Andrea Branzi, Tree 8, Cabinet, Birch Wood, Patinated Aluminum, 2010

Made of an exquisite avocado skin marquetry, solid walnut, brass and steel hardware, this piece is made using an innovative process created by the designer and sustainability activis...

Fernando Laposse [Mexican, b. 1988] 2023 Corn husk marquetry, sold beech, brass hardware 35.5 x 60.25 x 20 inches 90 x 153 x 51 cm

Barbora Žilinskaite [Lithuanian, b. 1996] Storyteller, 2021 Wood dust, ply, pigment, varnish, glue Measures: 78.75 x 35.5 x 13.75 inches 200 x ...

Misha Kahn [American, b. 1989] Hunt for Paradise, 2021 Bronze 34.25 x 53 x 13.25 inches 87 x 134.6 x 33.7 cm Edition of 8 Misha Kahn has emerged as one of the leading creative voices of his generation. Through a wildly imaginative approach that embraces spontaneity and non-conformity, Kahn allows the illogical and the irreverent to take over his entire process. He employs everything from lo-fi and ad hoc techniques—such as improvisational molds and collage—to high-tech tools such as virtual reality and robotics. Born in Duluth, Minnesota in 1989, Kahn graduated from Rhode Island School of Design in 2011 with a Bachelor of Fine Arts in Furniture Design. Soon after, he gained recognition when he was featured in the Museum of Arts and Design's Biennial (2014). Unafraid to push boundaries, Kahn is determined to question the accepted way of doing things, driving him to self-invent, adapt, and further processes in a myriad of mediums including metalwork, glass, wood, textiles, ceramic, bronze casting, fiberglass, and cement. Voracious to upend traditional techniques, he embraces the opportunity to learn from masters in their respective crafts. Kahn’s acclaimed woven Scrappy series (since 2015), is the result of a collaboration with Gone Rural, a female group...