French A Deco Dressing Armoire Beveled Mirror Many Drawers Shelves, circa 1930

Art Deco low rosewood and gilt brass armoire. Opening with two doors. Feet in gilt brass, 1930.

French Art Deco armoire made of amboyna burl with marquetry and inlaid mother-of-pearl. Large rectangular mirrored center door and two large si...

Elegant and unusual armoire made of heavy iron, with original ivory paint finish. The front door is backed in mirror, and has a decor of a woman's profile set in a medallion. The in...

Armoire, Bleached Oak, France, circa 1940 Echoing the Sculptural Language of French Provincial Modernism Sculptural in stance and restrained in detail, this tall French cabinet fro...

Louis SÜE (1875 – 1968) A Fine French Modernist burl wood (amboyna or elm) armoire / cabinet with a lacquered aluminum frame. A recessed light illuminates the top niche of each side ...

This extraordinary monumental armoire showcases a rare blend of late Art Deco sophistication and Hollywood Regency glamour, crafted circa 1930s. Standing at an impressive 90.5 inches...

French neoclassical style tall mirrored cabinet/armoire Beautiful reproduction, originally with legs, legs were cut off. Selling as is. Parcel-...

French Art Deco Armoire in macassar ebony with 2 center mirrored doors and 2 outer doors with marquetry. Interior drawers and shelves.

Outstanding Art Deco Armoire or Wardrobe in black piano lacquer from France around 1930. Mahogany body, outside in black piano lacquer, polished to high gloss. Double metal trim on t...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...