Unique Dutch Lacquer Chinoiserie Cabinet on Stand, Late 17th Century

Extremely rare Jean Baptiste Pillement style, late 17th century-turn of the 18th century, Armoire on base. Chinoiserie decor on the doors and s...

Italian Early 17th Century Baroque Walnut Armadio / Cabinet. Tuscan of origin, with canted corners, two larger and two smaller drawers above two doors, on later paw-feet (can be take...

This is a unique and monumental Dutch Baroque cupboard called “Kussenkast" from the late 17th century, probably circa 1670-1680. Made of rosewoo...

An ornately-carved walnut 17th century and later French cabinet on stand, the top with a pair of carved doors and paneled carved sides with co...

Very large Louis XIV Armoire of extraordinary quality and size. The two massive doors featuring a beautiful, intricate steel locking mechanism. The lower part fitted with drawers, th...

Tuscan Walnut cabinet or bookcase of unusual diminutive proportions and wonderful light honey color. The four doors opening to shelved interiors, on bracket feet. The shelves have be...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

A Homme debout is a two-bodied cabinet with a drawer separating the sections. This handsome Homme debout from southwest France was hand carved from oak in the 1600s. The period Louis...

A very handsome 17th century folk armoire from the Catalan region of Spain. Soundly constructed from thick planks of chestnut. Stunning patina. A fabulous storage piece lending charm...

Fantastic and unusual Antique Dark Oak Linen Cabinet. Constructed during the late 17th century, this linen cabinet was built in solid oak and comprise...