Museum Quality and Condition Original 17th Century Dutch Renaissance Linen Press

17th Century Southeast Asian Bronze Tobacco Pipe — Tay Nguyen Plateau, Vietnam A rare 17th-century bronze tobacco pipe unearthed in the Central Highlands of Vietnam, near the Cambodian border on the Tay Nguyen Plateau. Attributed to the Montagnard (Jarai) hill tribes, this piece dates to the 17th century or possibly earlier. The pipe features a bronze bowl with a short, curved stem that once accommodated an elongated reed or bamboo mouthpiece. Its elegant, angular form reflects both indigenous craftsmanship and subtle Chinese design influences. The surface exhibits a rich, natural patina developed over centuries, enhancing its sculptural presence and authenticity. This artifact represents a transitional moment in Southeast Asian material culture — when traditional highland utility met emerging trade influences from neighboring regions. Mounted on a custom steel display base, it reads as both an archaeological relic and a minimalist bronze sculpture...

Renaissance Marble Portrait Northern Italy, 17th century, inspired by antiquity Marble 36 x 13 cm (including the marble pedestal) This Renaissance portrait head of a young man, sl...

Beautiful weathered oak winged angel head Renaissance ornament. France, 16/ 17th century. Weathered Measurements include the wooden pedestal.

Bronze bust of Aretino, signed. Unidentified signature.

17th century iron dog collar, museum mounted on rectangular giltwood base. With two rows of neoclassic ironwork. The 6" x 2.25" W collar is removable...

Bronze salamander Italy, 17th century Patinated bronze 4 x 17 x 10 cm This finely cast bronze salamander exemplifies the 17th-century fascination with naturalistic forms and animal ...

Cerberus Black painted stone Italy, 17th century Measures: 80 x 69 x 36cm (one head missing) Cerberus, cruel monster, fierce and strange, Through his wide threefold throat barks as a dog Over the multitude immers'd beneath. His eyes glare crimson, black his unctuous beard, His belly large, and claw'd the hands, with which He tears the spirits, flays them, and their limbs Piecemeal disparts (Dante, Inferno, Canto VI). Cerberus figure seated, in his role of ferocious guardian of the underworld; he shows a nervous musculature, an adherent skin which reveals the ribs, long and robust limbs; his heads are broad and the eyes set well apart. Painted in black to amplify his menacing look, the infernal guardian is depicted with his famous attributes, writhing his heads, growling and barking furiously. Cerberus, in Greek mythology, was the monstrous watchdog of the underworld – also known as the “hound of Hades” – preventing the dead from leaving, and making sure that those who entered never left. A child of Typhon and Echidna, he was part of a monstrous family, which included Orthus, the Lernaean Hydra, and the Chimaera as well. Only on three occasions Cerberus was tricked by visitors of Hades: Heracles did it with his strength, Orpheus with his music. In "The Inferno", Dante places Cerberus as the guardian of the third circle of Hell. With his three mouths, Dante saw Cerberus as a beast that was synonymous with the sin of Gluttony. Virgil gets past the monster by throwing mud in his three mouths, temporarily choking him. Very rare are the representations of Cerberus in ancient statuary...

Masterpiece and Museum Pair of Feet of "Mercury" 17th Century in Greek Thassos marble late 17th century early 18th century 17th/18th century 120 x 50 x H 70cm good condition for the ...

Marble Helmet
 France, 17th century
 Marble
 25 × 27 × 18 cm This finely carved marble helmet, adorned with a grotesque mask, exemplifies the 17th-century fascination with antique-i...

Marble lion white marble France, probably Périgord, 17th century Small marble lion wearing a coat of arms pendant with the engraved date, ...