1690s Cabinets

A good antique late 17th Century carved ebonized oak cabinet on stand, circa 1680. Such cabinets are commonly referred to as credence or chalice ...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

A William and Mary Gilt-Japanned Chinoiserie cabinet on gilt wood stand. The cabinet depicting Court and rural scenes, with pierced and engraved strapwork mounts and elaborate escutc...

Slightly arched top that may have held a bust at some point, over a middle section with drawers with reverse painted panels with scenes of ancient towns and ruins with a central mirr...

This grand and distinctive piece of furniture from Northern Brittany is known as a “buffet malouin” and was created in the late 17th century. These types of cabinets were created for important homes in the historic port city of Saint-Malo. The design, with large octagonal molded panels, double colonettes, and finely cut brass fittings, is unique to other French furniture of the period. The design was directly influenced by the Dutch mariner carpenters living in Saint-Malo at the time (the Dutch beeldenkast cabinet shows similarities) The large four-door cabinet was carved in oak, as was most of the other “malouin” furniture pieces. It is an imposing and impressive piece, standing over 7 feet tall and nearly 7 feet wide. The front of the piece has twisted, double colonettes, multi-profiled cushion-shaped octagonal panels, and finely cut brass key hole escutcheons, drawer pulls, and lozenge plates. There are 3 drawers, 2 of which are full sized, with a smaller drawer in the center. 3 large bun feet along the front hold up the entire piece, while 2 block feet support the rear. Each door has its own functioning key and lock, with a yet another key for the center drawer. Door and drawer panels are solid and impressive old pieces of oak, which still open and close with ease, indicating the quality of construction and great care that this piece has received over the centuries. The “meuble malouin” in the form of a large 4 door buffet is not often easily found. Research shows photos of several models in various states that have come to surface, but they were not nearly pervasive as French case...

Superb oratory in oak from the Louis XIV period. The lower part forming a drop-leaf desk, has a door with its original hinges and rests on a platform. In the upper part, the pediment...

A superb quality 17th Century walnut Vargueno on stand, the rectangular case having the original iron carrying handles either side and strapwork decoration, the front having a shield...