Art Nouveau Furniture

Large Art Nouveau enameled glass vase by Legras, France, 1890s. Made of hand-blown blue glass in the shape of a cylinder with a swirling finish on its outer face. Carefully hand-pain...

A rare and exceptional reclaimed large two part leaded stained glass French Door / Window. Features a large rectangular frame with two 2-part hinged doors with separate operating win...

Fine Pair of French Art Nouveau Candlestick Holders, c.1900 A fabulous pair of Art Nouveau candlestick holders dating to around 1900, beautifully crafted with the flowing organic li...

Monumental 19thc Austrian Art Nouveau Bronze Figural Floor/ Table Lamp. Featuring original Tiffany style tiled Art Glass Shade. Signed by Artist Gustave Gurschner. Large and heavy Sc...

Set of 4 Oyster Plates – Majolica, 19th Century – Green, White & Brown Glaze Description: This is a set of four 19th-century majolica oyster plates, a classic example of luxury Fren...

Beautiful Handmade Religious Ex-Voto A striking and delicately crafted religious Ex-Voto, sourced from an estate sale in Parma, Italy. The piece appears to be made from thin, lightw...

Iroko and wood mural shelves of the Art Nouveau period with a balustrade, columns drawers and niche. Very fine details: you can observe the elaborate balustrade and the marquetry in...

Late Victorian Blue and White Porcelain Jardinière on Stand, with lobed floral panels, Staffordshire in the Art Nouveau manner 13" diam x 31"h

American Art Nouveau Tiffany style lamp featuring a stained glass shade with a floral design having an ornate metal base and two bulb sockets with pull chains

A charming antique Art Nouveau papier-mâché box, beautifully hand-painted with a delicate botanical composition. The lid features finely rendered white blossoms intertwined with blue...

Introducing our exquisite Candelabrum Crystal Antique Chandelier, a masterpiece that embodies the elegance of Art Nouveau. Measuring a total height of 110 cm (height without chain 8...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

This is an original antique oil on plate landscape painting estimated to be from the late 1900s. The painting displays a romantic scenery in the forest with a small arched bridge cr...

You walk into your bedroom, it's 1895. As you approach your well appointed vanity, you see it and smile. How could anyone miss this stunning piece of art in glass and sterling, captu...

19th French Majolica Pink Daisy Plate Delphin Massier.

An Exceptionally Fine Museum Quality Example of a Well Cast Parian (unglazed porcelain) Figure depicting Jesus Christ nailed to a plain black marble standing Cross of impressive prop...

French Majolica Purple Wild Rose Plate Delphin Massier Circa 1890.

Outstanding, rare Art Nouveau glass vase created by the famous company of Loetz Witwe in Klostermuehle/ Bohemia around 1898. This absolutely fantastic looking, large Loetz collector´...

Loetz “Titania” Art Nouveau Green Iridescent Glass Vase with Silver Overlay, Art Nouveau Loetz “Titania” Iridescent Green Glass Vase, Silver Overlay Deco...

A set of eight highly-carved Art Nouveau dining chairs, France late 19th century or early 20th. Featuring chocolate-brown leather seats with brass tacking. Carved backs, legs, feet. ...

French Art Nouveau centerpiece planter by Victor SAGLIER, 12 rue d'Enghien , Paris, France, ca.1890. Silverplate metal. Black patina in the hollows to accentuate the reliefs. Height ...

Small French Majolica Swan Jardiniere Circa 1890. Height / 4 inches. Lenght / 5.2 by 2.5 inches.

French Majolica pink daisy plate Orchies, circa 1890.

Oyster plate in Majolica, in white and Green color. France, 19th century.  

Large French Majolica tulip Cache Pot Jérôme Massier Circa 1890 Height / 7 inches. Diameter / 10 inches.

Pair of Majolica Flowers & Leaves signed Luneville Cache Pots Circa 1890, H / 7 inches , D / 9 inches by 7 inches.

Gorgeous antique metal money bank. A beautiful decorative item in metal with a lock. Made in Austria, circa 1880s or older. Nice addition to any collection, desktop, living room or c...

French Art Nouveau vase by François-Théodore LEGRAS, Cristallerie de Saint-Denis, France, 1890s. Blown glass vase ribbed inside. Clear glass becoming more and more purple towards the...

Antique French Majolica barbotine pitcher produced by La Faïencerie d'Onnaing in the late 19th or early 20th century. These pitchers, also called pichets or canettes, are known for t...

Vintage limited edition lithographic reproduction poster of "Marguerite Dufay" by 19th Century French artist Louis Anquestin (1861-1932). Published in 1968 by The Sunday Times (Lond...

Popular in the 19th century, domed glass displays offered protection for portico clocks and flora & fauna specimens without compromising visibility. Inside this cloche is an oval eas...

A late 1880s French silver-plated seal exhibiting early Art Nouveau influence. The elegantly sculpted handle features flowing organic lines and stylized foliate motifs characteristic...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. European French or Belgium Cast Iron Art Nouveau Tile Wood Coal Burning Stove. Item f...

A bentwood rocker attributed to Thonet, designed late 19th or early 20th century. Featuring art nouveau whiplash curves and real wicker caning. Made in Poland (possibly at the Radoms...

Original Antique Leaded-glass window depicting "Batavia, Queen of the East' & the Coat of Arms of Batavia, in wooden door, execution Atelier van Gebrand Glas 't Prinsenhof - Jan Scho...

Stunning, practical and all hand-crafted dressing table with full-size beveled mirror. This museum quality AND condition piece of Art Nouveau furniture is a work of art at the same ...

Small Cast Iron Sewing Machine 1890 Junker & Ruh Art Nouveau

Beautiful Handmade Religious Ex-Voto A striking and delicately crafted religious Ex-Voto, sourced from an estate sale in Parma, Italy. The piece appears to be made from thin, lightw...

A miniature french gilt and enameled green cameo glass vase, signed in gilt "Daum Nancy" and with cross of Lorraine. Molded with flowers and leafage and with the phrase "A tout sei...

German Art Nouveau Portable Sewing Machine 1890 GRITZNER Germany

Tiffany & Co. Saratoga pattern sterling silver flatware set. The pattern features a scrolling motif on the handles. The set includes a variety of dining and serving pieces, some cont...

Immerse yourself in the magic of yesteryear with these exquisite hand-knotted crystal chandeliers, a blend of elegance and Art Nouveau opulence. Carefully restored in Berlin, these c...

A luminous and exceptionally fine example of Louis Comfort Tiffany’s masterful glasswork, this Favrile glass vase dates to circa 1900. The vase features a graceful, elongated baluste...

Late 19th century tortoise bamboo side table from France. The top and lower shelf are covered in seagrass, for added texture. The table is supported on splayed legs, joined by the ...

Beautiful metal tray or catchall to hold quills. Made of cast Iron, has some nice patina, but this is old-age. A beautiful piece for your desk or any room. It was made for the 100th ...

This stunningly designed Art Nouveau piece is nothing short of spectacular and is comprised of sterling silver overlay that wraps a hand blown 8-lobed glass bottle, used for perfumes...

This is a late 19th century French carved oak Art Nouveau china cabinet. It has wonderful sinewy foliage and flowers framing the sides with a...

French Art Nouveau Stained Glass Lantern, 1890s. A stunning example of French Art Nouveau lighting, this stained-glass lantern from France, circa 1890–1900, embodies the elegance an...

This impressive antique Morse telegraph register by L.M. Ericsson represents a sophisticated electromagnetic recording device from circa to late 19th century. This telegraph register...

A scarce pair of fine quality antique Bohemian parcel gilt enameled light cobalt blue glass decanter bottles, exquisitely decorated for the ...

19th century tortoise bamboo side table from France. The top and lower shelf are covered in original rush, surrounded by bamboo banded molding. The top is supported on splayed legs...

In Tiffany Studios' exquisite "Nautilus" table lamp, a cast bronze mermaid emerges from a churning sea, holding a lighted nautilus shell aloft. This lamp, one of the few patented by Tiffany Studios, received its patent on May 2, 1899, and was featured in Siegfried Bing’s landmark Louis Comfort Tiffany exhibition at the Grafton Galleries. The mermaid base was sculpted by Louis Gudebrod, the only lamp base artist credited by Tiffany Studios. The nautilus shell motif, prominent in European decorative arts of the 17th century, originated from Dutch ships that transported the shells from the South China Sea, some 15,000 miles away. These shells showcased the Dutch Republic's global mercantile strength, and Dutch painters often featured them in still-life works—many of which are now in the Metropolitan Museum of Art’s collection. Inspired by this artistic tradition, Tiffany transformed the iridescent shell into a table lamp. The shell softened and modulated the light, similar to the effect of Tiffany's Favrile glass shades, creating a warm glow reminiscent of the gas lighting familiar to the era. Item #: L-21744 Artist: Tiffany Studios New York Country: United States Circa: 1899 Dimensions: 17.5" height, 4.75" width, 8" deep. Materials: Nautilus shell, Bronze Base Signed: GUDEBROD and Tiffany Studios New York Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, pg. 86, fig. 336. Macklowe Gallery Curator's Notes: The shape of the exotic nautilus, found in the western Pacific, has long been the muse of architects, artists, and designers. One only has to look to Grecian columns, to spiral staircases, or to the nautilus cups of the sixteenth century for examples. Louis Comfort Tiffany's glass interpretation of the "Nautilus" shell design was first displayed at the Paris Exposition Universelle 1900, where he was displaying the best lamps that he had to offer. By bringing this intricate and difficult-to-make model to the World's Fair, Tiffany was showing the international design world just how well-made and beautiful a Tiffany Studios New York lamp...

Nostalgic antique Art Nouveau to Victorian tabletop vanity mirror composed of a mix of brass, copper, bronze stand w/hand stamped decorative off-set crown piece, original oval ...

Exquisite Émile Gallé “Clematis” Table Lamp, ca. 1900 An extraordinary example of French Art Nouveau glass artistry, this Clematis table lamp by Émile ...

Original antique poster - Eclat Du Jour / Brightness of Day - by the notable Czech illustrator, graphic artist and painter Alphonse Mucha (Alfons Maria Mucha; 1860-1939) from his ser...

Spectacular pice Very large size 75 cm The lot is made up of: 1 wooden and wrought iron hanger (19th century) 11 copper and iron pans and skimmers (early 20th century) Antique copper and wrought iron kitchen...

Rare Pair of Art Nouveau Silver-Plated Vases by WMF (c.1900) A striking and rare pair of silver-plated Art Nouveau vases by WMF (Württe...

Elegant and rare Majolica stork with a bamboo vase signed Delphin Massier, circa 1890. The Massier are known for the quality of their unique enamels an...

A large Loetz Delphi pattern vase in green with a bulbus near spherical top with a large opening over a round base with a typical Loetz twist to the body. Finely iridised a classic L...

Art Nouveau bentwood wall coat rack to Thonet, Vienna, Viennese wall hanger Thonet was included in the production program of the company Gebrüder Thonet around the Year 1879. Origi...