Plexiglass Commodes and Chests of Drawers

Faux Bamboo chest of drawers with mirror French Faux Bamboo chest of drawers, circa 1910 Very neat chest of drawers. Originally from France. Circa 1900-1910. Made of pine wood with...

Widdicomb modern original Art Deco three-drawer commode with figured mahogany drawer fronts. Picture frame style casing with recessed curved front pli...

This chest of drawers from the 1960s exemplifies the timeless allure of Danish design. Crafted from teak wood, it showcases the iconic blend of sleek lines, organic textures, and fu...

An exceptional mid-century modern Hollywood Regency sideboard, credenza, or bar cabinet By Romweber USA, Circa 1970s Gorgeous burled Carpathian elm wood, with brass trim and origi...

A highly unusual Scandinavian modernist piece of furniture. Flip top upper section intended as a dry bar. with drawers below. Small leather inset handles...

A gorgeous French Regency Louis XVI style chest of drawers or commode 20th century Ornate carved gold giltwood, with original hardware. Measures: 51.75" W x 19" D x 34" H. ...

Stylish pair of midcentury dressers. Sturdy construction consisting of finished walnut. Sleek round white drawer pulls. Each piece has four spacious...

art deco chest of drawers chest of drawers 1940s period 1940-1949 design unknown condition good light signs of use size 88 x 45 x 34 (hxwxd) details oak; iron; article n...

Beautiful Italian 1940s chest of drawers or sideboard, credenza, buffet with elegant and classic wood worked according its natural graining on the top and the 4 frontal drawers with...

Important and elegantly shaped Italian Art Deco Mid-Century Modern dresser tallboy or chest of drawers, greatly designed front drawers, in beautiful veneer burl wood with shaped and ...

An exceptional Mid-Century Modern Hollywood Regency chinoiserie sideboard, credenza, or bar cabinet By Michael Taylor for Baker Furniture, "New World" Collection USA, 1950s ...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...