Vintage Elm Burl and Brass Greek Key Credenza by William Doezema for Mastercraft

Compared to that other furniture-makers in historically minded Grand Rapids, Michigan, the work of Mastercraft seems positively flamboyant. The company was founded in 1947 by brothers Charles and William Doezema, who hailed from a long line of cabinetmakers. They went overseas during their service in World War II, and returned home with a plan to make furniture with cosmopolitan flair. Their firm specialized in chairs and case pieces that have modernized traditional forms, finished in exotic wood veneers such as amboyna, yew, burl and fruitwood, and trimmed in brass. Bureaus and credenzas often feature cabinet fronts with decorative brass details such as silhouettes of flowers and birds, or figures that resemble Chinese characters.

In later years, Mastercraft created chairs and glass-topped coffee tables with brass frames. Some pieces included touches like the Greek key — a motif that appears in the decorative arts of both Asian and European antiquity. After Mastercraft was acquired by industry giant Baker Furniture in 1974, the company produced a large group of case pieces featuring applied brass plaques, acid-etched with semi-abstract forms by the German-born, Vancouver-based artist Bernhard Rohne.

The latter are some of the most popular Mastercraft pieces, and like all the company’s wares range in price from about $2,000 to $12,000 depending on size, condition and the amount of decorative trim. As you will see on 1stDibs, Mastercraft furnishings made a bold but artful statement — perfect for lending a bit of dash and brawn to a contemporary decor.

Over the course of nearly seven decades, Charak Furniture Company produced exemplary reproductions of 18th-century-era furniture, including works created in the American colonial and Georgian styles, as well as sophisticated mid-century modern pieces made by the likes of German furniture designer and painter Tommi Parzinger.

Charak was established in Boston, Massachusetts, in 1919. It earned a reputation for exceptional design and durability, and the 1920s were a period of high production for the brand. Charak was a leading manufacturer of reproductions of early American furniture that was influenced by Queen Anne– and Georgian–era design, including secretaries, dressers and cabinets with exquisite details like accented moldings, carved finials, recessed door panels, claw feet and other embellishments.

While the Great Depression put many furniture manufacturers out of business, Charak Furniture Company weathered the era’s difficulties. In fact, during the 1930s, it introduced one of its most enduringly popular dining tables: the drop leaf Danbury table. The solid mahogany table, which features four leaves to comfortably accommodate larger dining parties as necessary, is supported by four slender and elegantly curving legs, a wonderful example of the company's furniture from this era.

In the 1950s, Charak Furniture Company continued to thrive by shifting production to suit modern tastes. It worked with designers like Donald Deskey and Tommi Parzinger to develop collections that boast the clean lines and sleek silhouettes that characterized many of the period’s designs. The collaborations proved fruitful and prolific. The company’s rare revival and mid-century modern pieces have considerable appeal for today’s collectors.

In its heyday, Charak Furniture Company had showrooms in Chicago and New York City. Today, a 1958 desk designed by Deskey is part of the permanent collection at the Carnegie Museum of Art.

On 1stDibs, find an array of vintage Charak Furniture Company tables, storage cabinets, seating and more.