1960 s Spanish Brutalist Design Carved Oak Small Cabinet

This oak cabinet, model 187/3, is a refined expression of Belgian Brutalist style from the 1960s. Crafted from solid and veneered oak, the cabinet features a balanced façade with two...

Spanish Brutalist Carved Oak Cabinet, Late 19th Century Revival Period "The soul of a building, like that of a man, is in its structure." — Luis Barragán A commanding expression of Spanish Brutalist craftsmanship, this late 19th-century Revival period cabinet is a testament to the region’s tradition of bold, sculptural woodworking. Hand-carved from solid oak, its imposing presence is softened by intricate geometric and folkloric reliefs, each chiseled motif narrating a story of heritage and artisanal mastery. The façade features four deeply paneled doors, framed by robust architectural lines and adorned with hand-wrought iron hardware, evoking the rugged elegance of Spanish monastery furniture...

Dutch Carved Oak Cupboard, 1960s A boldly graphic oak cupboard from the Netherlands, circa 1960s, distinguished by its deeply carved door front of repeated square pyramidal motifs. ...

Hand-crafted in Spain in the early 1940s, this sculptural bar cabinet epitomises Brutalist design. Thick planks of solid oak are relief-carved in an irregular, geometric pattern that...

This striking 1970s French Brutalist oak cabinet showcases the bold geometry and sculptural presence characteristic of the Brutalist movement. Crafted from solid oak, the cabinet fea...

Dramatic and richly detailed, this Brutalist Spanish-style bar cabinet features ornate gilt metal scroll work across its dark wood doors. The cabinet opens to reveal a bold red inter...

This low, small sized cabinet opens thanks two door-leaves adorned with flowers and drapes. The rest of the cabinet bears a painted decor emulating marble with red veins.

Cabinet or cupboard, lacquered wood, brushed aluminum, Belgium, 1970s. Modern and geometric two-door sideboard cabinet. Two-door panels, each with an exceptional three-dimensional ...

This beautifully crafted cabinet is made from dark-stained oak in the style of Henning Kjærnulf, blending Baroque and Brutalist influences. Its bold, majestic presence is enhanced by...

Rare and unique brutalist bar cabinet decorated with hand carved bear. Koncz Vilmos (1932 – 2006). He started painting at the age of 30, using the following techniques: charcoal, pastel, oil. He has had solo exhibitions eight times in Budapest, and his works have been featured in seventeen group exhibitions worldwide. He was an experimental creator. Its more than 420 works include glass mosaics, terracotta, copper embossing and furniture carving. After his death, most of his oeuvre was “lost”. A decade and a half passed from painting to the first carvings. Middle Eastern and African culture had a major impact on his further artistic work. Traveled and created in Baghdad, Kuwait, Beirut and Tanzania. He became acquainted with the ancient folk art of the Makonde tribe, with carvings of ebony and ivory, which changed his creative career. When he made an authentic bracelet out of ivory, decorated with African motifs, the members of the tribe welcomed him among themselves. He became the tribe’s "Mister Vili." An exhibition of his painted paintings was held at the Kilimanjaro Hotel. He learned the machining of copper from the Arabs and the making of glass mosaics, and the tricks of jewelry making from the Hindus. He had forty large sculptures erected in various settlements of Hungary, mostly multi-field, made with a circular carving technique. Everything from ornaments on the table to the three-meter-high monument was found in his oeuvre. The Tiszakürt Arboretum also houses two wooden sculptures made of circular carvings: Tasso and the Tanzanian family tree. Donated works of his hometown: the 1956 headboard, the “Jászok” and “Kunok” (Old Hungarian Tribes), the “Flute”, the “Kolompolás” (Ringing the Bell) and the “Winged Altar”. In the 1980s, he also made carvings for the Budapest Zoo and Botanical Garden. His Ars Poetic was: “I do what I love, which drives from within, because I want to leave marks behind that I once existed and perhaps not uselessly” (2002). The term "Brutalist" originated from Le Corbusier’s Cité...