sides having exotic blossom trees, birds + carrying handles. Raised on an elegant lacquer base with matching decoration.
Batch 83 63614 YNKZZ
- Dimensions:Height: 56.7 in (144 cm)Width: 32.29 in (82 cm)Depth: 19.69 in (50 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1780
- Condition:Wear consistent with age and use.
- Seller Location:Brighton, GB
- Reference Number:Seller: SKU000024651stDibs: LU1227243973062
About the Seller
5.0
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1stDibs seller since 2015
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Associations
LAPADA - The Association of Arts
Antiques Dealers
- ShippingRetrieving quote...Shipping from: Brighton, United Kingdom
- Return Policy
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The art of 18th-century Japanning was a European practise that sought to imitate Japanese lacquerware and became a method of emulating the aesthetics of East Asia within the home. The term originates from the late 17th century as the opening of trade routes in the East triggered an interest in Chinese and Japanese fashions in Britain, France, Italy and the Netherlands.
It’s popularity reflected this era of imperial ambition when the West was fascinated by the exoticism of the East and saw the rise of an orientalist attitude. During this time, Europe’s demand for lacquerware began to grow and The East India Company's importation of lacquered objects and screens created a desire for larger, more practical items with similar decorative finishes.
To replicate the appearance of oriental lacquerwork, European cabinet-makers turned to John Stalker and George Parker's 1688 ‘A Treatise of Japaning and Varnishing: Being a Compleat Discovery of Those Arts’. This book contained formulas for creating and applying lacquers as well as various chinoiserie illustrations for readers to copy and modify, having made a concerted effort to reference designs on Chinese porcelain and textiles.
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