St. Charles Mid-Century Modern Steel Kitchen Upper Cabinet, Wall-Mount, Gray

Vintage modern teak cabinet featurning spacious storage space behind a sleek set of tambour doors with a top and middle space for small showpieces. This wall unit would be a great fi...

A Mid-Century Modern bamboo and rattan cabinet / cupboard with a removable original Smoked glass top, Spain, circa 1970. In very good vintage condition commensurate of age.

Here we have for sale this Mid-Century Modern Abbey Craft yew wood tv media cabinet with hinged top and Sheraton detailing. Overall, the cabinet is...

Mid-Century Modern cabinet/cupboard by Charlotte Perriand for Les Arcs. With two pull-out drawers. The doors open to a shelf with two spaces for storage. It is...

This is a very large, vintage dresser in the Victorian taste. A handmade, ash, kitchen cabinet of country house proportions, at over 12 feet wide and standing more than 8 feet tall a...

A two-tiered storage shelf with 24 drawers. In my many years of looking at antique Japanese furniture, it's no exaggeration to say that these upper and lower shelves, primarily made ...

Impressive 19th century French Napoleon III stone overlay ormolu mounted ebonized cabinet with black marble top. The shaped black marble top is over a gilt bronze mounted frieze in an leaf-tip motif with an egg and dart border, above a large single door...

Italian 1950s rosewood cabinet with geometric form side supports and a 2 door inlaid upper section with a shelf above 2 lower doors with 4 interior drawers (ICO PARISI).  

A Vernis Martin cabinet in the Louis XVI manner Constructed in mahogany, with extensive ormolu mounts; the square rectangular tapering legs, d...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...