Glass Cabinets

Rare cabinet designed by Svante Skogh. Produced by Seffle Möbelfabrik in Sweden.

Very fine handmade bar cabinet by a master artisan. Brass frame with handmade and hand-cut ruby red flower fantasy Murano glass ,raised on special brass legs.

Shanty cabinet designed by Doshi Levien for BD Barcelona. This unique piece is styled after the ridged steel sheets which are utilized to develop numero...

An elegant yet robust cabinet in a light duck egg blue sits atop a plinth in this stunning neoclassical inspired piece from ‘70s America. There are elements of chinoiserie in the des...

Combined 190 Tout va Bien cabinet Dimensions: D 50 x W 190 x H 82 cm Materials: Containers manufactured of MDF in a matte lacquered finish, attached to...

A new Theodore Alexzander four door display cabinet with open shelves on either side. Theodore Alexzander known for its quality in furniture and pieces of distinction. This display cabinet has a very unique finish with a pair of glass doors...

Rare pair of pyramid-shaped shelves, made by Maison Jansen, circa 1970. Visible on all four sides and can be placed in the middle of a room, they are made of square nickel-plated br...

Italian gold-plated aluminium vitrine with two tempered glass shelves, and sliding glass doors. Excellent vintage condition commensurate of age.

German provincial Baroque display cabinet or buffet. West German, 2nd half of the 18th century. Solidly made of oak and partially carved. Th...

A light-brown, vintage Mid-Century Modern Italian chest with a trapezoidal body and an imbedded glass top, made of hand carved veneered Cherrywood in good condition. The small rectan...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

French Post-War Design (1950s) rosewood display cabinet with a Pair of marquetry inlaid doors trimmed with pearl & ebony over a large glass door on Paired br...

A new innovative sideboard/credenza, entirely hand-crafted in Italy and completely customizable in sizes, finishes, colors and functions, part of a bespoke collection created as a ca...

Vintage Steel Pharmaceutical / Dental / Medical Cabinet Overall Dimensions: 17 1/2" x 24 1/2" x 55" high Outer Cabinet Dimensions: 15" x 20" Inner Cabinet Dimensions: 14 1/2" x 18...

Art Deco Eliel Saarinen Sliding Glass Door Display Cabinet for Rway The hutch has 2 lower book-matched storage cabinet doors with ...

We are delighted to offer for sale this lovely Italian inlaid Rosewood with Boxwood accents Victorian circa 1880 small corner cupboard with origi...

Exceptional example of 18th century Dutch display cabinet Three bombe drawers with original hardware Glass panels on upper cabinet are individually ins...

A stylish custom-made cerused oak cabinet having mosaic glass doors and resting on a painted black steel frame in the style of Roche Bobois.

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Glass Visibile G Horizontal Standing Cabinet by Angelo Alinea Dimensions: W 120 x D 120 x H 45 cm Material: tempered glass, 6 mm. Door: tempered glass, 4 mm , with lock frame: silve...

A monumental oak sideboard from France, dating from around 1870, is a unique example of furniture craftsmanship. Carved details give it a unique character, and functionality makes it...

Two hinged doors bar. The beautiful mix between natural walnut wood and golden galvanic metal details is perfect for a Contemporary and luxurious environment . On the inside, a seaml...

Cylindrical cabinet that develops vertically. The vertical and geometric rigor of the external inlay in grey tones contrasts with the decoration of the interior. A small black fragme...

Very fine handmade credenza by a master artisan. Brass frame with handmade and hand-cut black and white Zebra opaline Murano glass , raised on specia...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

3 meters dreams cabinet by Cristian Zuzunaga Dimensions: D 51 x W 300 x H 67 cm Materials: Modules, doors, frontal parts, and drawers are lacquered i...

This vintage pair of display cabinet were produced in England during the 1970s by Nathan Furniture.  Made from teak they have a single drawer in each and glass sliding doors bel...

Italian Neoclassical gilt carved wood and painted arched glass display case with flanking acorn finials, bell flowers, original glass, interior adjustable shelves, and resting on cla...

Large Museum of Natural History Showcase Cabinet in Glass & Metal, France, 1890s Vintage Design We offer for sale today this rare piece of furniture showcase from the museum of natu...

Very fine handmade credenza by a master artisan. Brass frame with handmade and hand-cut black and white Zebra opaline Murano glass , raised on special brass legs.  

High display cabinet with solid wood and blockboard structure, characterized by doors, four shelves on the inside, and a glass back. Equipped with an internal chest of drawers compos...

Giorgio I Oxblood Glossy Lacquer And Light Bronze Metal Cabinet by Casa Casati Dimensions: D 54 x W 90 x H 140 cm. Materials: Lacquer, MDF, brass, and metal. Available in differen...

Modular office modules, 1970s, 5 pieces covering materials : leather, chrome-plated aluminum (black, anthracite), wood, smoked tempered glass columns: H190 x W56 x D45 Low furniture:...

Claude Vassal Rare and Unusual 1950's Tall Multiple Colored Glass panel Cabinet Book shelf Unit 77'' tall 49.50 wide 15'' deep bottom and 10'' deep top

Exceptional figural sideboard, France, ca. 1880. Very good condition. Wood: walnut Dimensions: height 287 cm width 180 cm depth 60 cm

Striking brass frame and hand-cut Malachite imitation Murano glass Commode or chest of drawer, raised on special brass legs. Handmade by a master artisan.

Striking brass frame and hand-painted wood imitation Commode or chest of drawer, raised on brass support. Decorated with amazing brass sculpture handles. Handmade by a master artisan.

A Regency rosewood side cabinet with glass inset door within a larger hidden door, scagliola top and column uprights, and adjustable shelving. This piece originated in England during the first quarter of the 19th century. William Word Fine Antiques...

Illusion floating dry bar by Luis Pons. Dimensions: W 101.5 x D 44 x H 124.5 cm Materials: metal, mirror, wood, bronzed, hand-crafted, tempered. ...

This splendid and rare large furniture piece includes three doors with engraved signed keys from the artist Gaston Poisson, “GP”. This circa 1937 cabinet is made of green lacquered* mahogany and contains 12 interior shelves (three doors each with 4 shelves), each shelf featuring beautiful marquetry detail. The centerpiece of this beautiful cabinet is the large exterior mirror by Robert Pansart. This is made of "églomisé" glass with a polychrome geometric ribbon-like decor. Églomisé glass is a technique used often for mirrors that creates intricate decoration using golden leaves and silver. *THE LACQUER IS NOT ORIGINAL, THE CABINET HAS BEEN REFINISHED LATE 20 CENTURY Gaston Poisson, a cabinetmaker from Lille, France, is a renowned Renaissance designer best known for his modernist work. He has a unique taste for pure clean lines, mostly from the 1950s-1960s, which is exemplified in this particular piece. The square and diagonal motifs visible on the facade of the cabinet as well as the ornate marquetry on the interior shelves show that this piece was highly specialized, a well thought out piece made with incredible care. Robert Pansart is a French glassmaker and decorator who specialized in his unique technique of etching and oxidizing with “églomisé” glass. One of the most highly regarded glassmakers of his time, he mainly worked from post war years to the 1960s, and his work is reminiscent of a world based on fairy tales – evocative of the 1940s-1950s taste. His mirrors tend to appear in the antique art market and are valued as highly collectible pieces. Pansart mirrors were auctioned at very high prices at auctions at Artcurial and other major auction houses (see the last picture) Different works of the artist: Berliz Cinema in Paris Municipal Theater of Poitiers (see last picture) Theater of the Paquebot France

A dramatic neoclassic style mahogany cabinet by Lorin Jackson designed in 1940 for the "Glassic" line of Grosfeld House furniture. The exterior of the...

Lyn high blue black cabinet by Pulpo Dimensions: D60 x W45 x H185 cm Materials: Glass; powder coated steel. Also available in different colours. Studio Visser & Meijwaard de...

Louis XVI style satinwood vitrine with neoclassical ormolu mounts French, 19th century Dimensions: Height 180cm, width 177cm, depth 45cm This ...

Structure: Black lacquer with high gloss finish Interior back: Smoked mirror Shelves: Smoked glass Base: Gold leaf with high gloss finish Door front: Upholstered with black sting...

We are delighted to offer for sale this Chippendale revival english mahogany library bookcase. It has an upper case carved molded edge cornice with detailed moldings and intricately...

Inspired by the most famous of cubes, these volumes can be juxtaposed or stacked endlessly. Its rigid and essential appearance is inversely proportional to its compositional flexibil...

Italian liberty wall display cabinet in wood and glass, early 1900s Wall display cabinet with finely crafted wooden structure with decorative curls. On the front there is a hinged op...

A wonderful Mid-Century Modern style Italian chest of three drawers, made of solid wood structure, covered in green malachite-pattern hand painted glass and brass handles. Feet cladd...

Gloss 2.5 Meter Multileg cabinet by Jaime Hayon Dimensions: D 50 x W 250 x H 80 cm Materials: Container and frontal panels in 19mm MDF and shelves in 25mm MDF. The inside and back...

Break Free Bar Cabinet by PANOPTIKUM COLLECTIONS Dimensions: D 74,5 x W 120 x H 210 cm. Materials: Solid wood, metal, tempered glass, mirror spy, velvet, LED light sources, and paint...

Pair of late 19th century Italian cabinets, probably walnut, in two sections. The upper sections with arched glass doors flanked by Solomonic columns all resting on cupboard bases w...

Striking hand-cut Malachite imitation Murano glass and brass frame Commode or chest of drawer, raised on special brass legs. Handmade by a master artisan. We can sell also only o...

Very fine handmade bar cabinet by a master artisan. Brass frame with handmade and hand-cut ruby red flower fantasy Murano glass ,raised on special brass legs.

Mid Century Modern China Cabinet / Bookcase by Rajmund Halas for Jarocinska, Made in Poland, c. 1960’s. This two piece cabinet offers plenty of storage space with two glass shelves a...

Writing desk with cabinet by Mojmír Požár for UP Závody Bucovice in very good original condition with slight traces of usage. Dimensions of cabinet W:60cm...

Very nice Dutch walnut cabinet, designed by A.A. Patijn for Zijlstra Joure in the 50’s. This high quality cabinet is composed by 2 modules. ...

A Pair of Early Victorian Rosewood Side Cabinets by the esteemed firm Johnstone & Jeanes, dating back to the era of 1840. Originating in London, Johnstone & Jeanes became synonymous ...

This stylish shelving cabinet was created in the 1970s. It features a gloss black lacquered casing, surrounded by golden edges and smoked glass doors and shelves.

Striking brass frame and handcut Lapis lazuli imitation Murano glass Commode or chest of drawer, raised on special brass legs. Handmade by a master artisan. Price is for one item.