Veneer Vitrines

Mid-Century Modern Penedo Marble Display Cabinet, Hand-Crafted in Portugal - Europe by Greenapple The Penedo marble display cabinet captures the enduring beauty of nature’s landsca...

Modernist tubular steel low bookcase made of chrome-plated steel, lacquered blockboard and sliding glass panels, customizable. Production time: ca. 10 weeks

Bauhaus tubular steel low bookcase made Nickel plated tubular steel, veneered blockboard and sliding glass panels. Customizable, production time c. 8 weeks.

Mid-Century Modern Venise Showcase, Hand-Crafted in Portugal - Europe by Greenapple The Venise Showcase enhances any interior by taking exceptional craftsmanship to a new level. Th...

Remarkable 19th century nutwood display cabinet/ vitrine from the famous Biedermeier period in Austria around 1840. Veneered in fine nutwood, this beautiful Biedermeier vitrine impre...

Art Deco Penedo Quartz Display Cabinet, Handmade in Portugal - Europe by Greenapple The Penedo quartz display cabinet captures the enduring beauty of nature’s landscapes, shaped and...

German modernism 'Dahlem' secretary showcase designed and manufactured by GMD Berlin. Wood lacquering in various colors and finish. Available on reque...

This beautiful French Art Deco bar cabinet was made in mid-France in the early 20th century circa 1925. It features a strong geometric design that is typical for art deco furniture. ...

Mid-Century Modern Penedo Quartz Display Cabinet, Handmade in Portugal - Europe by Greenapple The Penedo quartz display cabinet captures the enduring beauty of nature’s landscapes,...

A superb quality palatial French Louis XVI style ormolu mounted, satinwood, kingwood parquetry and Vernis Martin style paneling three-door raised Vitrine Display Cabinet attributed to Paul Sormani (1817-1877). A Vernis Martin Panel signed "V. Gossen." The lower part of the cabinet with three frieze drawers supported by two square-sectioned on tapered legs, fronting an ormolu mounted parquetry back panel, on toupie feet. The ormolu stamped with the initials "P.S." on the reverse. Circa: Paris, 1870. Height: 101 inches (256.5 cm). Width: 56 inches (142.2 cm). Depth: 20 inches (50.8 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Bespoke low bookcase with case in veneered blockboard and sliding glass panels and tubular steel base.

Elegant, narrow, 3-sided glazed Art Deco display cabinet in macassar from France, circa 1930. Macassar ebony veneer (frames) on softwood and mahogany solid wood (cornice and base). ...

Mid-Century Modern Penedo Marble Display Cabinet, Hand-Crafted in Portugal - Europe by Greenapple The Penedo marble display cabinet captures the enduring beauty of nature’s landsca...

Beautifully handcrafted walnut veneer Bauhaus era with a touch of expressionism display cabinet. This finest quality early 1900s, two doors display cabinet with its original beveled...

Minimal Danish design modular display shelving by Paul Cadovius Around 1960 Poul Cadovius made a huge impact on the shelving area of the Danish furniture industry – he designed a freestanding modular based shelving system in metal with endless combinations and able be assembled without using tools...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

This refined 19th-century French display table is a rare example of understated elegance and fine craftsmanship. Made of walnut with delicate inla...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

19th century Louis XV style curio display table, mahogany with bronze mounts French Louis XV style elegant mahogany and bronze decorated display...

20th century magnificent French Louis XVI style display cabinet Bois-Satiné veneer, all-round surface-covering mirror veneer on wood. Upright rectangular and rounded, glazed on thre...

This Italian neoclassical style vitrine expresses elegance and refinement in every detail. Made in the mid-20th century in walnut veneer with elegant details in briar and maple. Its ...

Exceptional Hollywood Regency, Art Deco Revival style display cabinet, vitrine, china cabinet, designed by Paolo Barracchia, for Roman Deco, retailed by Artebella 8687 Melrose Ave LA...

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

Designed by Leo Jiranek, a forefather of mid-century American Modern furniture, this vintage vitrine was created for his "Outlook" Collection made by Virginia's Bassett Furniture. Hi...

A very good quality late 19th century French gilded ormolu mounted, marble topped vitrine. Having wonderful quality cherub mounts to the corners, scrolling folaite decoration, reeded...

Modernist tubular steel low bookcase in chrome-plated metal, glossy lacquered wood, and sliding glass panels. Customizable, production time ca. 10 w...

Italian bookcase period 1940s in walnut and walnut veneer with two drawers, wax polished. Upper showcase with grating and the two lower doors covered in leatherette. Excellent condit...

Hello, We would like to offer you this truly exquisite, early Biedermeier walnut vitrine. The piece was made in Vienna circa 1825. Viennese...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

French Louis XV Display Cabinet with Gilt Bronze, Napoleon III, Paris Solid wood with fine veneer. Fire-gilt bronze decorative fittings with ...

Elegant, early Biedermeier display cabinet or bookcase from southern Germany around 1820. Light cherry wood veneered on softwood. Partly ebonized. Ash burl veneer inlaid on the side...

Exceptional, rare empire nutwood display cabinet or vitrine from the mid 19th century in North Germany - the "second empire" period. As part of the inventory of a stately mansion, th...

Art deco credenza with display cabinet in burl walnut , by Ditta Strada Abramo fu Paolo, Milano, Italy. Credenza with showcase in walnut with two bodies: sideboard with two doors ...

Modernist display cabinet, chrome-plated tubular steel, lacquered and cherry veneered blockboard, customizable. Production time c. 10 weeks.

Biedermeier Vitrine or Display cabinet from South Germany around 1830. Walnut veneered and solid. Glazed on three sides with old glass windows. Ebonized full columns. Brass key escut...

A superb quality French 19th-20th century Louis XV style ormolu-mounted kingwood, satinwood and satine single door figural vitrine by the renown Parisian master craftsman and cabinet...

1890s, display cabinet or vitrine, umbertino, neoclassic with drawer in solid walnut and veneer walnut. Restored and wax polished in good conditions. Excellent patina. With one shelf...

Sample box by Interna8. This box contains all the samples of the finishes of the articles in the Interna8 collection. The samples are a useful tool to be able to see and touch the ...

Antique Louis XV display cabinet Napoleon III, Paris, around 1880 Fine veneer on solid oak, veneered and paneled with ebony inlays. Arched, s...

Dimensions 100x19x26cm (LxDxH) Dimensions: approx. 39.4 x 7.5 x 10.2 in Very shapely, simple and elegant shelf made of a veneered U-shaped profile by Wilhelm Renz for German manuf...

A pair of very good quality pair of late 19th century French Louis XVI style bombe vitrines, each with scrolling foliate and rams head gilded ormolu mounts, wonderful marquetry + par...

A very fine French 19th century Louis XV style ormolu mounted plum pudding mahogany veneer, mahogany and Vernis Martin decorated vitrine à Deux Corps, probably by François Linke (1855-1946). The lower structure fitted with finely chased gilt-bronze mounts with female masks, musical instruments, floral drapes, bows and acanthus, centred with a frieze drawer and a cupboard door with three painted panels. The centre front painted panel with a Romantic courting park setting scene amongst sheep and a sculpture fountain of Putti; the side panels both with parks scenes of a resting lion sculpture and fountain flanked by grassing sheep. The lower cabinet interior with three drawers, the upper vitrine case with two glass shelves, a bowed beveled front door and sides, crowned with a fine gilt-bronze wreath mount with ribbons, all raised on four cabriolet legs with cast lion paw mounts. Unsigned, Paris, circa 1890-1900. The style of this cabinet is closely related to those produced in the Paris furniture making trade in the Faubourg Saint-Antoine in the 1880s and as such, without a signature or identifying mark, is unattributable. However, there are similarities with the firm Raoux et Brunet, some of whose mounts were designed by Léon Messagé and later used by François Linke. Indeed many of the mounts on this cabinet, whilst not exclusive to him, are very similar to the work produced in his early years in Paris in the 1880s. At this time Linke was making furniture to order...

Art Deco display case / library made of Macassar with marble top, approx. 1925 Paris. Original Art Deco furniture from a time full of life and elegance. We get all of our furniture u...

Dimensions: 150x32x52 cm (width x depth x height) This Mid-Century Modern teak credenza was designed by Rex Raab and produced in the 1950s by Wilhelm Renz in Germany and can be mo...

Pair of antique ormolu mounted vitrine cabinets by L'Escalier de Cristal French, Late 19th Century Height 178cm, width 105cm, depth 55cm Crafted in the late 19th century, this exqu...

A fine quality American made George II style bookcase, breakfront, china cabinet in mahongay with inayed boxwood. This piece has a glass upper section with glass shelves and an arche...

French Art Deco elegant rosewood showcase, display cabinet from the 1940's, attributed to Jules Leleu in a very good condition. Features intricate inlay marquetry details on both doo...

A Fine French 19th-20th century Louis XV style ormolu-mounted tulipwood vitrine with marble top, in the manner of François Linke (1855-1946). The slender single door cabinet fitted w...

- Carefully refurbished - Integrated light - Mahogany veneer - The hairpin iron legs were added afterwards.

A Large and Exquisite Antique French 19th Century Dore Bronze Mounted Mahogany Veneered Vitrine/Cabinet, Signed by P (Paul) Sormani. Truly a masterpiece, this bombe form extra wide v...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of thick copper, which remind us of the Mikado sticks game, are cut at precise angles...

A very good quality late 19th century French break fronted marble topped Vitrine. Having wonderful classical gilded ormolu mounts and plaques with scrollingq C scrolls, foliage, Rams and putti blowing horns...

A fine quality French kingwood, marble topped vitrine having shaped glass to the front and sides. Beautiful ormolu mounts and raised on cabriole legs. The the manner of 'Linke.'.

The moulded cornice above two shaped glass panelled doors opening to shelves, the lower part with a hinged sloping fall front opening to reveal a fitted interior with a central door ...

A rare and important Art Deco period Century of Progress Display Cabinet designed by Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana, United States of America. circa 1933-1936 Created for the 1933 Chicago World's Fair, one piece design, having a rectangular showcase top with glass panel sides and a pair of sliding glass doors, over solid wood chest fitted with four drawers affixed with horizontal pulls, flanked by cabinet doors, opening to shelved interior. Rosewood, mahogany, richly figured blonde - golden birch or primavera, and glass. Signed, original label to drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching sideboard - buffet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

A fine late 19th century calamander wood vitrine cabinet, the top, and front veneered in calamander wood and the sides ebonised, the front and corners ...

This elegant Biedermeier vitrine from Austria, circa 1820, is a striking example of 19th-century craftsmanship. With its refined design and practical functionality, it serves as a be...

A beautiful 19th century Louis XIV style breakfront vitrine, decorated with a variety of geometric veneer patterns of contrasting shades and grains,...

A wonderful and rare pair of late 19th century French Louis XVI style virtines, each with their original marble tops, beautiful scrolling gilded ormolu mounts, the serpentine fronted...

A classic Louis XV style vernis Martin display vitrine with serpentine glass door. Luxurious rococo revival elements are in full force here, curving wood veneer and glass surfaces offset by vine-like ribbons of ormolu bronze detailing, with lush green velvet interior set atop cabriole legs tipped with decorative sabots. At center is a hand-painted “fêtes galantes” scene...