Macassar Ebony Executive Desk by Bodil Kjaer

A rare and early Bodil Kjaer desk in wenge by E. Pederson & Sons. The desk has four drawers with a chrome and brass key. Polished chrome-plated steel frame. Signed with applied manuf...

A Macassar ebony and rosewood desk with adjustable lamp, attached waste bin, and hardware detail in solid polished nickel. This museum-quality reproduction of Ruhlmann’s original 193...

Desk by Margareta Köhler (1901-1974). ca. 1938. Macassar Ebony. Desk with detachable top with two drawers. Designed by Margreta Köhler for...

Vintage executive desk designed in the United States, circa 1970s. This refinished desk is extremely attractive to any viewer due to the versatility of the design and the elegance of...

American Mid-Century Modern ebonized wood large writing table / executive / desk A large and impressive executives desk that can certainly be used...

French Hollywood Regency Style Ebony Lacquer Executive Desk / Writing Table A spectacular Executive Desk that can sit Center of any room or office. The finest ebony finish having b...

designed in 1959 by Bodil Kjær to accompany her iconic ‘James Bond’ desk in a well-figured and deeply patinated rosewood; manufacrtured by E. Pedersen & Søn for Jason Møbler; fitted ...

Executive desk formerly belonging to noted architect George M. Notter, (1933–2007) of the Boston firm Anderson Notter Finegold (now known as Finegold Alexander Architects). Current institutional memory at the firm suggests it was a special order from Herman Miller for the then new New York offices of MGM, however Herman Miller's archivist was unable to confirm. Styling, particularly the distinctive slim milled aluminum tracks through which the entire drawer carriage glides is clearly similar to Warren Platner's designs for Lehigh-Leopold which were then among the most costly of executive office furnishings. The bent flat bar chromed steel base with its distinctive pigeon toe splay is somewhat similar to a table base in Stow Davis' Electa Series, designed by Alexis Yermakov circa 1971. Walnut laminate top is very clean with no issues. One corner edge shows a small separation. The only identifying markings are within the milled aluminum channel: G.P. F.I. 2 And the date Dec. 20, 1968. See image 18. Between the rectangular laminate top and the chrome base is a heavy blackened steel plate. Underneath the bent chrome pigeon toe feet are bars of a thick phenolic material which act as floor protector. We can have keys made to fit the two locking drawers. Tim Anderson...

This unique architect's desk was designed by Frits Spanjaard in 1932. With its generous proportions, striking asymmetry, contrasting woods and the large knobs in solid Macassar ebony, the desk can be considered as an important example of the Haagse School (The Hague School) style. The desk has four large drawers on the right, which can be simultaneously locked with a single key. The interior on the left features six drawers and additional storage, and can be locked altogether as well. Particularly noteworthy are the four cleverly incorporated pull-out shelves of different dimensions creating additional space: two on the front, one on the right side and one large shelf on the back side. The desktop is executed in dark stained oak and features a dark grey leather insert. in 1932, the prosperous Van Stolk & Reese company commissioned Spanjaard to design the interior and furniture of their offices located on the Ceintuurbaan in Rotterdam. This custom desk was most likely designed for the office of the company’s director, which was designed by Spanjaard in a radically modernist way, combining his own sumptuous designs with the functionalist tubular steel furniture made by W.H. Gispen. Between 1925 and 1935 the work of Spanjaard was strongly connected to the Haagse School movement of which he’d become a main proponent. This style was not so much inspired by the Classic European Art Deco capitals such as Paris and Vienna but more by other national and international architectural developments such as the work of Frank Lloyd Wright. The influential magazine Wendingen published a series of articles on Wright still relatively unknown at the time in 1925 and the renowned architect Jan Wils also played an important role in the orientation towards Wrights work in The Netherlands. In its particular application of geometric shapes, primary colours and its sophisticated cubist division of the surface, the Haagse School designers were also aware of De Stijl movement, lead by contemporaries such as Gerrit Rietveld and Piet Mondriaan. At the same time the geometry, the harmonious proportions and the understated decorations were primarily based on the rationalist design principles of H.P. Berlage, who would later become one of Spanjaard’s clients himself. Design had to meet the functional demands of the user but purely utilitarian ideas were certainly not the most important. Due to his frequent travels to Germany, Spanjaard was also familiar with the designs of Marcel Breuer and Mies van der Rohe, especially appreciating the simplicity and purity of their designs. Biography Frits Spanjaard (1889-1978) started his career as the artistic director of the LOV furniture...

Ideal for use either at work or in a home office the Niagara Furniture Mahogany Executive Desk with a tooled leather top is both beautiful and functional. Built in three sections for...