Vintage Metal Lockers, 1930s

WAR TORN - a unique handmade sculptural platinum and white gold leaf coated metal and crystal glass console table. Created by Nick and Sue Allen of 'The Allen Studio' renown this un...

Exceptional vintage Italian teak Sunburst effect coffee table with a satin polished brass base. The sunburst design for table tops can be found in many ...

A very large Vintage Mid Century Teak, Afromosia and Sapele Knighstbridge sideboard/credenza designed by Robert Heritage for Archie Shine. Standing at just over 244cm in length the Knightsbridge really was the Grand Daddy of all Heritage’s amazing sideboards; not to mention the combination of wood that gave it a wonderfully aesthetic appeal. It’s therefore a long sideboard that would naturally suit a large room or hallway. The drawer section is ribbed Afromosia (which is a harder African teak variant with a richer darker colour) whereas the main cupboard and top section is a more traditional golden teak. But in addition, Heritage has finished the main doors off in Sapele which is a lighter cross cut Mahogany variant that creates a ribbon grain effect as it catches the light – the doors can therefore look lighter or darker in colour as you walk around the piece. As regards storage, there’s a lot on offer. The sideboard has 4 large drawers with beautifully detailed handles and with stylised ribbed fronts – and then there are two sets of doors which reveal two large two tier storage...

A pair of vintage original Le Corbusier, Perriand and Jeanneret LC2 Chrome and Ivory Leather lounge chairs for Cassina with labelled upholstery and serial numbers. The price shown is for both chairs. The LC2 chair, designed in 1928 by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, is a key piece in the evolution of modernist furniture. Originally part of a series created for the Villa Church (a private residence for a client in the Paris suburb of Ville-d'Avray), the LC2 epitomizes the collaborative spirit of the three designers. Its tubular steel frame and free form cushions marked a break from traditional designs, combining minimalist form with unexpected comfort. It was first presented in 1929 at the Salon d'Automne in Paris as part of a collection that would later be called the Equipement Interieur d’une Habitation (Interior Equipment for a Living). Alongside the LC2, the trio designed other iconic pieces, such as the LC1 Sling Chair, the LC3 Sofa, and the LC4 Chaise Longue. The LC4, in particular, is often considered one of the most innovative pieces in the collection, with its curved steel frame and adjustable reclining mechanism it was not just a chair, but a piece of furniture designed to enhance relaxation. As such it became a symbol of the modernist ideal—furniture that was as much about living comfortably as it was about making a design statement. The LC designs were created not just as individual works but as a broader vision for modern interiors, where furniture wasn’t just decorative but integrated into the living environment, serving both aesthetic and functional purposes. While the LC2 chair was part of this vision for the Villa Church, it wasn't designed specifically for that one space; rather, it was a part of an overall shift towards modernist furniture that transcended any one project. When compared to the Bauhaus metal chairs...