A Swedish Baroque Chest

Baroque Bureau Cabinet (Desk) Northern Italy, Lombardy, circa 1720 Walnut burl and fruitwood veneer, inlaid with reserves and fillets; bronze mounts and knobs This elegant Baroque b...

Very handsome, 18th century bachelors chest with pull out writing surface. Made with dense hard mahogany and oak. It may be small but it is heavy and substantial. We'll make peace wi...

18th Century Italian Baroque Inlaid Walnut Drop-Front Secretary Desk / Commode, Antique Italian Inlaid Walnut Bureau, Baroque Drop-Front Secretary, A traditional 18th-century Itali...

Exceptional Roman Baroque Ebonised, Rosewood Cassettone with bone inlay and magnificent brass handles Magnificent transition piece displaying classical ornamentation within a tradit...

Fabulous 19th century English two-part campaign chest..... the top two drawers hold a pull-out desk...

Early 18th Century Marquetry Desk-Commode of Italian Origin, having three drawers, the top one having a fall-front featuring a desk compartment fitted...

Gorgeous and rare "Serena "chest of drawers mod. Serena in walnut wood, designed by Giovanni Michelucci for Poltronova, 1955, Italy. Signed piece.

The handsome lines of this chest augment its wonderful proportions with drawers flanking the center drop down writing surface. Deeper than the two below, the top drawer is supported ...

A fine example an English Chippendale four drawer mahogany chest with a rectangular top with molded edge surmounting a case with four graduated drawers, the top of which converted to...

AN EXCEPTIONAL MUSEUM QUALITY, ITALIAN, RENAISANCE WALNUT CASSETTONE WITH A FITTED BUREAU IN THE UPPER PART & EXCEPTIONAL BAMBOCCI CARVING, LOMBARDY - This exceptionally rare, museum quality, piece of early furniture was conceived and crafted as an artwork of the finest quality of its time. Throughout time it has been a luxurious, statement piece which has protected it, and fortunately it has survived in virtually, original condition. - This magnificent cassettone exudes the character and quality of the finest, late-Renaissance furniture. Northern Italian Renaissance furniture often had the sides, legs or angles, 'a Bambocci', incorporating carved figures which were considered unique sculptures in their own right. - The putti on this cassettone are beautifully carved and of sculptural quality. Each angel has one arm raised to heaven, a poignant touch. - The lion’s paw feet are a classical feature and make a great statement. - This cassettone was conceived to have visual impact through the quality of the carving, as well as being very practical with the writing compartment fitted in the top part. - It has survived in very original condition with a few small repairs and losses, and the colour and patina are warm and lustrous. - This cassettone is illustrated Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45, one of the seminal works on Lombardy furniture, and has been in two renowned collections. The hinged top in two sections faced with a solid moulded edge. The front part has a fall front and opens to reveal a writing compartment. The fall front retains its original lock and is concealed with a false drawer which is above three drawers. All with moulded panels, escutcheons and retaining the original iron handles. The front ends have exceptional, bambocci, carved putti raising their arms to heaven above trailing foliage. Standing on magnificent lion's-head carved feet. The sides are panelled. Exceptional original colour and patina. Literature : Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45. A Gonzalez-Palacois, Il mobile in Liguria, Genova, 1996 illustrates related pieces Measures: Length 147 ½ cm. 58 in, height 104 cm. 41 in, depth 75 cm. 29½ in, Provenance: Coll. Private Azzate The Collection of Sandro and Lidia Orsi, Ca’ Mera, Varese. Regarded as one of the most beautiful homes in Lombardy, Ca’ Mera, the country house of Sandro and Lidia Orsi was filled with beautiful objects from many different epochs. A renowned antiquarian from Milan, over his lifetime Sandro and his wife Lidia revived the Renaissance and Baroque character of the house and instilled their own unique vision into the interiors, which culminated with the creation of a Kunst – or Wunderkammer. “I have never seen such an example of poetical taste”, Sir John Pope...