Bronze Case Pieces and Storage Cabinets

A monumental French commode a vantaux after the Model by Antoine-Robert Gaudreaux. The serpentine verde alpi marble top above a rocaille-framed Apollo mask and two pairs of serpentin...

This absolutely stunning very gloriously restored custom vintage Mastercraft white lacquered over mahogany wood long cabinet, buffet or console was a custom piece at the time of 1975. It originally had a stainlerss steel top that cpuld not be polished out so it was replaced with a wood top that was lacquered. This magnificent piece has door knocker chrome plated over bronze dramatic hardware. They have been all re plated over the bronze as was before. The base is aluminum and has been polished to near perfection. The hinges also have been chrome plated to match. The dramatic and heavy hardware on the doors gives the cabinet a great modern look. The door knockers have been re-- chrome plated to match all the other areas. They are very heavy. While this cabinet has been attributed to the style and work of Tommi Parzinger it is a custom Mastercraft piece. This is now modern, fabulous and timeless. It is 101 inches long. There are 3 compartments; the one on the left has 3 drawers, the middle one has shelves and the end one has shelves and drawers. It becomes timeless and has drama with modernity to it. It is stellar! It is ready to be shipped and purchased. No wait in stock. Please note that this has had the highest level of restoration and is a very special cabinet that will transcend time. it is 101 inches wide and a monumental gorgeous cabinet...

This fine French mahogany bronze mounted secretary desk with bookcase top exemplifies the elegance and craftsmanship of late 19th to early 20th century French furniture. Constructed ...

Chest of drawers Ikon made with lacquered structure and hand crafted leather matlasse. Available in: Steel or bronze structure and leather.  

Superb bookcase with central projection in mahogany and rosewood marquetry, opening three doors including a large one in the center presenting a magnificent marquetry decoration comp...

Chest of drawers pure lamb set of two, with structure in solid beechwood. Covered with pure Mongolian lamb wool. Each with: - Two real horns of Aries and two real horns of Koudou....

A Chinese Qing Dynasty period elm wood butterfly sideboard from the 19th century, with carved grapevines and meander motifs, natural finish and bro...

Louis XV Style, Refinished Commode or Chest of Drawers, Kingwood Inlay, Bronze, Marble, France, 19th C. A breathtaking French commode chest, featuring exquisite all-over parquetry i...

Some of our greatest ideas are born from custom projects, such as the Kenmare end table, a special collaboration with designer Melanie Morris. Exceptional on its own, or in a duo–where its linear symmetry can truly shine—this design debuts handcrafted fluted white oak and a full bronze shelf...

Antique French Gold Bronze Mounted Tambour Cabinet with Marble Top, Circa 1890.

This totally refurbished Louis XV-style features an ormolu-mounted top inset with a glass panel. The lockable top opens on three hinges, revealing a sumptuous interior lined with pi...

Lâmina is a series of individual small shelves within the Morfa Collection, each with its own unique form and proportion. Cast in bronze, the shelves are available in a range of fini...

Antique French Victorian / Napoleon III Burl Walnut 2 Door Wardrobe Cabinet with Bronze Plaques. Item features 2 dovetailed drawers (no keys, un...

A Chinese Qing dynasty period red lacquer cabinet from the mid 19th century with drawers and doors. Created in China during the Qing Dynasty era, this cabinet features a linear silho...

This Maison Krieger attributed gilt doré bronze and verdi marble beveled glass buffet is a stunning example of 19th-century French craftsmanship, blending opulence with refined elega...

This antique French vitrine is presumed to have been made in the Edwardian time period and is intricately inlaid with various fruitwood panels, ...

Year: 1930 Country: French We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the b...

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

Early 20th century French neoclassical style demilune cabinet commode. Louis XVI style assuredly by one of the major Parisian makers in the early 20th century producing extremely fin...

The fine mahogany wood and the excellent finish makes this Cabinet special. It has one drawer and a double door Opening to storage space with two shelves. The marble top is a dark g...

This monumental French bronze-mounted marble-top grand buffet or sideboard, dating to circa 1920, is a powerful and richly decorative statement piece that exemplifies the height of e...

This refined French Louis XVI–style vitrine is an elegant and highly functional display cabinet, distinguished by its classical proportions, rich inlay, and finely cast bronze mount...

This in an incredible, custom-made, Nicos Zographos Dining Table Base in Solid Rubbed-Bronze. The design is unmistakably Zographos; having a 4-point base that is flattened and rounde...

Vitrine in the style of Louis XV Napoleon III Paris, circa 1850-1880 Bois-Satiné veneer, all-round surface-covering mirror veneer on solid softwood. High-rectangular, one-door, camb...

19th Century French Louis XVI Walnut Marble Top Buffet makes an excellent choice for any room! Sculpted from sumptuous French walnut, it features a classical architecture that liter...

FRENCH CHEST OF DRAWERS DESIGN AFTER FRANÇOIS LINKE & LÉON MESSAGÉ Finely chased, gilded fittings. Solid beech wood top panel mottled marble top above a pair of doors concealed by a laurel, seaweed and cane back water cascade down bowl and a dolphin amidst seaweed, applied with delicate scroll frames and stained floral lattice marquetry in the upper corners and on each lower corner with a floral ray. This grandiose and opulent commode is Linke's second version (bis) of his famous 'Commode coquille: Coquetterie et Modestie', index number 559. The original model was linked to index number 553, 'Commode Louis XV Figaro (Scène du Barbier de Séville) , and together the two commodes formed an integral and important part of Linke's gold-medal-winning stand at the Paris Exposition of 1900, where they flanked his most monumental work, the Grande Bibliothèque. The 559 chest of drawers was delivered to Elias Meyer in London in September 1909 and after his death in 1925 it was sold on to King Fouad...

American Victorian Eastlake (NY) rosewood credenza with bronze & ebonized trim. Having a raised center platform over concave inlaid side panels and a front door maple interior. (Miss...

A Fine and Rare French 19th-20th Century Louis XVI Style Gilt-Bronze-Mounted Mahogany and Satiné Parquetry Vitrine Commode-Server, attributed to Maison Forest. The rectangular body s...

This antique, painted three-drawer commode has a wonderful serpentine front, accented by angular barbs where the curves meet. Each drawer has a scalloped leaf keyplate flanked by a p...

French Art Deco elegant rosewood showcase, display cabinet from the 1940's, attributed to Jules Leleu in a very good condition. Features intricate inlay marquetry details on both doo...

A distinguished high-Gustavian commode, crafted in Stockholm by Gustaf Foltjern (master 1771-1804). The top features an original slab of Kolsmo marble, while the body is veneered in ...

Hollywood Regency Ebony dresser, sideboard, chest, commode or cabinet, bronze Hollywood regency A Mid-Century Modern Ebony dresser or Chest fully refinished in the Hollywood Regency Fashion. Three smaller drawers above six larger drawers make this sleek and stylish dresser...

Beautiful sideboard at support height in marquetry of different types of diamond-shaped wood, with rich gilded bronze ornamentation and a Wedgewood p...

This beautiful 18th Century Dresdner Baroque Commode was made around 1760. The pine corpus is veneered in Veilchen wood, amaranth and walnut. The bronze fittings are replaced but th...

A very fine and impressive French 19 century Louis XVI style ormolu mounted marquetry inlaid marble-top commode.

Stamped Stumpff and Ohneberg. The shaped, eared breccia marble top above two drawers with satinwood geometrical frieze and three panels inlaid sans traverse with musical trophies, above a shaped apron with a lion-mask mount, flanked by canted corners, the sides inlaid with a vase, on cabriole legs and scroll feet, stamped once 'J.STUMPFF' and 'JME' and once 'M. OHNEBERG'. Jean Chrysostome Stumpff, maître in 1766. Martin Ohneberg...

French Louis XVI style (1940s) ebonized bronze trim chest with 6 drawers having ring handles and supported on small tapered square legs. (stamped: JANSEN)

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Mid-19th century Victorian sideboard in walnut and walnut root with maple inlays and bronze decorations =========== Mid-19th-century Victorian walnut and burl walnut servant with m...

Baker Furniture Mahogany and Bronze Credenza This credenza measures: 80 wide x 20 deep x 27 inches high We take our photos in a controlled lighting studio to show as much detail as...

Decorate an entry, bedroom or living room with this elegant antique commode. Crafted in Bordeaux, France, circa 1760, and built of walnut, the chest also called "Commode Tombeau" in ...

Opulent commode, dresser, or chest of drawers featuring a handsome organic modern raffia grasscloth wrapped or clad case. Made in the fabulous style ...

Secretaire "à abattant". Fine woods, marquetry, interior with drawers in rosewood and textile, gilded bronze and enameled porcelain; on marble. Signed HYPPOLYTE-EDME PRETOT (Paris, 1...

A fine Italian cherrywood console or sideboard. In good original condition with bronze details. In good original condition with bronze details. Measures: Width 120 cm. Height 96 c...

19th century French Louis XVI walnut marble top buffet is a marvelous example of the furniture maker's craft! Stately, tailored lines are framed by bold molding above and below, just...

Beautiful mahogany chest of drawers with 2 drawers, with rich gilded bronze ornamentation: pearl threads, flower sprays highlight the play of the work of speckled or veneered mahogan...

An antique Chinese elmwood two-toned cabinet from the early 20th century, with cut bronze hardware and brushed yellow hued patina. Attracting our attention with its clean lines and t...

Simultaneously minimal and stylish this exceptional writers desk, designed by Harry Lundstead, is the very epitome of Modern Contemporary Design. With its sleek, thoughtful and hidde...

A shelving unit in blackened steel and patinated brass, inspired by the structures of Victorian industrial relics in the River Tyne. Hand crafted in the North to order. Custom sizes ...

Sideboard Virginia with brushed steel base. Top and structure in rosewood. Doors with leather Category B. In option leather exists in Category C and D. Base available in bronze. Virg...

Antique French Louis XVI Kingwood and Bronze D'Oré Vitrine with Beveled Glass, Circa 1890.

French Art Deco palisander wood display vitrine cabinet with a glass door above a Pair of doors with bronze trim and geometric inlaid round column ...

A shelving unit in blackened steel, inspired by the structures of Victorian industrial relics in the River Tyne. Hand crafted in the North to order. Custom sizes and finishes are ava...

Viennese flame birch veneered dressing table with flanking bronze eagle capitals mounted on ebony columns supporting an adjustable oval veneered framed mirror, centered drawer with b...

Large two-door Louis Seize cabinet with bevelled corners and profiled and curved cornice. The cabinet stands on moulded ball feet and is veneered i...

A French Art Nouveau Cabinet dates back to the early 1900s and is crafted in rich walnut wood, showcasing the elegant lines and organic motifs typical of the era. The piece features...

A Swedish writing desk, made of walnut wood, also decorated with gilded lateral grooves in the late Gustavian style. The writing desk is divided into two parts, each of which has bro...

Antique French Walnut Renaissance Cabinet with Bronze Plaques made by F. Barbedienne, Circa 1890.

Petite Louis XV Period Commode in Tulipwood with bronze dore mounts & grey marble top, France 18th century.

19th century Louis XVI marble top walnut display buffet by Kint of Gand is a stunning piece that will immediately command admiration from all who enter the room in which it is displayed! Hand-crafted by Edouard Kint, a fine furniture maker in the historic city of Ghent (called Gand in French), a city that originally started as a settlement at the confluence of the Rivers Scheldt and Leie and in the Late Middle Ages became one of the largest and richest cities of northern Europe, with some 50,000 people in 1300. It prospered primarily because of the rich, fertile soils surrounding the area. Evidence of habitation during the Stone Age has been found, and by the late 19th century it was a thriving European center with historical significance, producing such masterworks as this splendid buffet. Although it is almost six feet in width and over two feet in depth, its rounded sides soften the impact of its footprint on your floor plan, while simultaneously providing copious display, storage, and serving space in abundance! Crafted from hand-select walnut, it has been lavishly carved with intertwined foliates across the main facade in a step-front configuration, with rounded cornerposts carved with rosettes, egg form and laurel garlands atop reeded and fluted motifs providing a framework for the lush, artistic neoclassical carvings on the parquet-paneled doors. Urns in full relief are depicted amongst flowing ribbon, floral garlands and intertwined vines. Bronze key guards add a nice accent. On each side, recessed behind the aforementioned rounded cornerposts, are the display cabinets in a full quarter-round form, with fluting across the drawer that, with the bronze bale pull, pivots out on a single rear hinge. The rounded cabinet door below is fitted with a single curved pane of beveled glass, with quarter round shelving...