1800s French Oak Armoire

Antique French Walnut China Cabinet, Vitrine, Bookcase or Armoire, probably constructed over 200-years ago. Our Old Plank restoration department, went through the Armoires structure,...

Armoire, Bleached Oak, France, circa 1940 Echoing the Sculptural Language of French Provincial Modernism Sculptural in stance and restrained in detail, this tall French cabinet fro...

Limed oak two door armoire. Height 210 cm. Width 127 cm. Depth 64 cm.

This French Country arched top armoire, mid-1800s era, is a fine example of provincial craftsmanship and timeless rustic elegance. Crafted from solid fruitwood, the armoire features ...

French Armoire in Oak and Brass, Late 19th Century Rooted in the provincial elegance of the Belle Époque This tall oak armoire, dating from the end of the 19th century, embodies the...

Carved oak wedding armoire with two doves under leaves and grapes on crown piece and two-panelled doors carved with grapes and birds on oval medallion. Each door is topped by large l...

A very unusual parquet armoire coming directly from a home in Brittany. An old ebenist of the area from which this armoire originates is quite confiden...

American Hepplewhite tiger maple armoire with Palladian cornice, flanking recessed paneled doors, single lower case drawer with the original brasse...

 Attractive carvings of vines, leaves and flowers embellish this armoire giving it a romantic touch. Crafted in the late 18th century France, this oak armoire has beautifully carved ...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...