Mahogany Cabinets

A fine Italian bookcase cabinet with brass finishes in excellent vintage condition.  

Elegant cabinet with essential lines of Japanese flavor. The slender structure in essence is opposed by four slim legs in gilded metal. Zuan is recognizable by the detail of the supp...

Antique Federal Style Flame Mahogany Display China Cabinet by Councill This carved, banded, and flame mahogany cabinet is manufactured by Councill Furniture. It features two glass a...

Here we have an antique English late Georgian, circa 1820, Gillows of Lancaster (Gillows) mahogany bedside cabinet pot cupboard. Made by one of England’s most notable furniture makers Gillows, this single bedside cabinet has multiple key features, as it opens firstly into a chair and secondly by lifting up the seat it reveals a concealed compartment originally for chamber pots. Standing on four turned legs and featuring handle cutouts to each slide. Stamped inside of the concealed chamber pot compartment “Gillows Lancaster”. Two close comparable bedside cabinet sets to the example above were sold at Sotheby’s, Arts of Europe Auction, 6th November 2014, Lots 253 Lots 273. Search on Sothebys “Gillows Bedside Cabinet...

An imposing and impressive fine quality pair of French 19th Century marble topped side cabinets. Each with wonderful gilded ormolu mouldings, mounts and monopodia embellishments to t...

The later breccia marble top over two paneled doors opening to reveal shelves, above a drawer over a fall front with an interior fitted with drawers and compartments, and two further...

An elegant chest of drawers from around 1860, in the classic Biedermeier style, which is characterized by simple, functional design, emphasizing comfort of use. The piece of furnitur...

A good example with rectangular original grey and white marble top over a drawer with central geometric string inlay and two brass ring handles over a pair of grill doors flanked by ...

French Consulat period mahogany commode with three-drawers, ebonized griffin feet and pilasters, and black fossil marble top. Gilt bronze escutcheons i...

19th century French Empire cabinet with bronze mounts and leather top. 2 drawers over 2 door cabinet.

Pair of burlwood, cyprus and mahogany cabinets with internal drawers.

Pair of Russian (Circa 1820) plum pudding mahogany bookcase cabinets with brass trim and "X" design on 2 front doors, with 2 lower doors and fall...

A Charming 19th Century Victorian Period two-part Mahogany Military Cabinet on Secretaire Chest A mid-19th century, early Victorian period two-part mahogany military cabinet on chest, featuring a secretaire section. The upper cabinet has a brass-trimmed top and two panelled doors that open to reveal two height-adjustable shelves. This upper cabinet sits atop a large mahogany chest with twin brass carry handles on each side. The well-figured top has a drop-front secretaire drawer, fitted with its original drawer stopper, pigeonholes, small drawers, and a writing section, above four graduated oak-lined drawers. Each drawer is fitted with original brass military inset handles, with brass bounds on the sides, and the piece stands on turned bun feet. This antique military chest...

Rare somno egg cup in Cuban mahogany opening with a door with a gray Sainte Anne marble top. Empire style, this somno is in good condition. Dimensions ...

Magnificent Harvey Probber bleached rosewood decagon bar cabinet. Highly figured bleached rosewood veneer on both the inside and outside case, with mahogany top, handles and plinth...

This grand Empire bureau is a testament to the exquisite craftsmanship of the 1820s, crafted from hand-polished mahogany adorned with intricate inlaid wood detailing. Its imposing pr...

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

Russian neoclassical mahogany cabinet with brass inlay, circa 1820. Upper cabinet fitted with glass sides and front glass door with three ...

French Mid-Century (1940s) pink mirrored rectangular miniature cabinet with 2 doors and bevelled trim on lacquered base with mahogany interior

The Rectangular top above three graduated recessed drawers flanked by three quarter rounded ebonized columns raised on plinth block feet.

A French antique ormolu-mounted two-piece marble-top cabinet in the Empire style. Crafted in solid mahogany with fabulous bronze mounts reminiscent of the Empire style using Egypt...

A large 19th century mahogany Sheraton revival inlaid display cabinet of serpentine form, the shaped cornice above two serpentine shaped glazed doors opening to reveal two fixed shel...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine pair of 19th Century mahogany bow fronted bedside chests of grand proportions, exceptional quality and fabulously hand carved with gorgeously rich patination and grain. T...

A two piece mahogany room divider with Japanese wood block printers plates. Designed by Edward Wormley for Dunbar.

Cabinet with concave curved front and lateral three-quarter-columns with leaf capitals and profiled bases. One-drawer and one-door under the profiled top panel. Mahogany, solid and v...

A fine quality pair of Sheraton-style side cabinets, showcasing a bow-fronted design, crafted from fine satinwood and adorned with intricate classical marquetry inlay. The elegantly ...

A custom ordered mahogany dry bar and storage cabinet from Blackwelder's in 1975 delivered to Newport, R.I. In good vintage condition.

A Russian figured mahogany demilune with ormoplu mounts & black marble top. William World Fine Antiques: Atlanta's source for antique interiors since 1956.

Chiffonier/Dresser in Brown, Late 19th Century Elevate your interior with this exquisite late 19th-century chiffonier, a rare and masterfully ...

The large Late Empire hand-polished mahogany chatol with marquetry from the 1820s is an impressive piece of furniture that exudes an aura of elegance and historical significance. The...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

Gorgeous Edwardian display cabinet in the Sheraton manner We date this to circa 1910 and it's crafted from mahogany with marquetry inlay work Inlay motifs include shell motifs and sa...

Late 19th century the rectangular three-quarter galleried top with eared corners above the conforming case fitted with a fall-front opening to gilt and tooled leather-inset writing s...

An exceptional George II design Chinese Chippendale mahogany open fret cabinet, suitable as a bedside or drawing room dwarf book cabinet. The Chippendale ...

Pair of Spanish Renaissance style (19/20th Century) mahogany narrow cabinets with grill doors and red damask panel (PRICED AS Pair).

Rare cabinet designed by Axel Bäck. Produced by Eksjö Möbelfabrik in Sweden.

Mid-Century Modern five drawer Dunbar chest by Ed Wormley. Rosewood mahogany two-tone combination. Brass ring drop pulls.  

This cabinet with sliding doors in light mahogany is a characteristic example of Danish design from the 1960s. With its elegant and functional design, it fits perfectly with the peri...

Large Italian storage / china cabinet. Mahogany, brass, all original with decorative glass sliding doors. Two interior glass shelves can be seen with t...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

Pair of Georgian style mahogany cabinet stands English, 19th Century Height 110cm, width 60cm, depth 55cm Each mahogany cabinet in this pair is crafted in the style popular duri...

19th century mahogany cabinet of nice proportions, having a mirror back and shelf supported by turned columns, the shelf decorated with a...

Introducing a truly exceptional cabinet with a hidden writing desk. This exquisite piece of furniture showcases a captivating combination of rosewo...

This splendid and rare large furniture piece includes three doors with engraved signed keys from the artist Gaston Poisson, “GP”. This circa 1937 cabinet is made of green lacquered* mahogany and contains 12 interior shelves (three doors each with 4 shelves), each shelf featuring beautiful marquetry detail. The centerpiece of this beautiful cabinet is the large exterior mirror by Robert Pansart. This is made of "églomisé" glass with a polychrome geometric ribbon-like decor. Églomisé glass is a technique used often for mirrors that creates intricate decoration using golden leaves and silver. *THE LACQUER IS NOT ORIGINAL, THE CABINET HAS BEEN REFINISHED LATE 20 CENTURY Gaston Poisson, a cabinetmaker from Lille, France, is a renowned Renaissance designer best known for his modernist work. He has a unique taste for pure clean lines, mostly from the 1950s-1960s, which is exemplified in this particular piece. The square and diagonal motifs visible on the facade of the cabinet as well as the ornate marquetry on the interior shelves show that this piece was highly specialized, a well thought out piece made with incredible care. Robert Pansart is a French glassmaker and decorator who specialized in his unique technique of etching and oxidizing with “églomisé” glass. One of the most highly regarded glassmakers of his time, he mainly worked from post war years to the 1960s, and his work is reminiscent of a world based on fairy tales – evocative of the 1940s-1950s taste. His mirrors tend to appear in the antique art market and are valued as highly collectible pieces. Pansart mirrors were auctioned at very high prices at auctions at Artcurial and other major auction houses (see the last picture) Different works of the artist: Berliz Cinema in Paris Municipal Theater of Poitiers (see last picture) Theater of the Paquebot France

The Four Seasons Cabinet - A Large and Important Gilt-Bronze Mounted Parquetry Side Cabinet by Zwiener Jansen Successeur. This magnificent cabinet is titled ‘The Four Seasons Cabine...

A dramatic neoclassic style mahogany cabinet by Lorin Jackson designed in 1940 for the "Glassic" line of Grosfeld House furniture. The exterior of the...

The Louis Seize chest of drawers, crafted from mahogany and adorned with exquisite inlaid wood detailing, is a remarkable antique piece from the 1790s. This elegant chest showcases t...

A superb quality plum mahogany and ormolu mounted breakfront collectors / side cabinet. The pierced brass gallery top, above two panelled doors having gilt bronze beaded frames which...

Constructed of clean lines in luxurious wood, the PH cabinet is the perfect place to display precious mementoes. The PH cabinet also features a highly pract...

A very fine and most unusual Irish Regency mahogany display cabinet by Gillington`s of Dublin. The architectural shaped top above a glazed door for displaying purposes resting on fou...

A very fine pair of 19th century French Louis XV mahogany and gilt bronze mounted cabinets by G. Durand. Stamped in the wood . Original Breche De Alep marble tops. The interior zebra...

Of oval form with a pomegranate finial, the hinged top opening to a fitted interior, and lion mask ring handles at the sides, raised on ebonized paw feet.  

Charming Mahogany Cabinet, Corner, Louis XV Style, 'VERNIS MARTIN', Marble, Panel of Courting Couple, Gilt Metal, 1900's, 20th Century!  Elevate your space with the timeless eleganc...

A fine Italian Bookcase Cabinet with brass finishes in excellent vintage condition. attributed to Paolo Buffa, 1950s.     

A fine quality late 19th century French Louis XV style break fronted side cabinet. Having its original Brèche Violette marble top, glazed doors on either side, opening to reveal shel...

Louis XVI style gilt bronze mounted and mahogany marquetry cabinet. The top opening with two rolling doors and lower section opening with a shelve inside . France: circa 1880

A fine Italian bookcase cabinet with brass finishes in excellent vintage condition. attributed to Paolo Buffa, 1950s.   

A pair of two-part cabinets in a Neoclassical design. The lower cabinet with oval pierced fret panel backed with fabric, concealing multiple mahogany drawers fit for cutlery and dini...

Heavily inspired in Portuguese history and culture, the Dom Heritage is a cross between two of Boca do Lobo’s most iconic design pieces, keeping the form of the Dom Manuel cabinet, w...