Stunning 1932 Waring Gillow Burr Walnut Triple Bank Wardrobe with Mirror

Waring and Gillows. In the style of George Walton. A rare Glasgow style Arts & Crafts oak wardrobe with a matching dressing table combined with a well balanced use of chequered inla...

Art Deco highly figured walnut tallboy/compact wardrobe by Waring and Gillow. Circa 1930s. The tallboy is in excellent clean condition, and has been refinished at some time in the p...

Gillow's of Lancaster, an Aesthetic Movement walnut armoire wardrobe compactum with lots of useful storage space. The moulded cornice and b...

A vintage oak Art Deco compactum fitted wardrobe from Waring and Gillow, circa 1930s. Inside, is fitted out with a clothes rail and shelves

We are delighted to offer for sale this Gorgeous Victoria Regina Distressed Art Deco Burr Walnut Triple Wardrobe. The lock on the wardrobe engraved V.R which is Victoria Regina. ...

Gillows. An Arts & Crafts Glasgow style Arts & Crafts oak treble wardrobe with ebony and walnut stylized floral inlays to the cornice and further leaf style inlays to the door tops a...

Antique Aesthetic style marquetry and gilt bronze wardrobe with mirror Continental, early 20th century Dimensions: Height 202cm, width 154cm, depth 61cm This beautiful wardrobe ...

We are delighted to offer for sale this Victorian Triple Wardrobe Burr Walnut Wardrobe. A stunning wardrobe featuring 3 doors, two doors open to a han...

For your consideration is this fabulously styled Art Deco wardrobe dating to the 1930's. Small and well proportioned this wardrobe has stunning Walnut grain with book paged veneers w...

Bruce Talbert (1838-1881) for Gillow and co., a rare and important walnut, amboyna, ebonized, and gilt bedroom suite, each with differing carved rosettes, comprising: a triple mirror door wardrobe, 208cm high, 208cm wide, 58cm deep; a pair of bedside lockers, 85cm high, 38cm wide; and a pair of single bedsteads, 124cm wide Provenance: The famous Argentinian writer and suffragette Victoria Ocampo (1890-1979), bought from her estate and shipped back from Argentina. Bruce James Talbert originally trained as a carver and then an architect, and he became an influential and very successful furniture designer. He served an apprenticeship in Dundee and had his own carving business for two years where he learned the skills to apply carved details to furniture and then joined the architectural offices of Charles Edward. In 1856 he moved to Glasgow and worked for the architects W. N. Tait and Campbell Douglas. He moved to Manchester in the early 1860s, where he gained employment with the cabinetmakers Doveston, Bird, and Hull, which was short-lived, then moved to Coventry gaining work with Skidmore's Art Manufactures. In 1863 he won the competition to design the masthead for 'The Building News and in the mid-1860s moved to London, where he started designing furniture for Holland and Sons. His 'Pericles' Gothic sideboard was displayed on their stand at the Paris Exposition Universelle of 1867 where it was the Grand Prix winner. It was at this point that his most prolific period began and also when he started designing furniture for Gillows of Lancaster in 1868. in the same year, he published his very influential first book 'Gothic Forms Applied to Furniture, Metal Work and Decoration for Domestic Purposes', which he dedicated to George Edmund Street. This was followed in 1876 by 'Examples of Ancient and Modern Furniture, Metalwork, Tapestries and Modern Furniture' and in 1881 by 'Fashionable Furniture. Other companies he designed for were Marsh, Jones and Cribb, Jackson and Graham, and for a short time, was a partner with Daniel Cottier. He designed textiles for Templeton's, Warner's, Cowlishaw, and Barbour and Miller; carpet designs for Templeton's and Brinton and Co.; and his wallpaper designs were printed by Jeffrey and Co. He also designed church metalwork and furniture for Cox and Sons...