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Max Kuehne Silver Leaf Dresser on Tall Legs, with Colorful Floral Design, Signed
$28,000
£21,364.76
€24,304.02
CA$39,321.07
A$43,032.18
CHF 22,738.73
MX$513,617.53
NOK 290,174.54
SEK 265,388.23
DKK 181,538.38
About the Item
This is a chest of drawers by artist and craftsman Max Kuehne (1880–1968), who was known for his landscape paintings, decorative furniture, screens, and frames. It was likely made in the 1940's or 1950's.
Kuehne was a versatile artist who worked in both fine art and decorative art. His furniture pieces often feature carved, gessoed, and handpainted decorations with tempera and silver or gold leaf. The decorative motifs on his works were influenced by a variety of cultures, including Spanish, Islamic, and Japanese art. He studied in Europe, and did many of his paintings in Spain, New York and Rockport, MA. Many of his furniture pieces, including screens, tables, beds and cabinets were made in New York.
This unusual two drawer dresser features round, tapered legs, and has intricate and colorful floral designs on the drawers. The floral designs are incised, and highlighted with pigments in subtle blues, greens, and reds on a silver leaf background.
The piece is signed "Max Kuehne" on the lower edge of a drawer.
- Creator:Max Kuehne (Artist)
- Dimensions:Height: 33 in (83.82 cm)Width: 41.25 in (104.78 cm)Depth: 18 in (45.72 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:c. 1940
- Condition:Wear consistent with age and use. We purchsed this piece in very good condition. If there has been any touch up to this piece over the years, it is not evident. It is structurally sound, and the drawers work.
- Seller Location:New York, NY
- Reference Number:Seller: F-23441stDibs: LU10546247399822
Max Kuehne
Born in Halle, Germany in 1880, Max Kuehne was a colorist who created cheerful landscapes that appear to be painted spontaneously and with freshness. He studied with William Merritt Chase and Kenneth Hayes at the Chase School in New York. In 1910, he embarked on a bicycling trip, traveling through England, France, Germany, Holland and Belgium. To support this trip he did portrait commissions along the way. When he returned to New York City, he set up a studio in Greenwich Village and was a student of Robert Henri from whom he learned a dark impressionist style. He also became close with such avant garde artists as Guy Pene du Bois, William Glackens, William Zorach and Maurice and Charles Prendergast, which also influenced his dark work including street scenes and docks in New York City. However, three years in Spain, and painting trips to Gloucester lightened his palette as did time in Paris where he was much influenced by the Fauves, Nabis, and decorative painters. By 1912 he was producing work that would make him known as a "colourist of great distinction" by producing "paintings full of sparkling sunlight." He became a member of the artistic community later in Rockport, Massachusetts, with Gifford Beal, Leon Kroll, Paul Manship, Edward Hopper and Jonas Lie. Many of his finest paintings done later in his career are of the busy harbors and piers of Gloucester and Rockport. His work was widely exhibited including the National Academy of Design, the Art Institute of Chicago, and the Carnegie Institute in Pittsburgh.
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