Metal Vitrines

Showcase made of chemical colored brass with glass and tip-on drawer. For Jewelry, silver, bags or wallets, Etc. 3 Dimensions possible : 53 cm, 72 cm, 88 cm. luminated with leds.

This beautiful Classic is an early 1900s French rosewood vitrine with beautiful bronze ormolu-mounted details. There are two glass shelves in the top portion with a wonderful mirrore...

Vintage Chrome etagere, each shelf has removable glass with brass finials.

Pair of machined solid brass heavy tube faux bamboo 4 tier Italian Mid-Century Modern étagères shelves.   

Incredible Jugendstil, Art Nouveau, Liberty Material: silver plated Country: German We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have an...

Spectacular antique demilune vitrine cabinet stands for Grand Rapids Furniture, from Grand Rapids, Michigan a historically significant center for furniture manufacturing in the Unite...

This French figural bronze mounted collector’s cabinet vitrine in the manner of Adam Weisweiler is an exceptional example of late 19th to early 20th ce...

A dynamic Western theme display case with Cut steel horses, welded steel stacked horseshoe legs and gun form handles. The latched top (includes one key) opens to reveal a large displ...

Magnificent Showcase in violet wood marquetry with rich gilt bronze ornamentation, very finely chiseled with Louis XV-inspired motifs. Topped with a Campan Grand Mélange marble, ...

This stunning pair of shelves are made of black lacquered metal, brass and bronze glass shelves. The bottom legs of each vitrine has very nice bronz...

Louis XVI style marble and ormolu bronze mounted mahogany vitrine display table with mirrored interior , supported by four tapering legs . The vitrine is in great condition . Minor w...

Antique French Louis XVI Kingwood and Bronze D'Oré Vitrine with Beveled Glass, Circa 1890.

An astounding piece of history in this Jules Leleu vitrine. It’s modest and refined with incredible attention to detail and construction. The brass medallions and sabots assist in ro...

Brass and chrome showcase cabinet. The cabinet has a beautiful golden colour that, together with the contrasting chrome, has a wonderful 1970s luxuriou...

A very fine French Louis XVI style Belle Époque gilt bronze and carved verde green and parcel-gilt exhibition vitrine display cabinet with side doors, circa 1900, Paris. Measures:...

Production palermitaine du début du XXe siècle, this impressive Empire-style vitrine is crafted from mahogany and elm burl, with refined bronze mounts. The structure features two pan...

A dynamic Western theme display case with Cut steel horses, welded steel stacked horseshoe legs and gun form handles. The latched (includes one key) top opens to reveal a large displ...

Showcase made of chemical colored brass with glass and tip-on drawer. 3 dimensions possible : 53 cm, 72 cm, 88 cm.

Year: 1930 Country: French We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the b...

Unique kitchen shelf made from a former medicine ball shelf of the 1950s. High quality cast iron frame and solid pine and beech wood trays. Quality Features: very good workmanship h...

This Fine Gilded Figural Walnut Ebonized Vitrine in the manner of Charles-Honoré Lannuier is an exceptional example of early 19th-century inspired Neoclassical craftsmanship. The vit...

A pair of unusual obelisk shaped étagères. Polished aluminum (aluminuim), with glass shelves and hard plastic capped feet.

A fine quality pair of late 19th-century Satinwood pier cabinets, with ormolu mounts and intricate design. Each cabinet features inset hand-painted Sevres-style porcelain plaques, b...

Elevate your interior with this Gorgeous French Marble Top Gilt Bronze Vitrine, an exquisite example of 19th-century craftsmanship blending artistry, luxury, and function. Crafted fr...

An Industrial Style brushed steel and glass etagere with illuminated interior and four glass shelves all with fine beveled edge. The etagere with cable elements that are looped around the horizontal supports. The crown with a knotted element...

This antique French vitrine is presumed to have been made in the Edwardian time period and is intricately inlaid with various fruitwood panels, ...

A very good quality late 19th Century French Kingwood veneered serpentine fronted, marble topped vitrine. Having scrolling foliate gilded ormolu mounts, adjustable glass shelves with...

A stylish etagere, obelisk shaped, in polished aluminum, glass shelves, in the style of Milo Baughman.

An elegant Louis XVI style gilt bronze mounted mahogany vitrine attributed to Maison Krieger. The bombé front door opening to two glass shelves, flanked by convex glazed sides and r...

Showcase made of chemical colored brass with glass and tip-on drawer. For Jewelry, silver, bags or wallets, Etc. 3 Dimensions possible : 53 cm, 72 cm, 88 cm. luminated with leds.

Exceptionally rare Romeo Rega design for Mario Sabot, Obelisk curio etagere'. Made in Italy, circa 1970's. Perfect for display of rare collectables, perfumes or even for use as a ce...

This most artful Hollywood Regency tall Obelisk Cabinet will immediately catch your eye with its high design esthetic in red lacquer and gilt. Undoubtedly inspired by elegance from top to bottom, this obelisk's details compliment one another as the eye wonders. Two door bottom cabinet with large Widdicomb style brass ring pulls and gilt molding. Lacquered interior with single shelf. Gilt neoclassical sphere bases. Obelisk display...

Showcase made of chemical colored brass with glass and tip-on drawer. For Jewelry, Silver, Bags or Wallets, Etc. 3 dimensions possible : 53 cm, 72 cm, 88 cm. luminated with leds.

Art and craft oak cabinet with dark brown finish (nearly black). Double doors on the front with beveled stained glass. Many beautiful brass details. Large drawer, one key and four sh...

A very fine 19th century French Louis XV kingwood and parquetry designed viewing cabinet. Lined with a gold silk . Fine gilt bronze mounts. Stamped Haentges Freres Paris

Beautiful 20th century French mahogany Empire style vitrine from the 1920s. This vitrine has a music scores compartments. Brass net finish. Brass hooves...

A rare etagere by Tommi Parzinger for Parzinger Originals in brushed steel (hand machined, seemless edges), with glass shelves and a single pull out drawer in a tall pyramid shape.

Rare 19th Century museum quality brass and kingwood bijouterie table, the shaped and moulded top with brass mounted sides, cross banded in kingwood and with centred brass framed glas...

French Victorian walnut display cabinet with a large single front glass door and inlaid on front with bronze trim.

A stunning pair of French Louis XV style grand vitrines in the manner of Vernis Martin, circa 1900. Decorated with flame mahogany veneers, the vitrines are richly trimmed with gilt b...

Les Cuirs - Bar cabinet by Marc Dibeh 2020 Materials: Leather, brass, American walnut Dimensions: W86 x H193 x D41 cm Beirut based designer Marc Dibeh narrates his cultural en...

Padma display cabinet designed by Ettore Sottsass and produced by Memphis in the 2000s. With a crystal frame and uprights, Parma belongs to the Long Furniture collection. Its aesthet...

Tall narrow Woodard etagere plant or cocktail stand . Half inch round stock wrought iron supports four steel mesh 16" diameter round shelves . Recent...

66" gilded Mid-Century iron four-tier shelf.

A Fantastic Late 19th Century Gilt Bronze Mounted Louis XVI Style Vitrine By Victor Raulin Victor Raulin A center glass door with three shelves and a black felt back, quartered ven...

This pair of tall, narrow antique retail display cabinets in a metal industrial style are a unique addition to any home. These glass-do...

Year: 1920 Country: French Wood, bronze and glass It is an elegant and sophisticated bookcase. You want to live in the golden years, this is the bookcase that your project needs. We ...

Russian neoclassical mahogany cabinet with brass inlay, circa 1820. Upper cabinet fitted with glass sides and front glass door with three ...

The “Levitating” Cabinet is a dramatic, art-deco style vitrine that is made by hand in Bloomington, Indiana. Featuring a dramatic combination of the finest quilted maple and macassa...

This stunning 19th-century French Boulle inlaid display cabinet exemplifies exquisite craftsmanship and opulence. Crafted from rich mahogany and adorned with intricate brass and tort...

Kai Winding cabinet in partly solid rosewood. Top with glass doors, lower part with drawers with keys. Made by Rud Rasmussen  

A beautiful French bookcase, made of solid oak, the details are very nice, even on the side, on the second picture, ALL SALES ARE FINAL, STORE CRED...

Pair of Grey Glass and Polished Brass Vitrines Retailed by Mario Sabot, Italy, 1970s A striking pair of sleek, modernist vitrines composed of smoked grey glass and substantial polis...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Decorative small Art Déco exhibition showcase / vitrine by Maison Siegel, Paris. France 1920s. The Siegel company was famous in the Art Déco Epoch for its very high quality exhibitio...

A Fantastic Pair of Late 19th Century Louis XVI Style Gilt Bronze Mounted Demilune Vitrines By Paul Sormani Paul Sormani Each with balustrade galleries and raised on spiral decorat...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of black lacquered steel, which remind us of the Mikado sticks game, are cut at preci...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of thick stainless steel, which remind us of the Mikado sti...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of thick brass, which remind us of the Mikado sticks game, ...

Historic site, France, circa 1830. AFTER RENOVATION. UNIQUE An antique display cabinet from France, dating from around 1830, is a true work of furniture art. Richly decorated with m...