Jean Pascaud, Rosewood and Gilded Bronze Wardrobe, circa 1940

Primitive tripod table. France, late 1940s. Sculptural and distinctive, these three-legged “cricket tables” — a form once commonly found in rural French and British homes — are craf...

Edward Barber and Jay Osgerby have designed Planophore 2014 for Vitra as a dual-purpose - room divider and bookshelf. Its open sides create a horizontal emphasis underscored by the solid shelves with rounded bottom edges, which are reminiscent of aircraft wings and appear to float on the vertical panels. This also explains the name of the shelf: the original Planophore made its debut in 1871 as the first stable model aeroplane...

This elegant design by Nanna & Jørgen Ditzel by Søren Willadsen serves as a desk, a writing table, library table, or even a console tab...

With its organically shaped blown glass shade, especially rare in this opaline frosted glass version, the GA9 resembles a floating droplet. Designed by Swedish architect Erik Gunnar Asplund, widely regarded as the godfather of Swedish modernism, this lamp embodies his signature geometric clarity and structural ingenuity. Like his Stockholm City Library, it balances simplicity with innovation. A bent arm holds the glass, while another secures the light source at the luminaire’s center. The black lacquered metal curves organically, contrasting with polygonal backplates—an interplay of geometry and fluidity that defines Asplund’s vision. The large, mushroom-like shades diffuse light in a soft, mesmerizing glow, enhancing the atmosphere beyond mere functionality. Asplund’s influence extended to Scandinavian design icons such as Alvar Aalto, Erik Bryggman...