Kipp Stewart for Directional by Calvin Matching Ten-Drawer Dressers in Walnut

​​A brand known to vintage mid-century modern furniture collectors everywhere, Directional Furniture opened its doors after American furniture designer Paul McCobb created the high-end Directional Modern line of sofas distributed by the New York–based Modernage Company.

In his pivotal introduction of postwar modernism to the mass market, the revered Massachusetts-born McCobb had established several lines, from the affordable and refined Planner Group for Winchendon to the swooping and unexpected arms of the Symmetric Group for Widdicomb, a Shaker-inspired collection that included a sofa and a lounge chair. Like all of McCobb’s designs, the Directional pieces for Modernage are defined by a sleek aesthetic in which the focus is on elegant functionality, frequently using fine materials such as brass and walnut. In 1949, in partnership with New York furniture salesman B.G. Mesberg, McCobb set up the Directional Furniture Company.

The pair’s first pieces were upholstered chairs, intended to harmonize with the modular Multiplex pieces designed by Martin Feinman. McCobb then designed an array of furniture including storage, dining, seating, desks and other pieces with details such as leather tops, wood finishes and Roman Travertine surfaces. While Directional stopped production of McCobb’s work in the early 1960s, it still released numerous pieces by leading designers manufactured by a variety of companies.

Designer Paul Evans led the factory for a time after joining in 1964. His provocative work for the company often reflected his understanding of materials from his early training as a silversmith, such as the popular Cityscape series — a milestone in brutalist design — with its blocky forms accented with brass and chrome. At his shop in Lambertville, New Jersey, he collaborated with a design team to clad furniture pieces in metallic surfaces, like the Argente line that began production in 1968 and involved an acetylene torch to give its aluminum material a textural quality. He also worked on the Sculpted Bronze series with hand-formed resin shaped over plywood or steel that was then coated with atomized bronze.

Other Directional designers included Vladimir Kagan, who contributed biomorphic sofas and swivel chairs; Milo Baughman, who created tables and dressers inspired by Scandinavian modernism; and Jack Lenor Larsen, who covered sofas in dynamically patterned fabric.

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While American furniture designers Kipp Stewart Stewart MacDougall created a range of mid-century modernist works for Glenn of California and other manufacturers, the duo is best known for Declaration, a collection they designed for Drexel Furniture.

It’s true that design lovers have long revered Drexel’s bedroom furniture of the 1960s, and collectors of mid-century modern pieces are drawn to vintage Drexel dressers, Drexel Heritage sofas and the series that Stewart (1928–2022) and MacDougall (1927–2016) designed for the North Carolina manufacturer. But Drexel’s story actually begins decades before its celebrated Declaration line and other postwar furnishings took shape.

Drexel was founded in 1903 and earned a reputation for works that were inspired by historic European furniture, like the popular French Provincial–style Touraine bedroom and dining group that borrowed its curves from Louis XV-era furniture. Others replicated the ornate details of 18th-century chinoiserie or the embellishments of Queen Anne furniture. 

By the time he graduated from Chouinard Art Institute in his adopted home state of California, the Pittsburgh, Pennsylvania-born Kipp Stewart was steeped in the world of modern seating design, experimenting with new chair models that bridged form and function. Charles and Ray Eames were important influences on his early work. 

The Eameses — whose lounge chair is among the most iconic works manufactured by legendary Michigan company Herman Miller — were also inspirational for Stewart MacDougall, a Pasadena, California-born designer who, like Kipp, attended Chouinard. 

When Drexel embraced the clean lines of mid-century modernism with the Declaration collection, Kipp and Stewart were producing case pieces and more for Glenn of California, an Arcadia-based brand that also manufactured furniture designed by the likes of Greta Magnusson Grossman, Milo Baughman and others.

Drexel’s Declaration line was constructed entirely of natural walnut and featured the choice of white porcelain or brass drawer pulls and cabinet door handles. Although its stylish credenzas, dressers and other pieces reflect the kind of slim-lined, low-slung silhouettes for which mid-century design has become known, there are also elements that nod to earlier American and European furniture design, such as the dining chairs whose flattened spindle backs recall Shaker and Windsor chair design, distinguishing them from the modern designs becoming prolific in Scandinavia at the time.

While Kipp Stewart found success as a painter and with his Ventana Big Sur project, which he designed in 1972 — and had also created chairs, chests and more for Directional — the Drexel Declaration line is his widely recognized furniture collection and remains highly sought after by collectors today. Stewart MacDougall’s interests also spanned other areas of design — he worked on vintage cars, created golf clubs and built sailboats — but furniture obsessives know him best for the distinctive Declaration series.

The Declaration pieces were so indicative of a particularly American style, in fact, that several items from the collection were selected by the U.S. government to represent the country at the Brussels World’s Fair in 1958.

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