Carrara Marble Shelves

Circa 1910 Elegant and compact Arts & Crafts 3 tiered bookshelf with subtle workmanship and clean lines in dark, quarter sawn solid oak. Ideal for ...

Vintage Mid-Century Modern chrome and smoked glass étagère bookcase shelf. Item features sleek chrome metal frame, five smoked glass shelves, clean modernist lines, circa 1970s. Meas...

Stack Shelving Unit is a grouping of architectural and abstract sculptures by Noah Spencer that together make a shelving unit. When these sculptures are ...

A furnishing system made entirely of wood, designed by Angelo Mangiarotti in 1953. Its distinctive feature is a trestle in the shape of an upturned “V”, which means it is superimposable by means of a siply gravity joint, and whose special perimeter section can accomodate bookshelves on which closed containers...

Scandinavian Mid-Century Modern design teak bookcases set designed by Grete Jalk and produced by P. Jeppesens Møbelfabrik, movable vertical partition...

Jacques Adnet French metal and brass etagere or open bookshelf or display shelf with four shelves. The faux metal is lacquered black with brass Adnet stars and curved side details wi...

Original pair of Mid-Century iron wire 4-tier art display shelf bookshelfs each featuring a welding frame made from hundreds of black iron rods sculpted into a geometric shape. The c...

This single bay version of Amuneal’s Collector’s shelving unit features solid machined brass fittings and posts in a warm brass finish. The unit mou...

In the early 1980s, Luigi Sormani envisaged what would become a hit of the 1990s, later adopted by Antonio Citterio with B&B Italia: a modular shelving that tipped the modularity fro...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Original Mid-Century iron wire 3-tier art display shelf bookshelf each featuring a welding frame made from hundreds of black iron rods sculpted into a geometric shape. The cubist-lik...

Vintage Mid Century Modern Retro Glass Case Cabinet or Bookcase. Beautiful and minimalist design from the 1950s.