Baroque Furniture

This large Rococo-style oil painting, signed “Zubriczky,” is a refined homage to the romantic compositions of François Boucher (1703–1770), one of the most celebrated artists of 18th...

Late 19th Century Italian Baroque Savonarola Curule Chair. Features a wrought iron X folding frame with twisted accents, brass cup feet and cannonball finials. Originally fit with ...

Breathtaking 18th Century Antique French Beauvais Tapestry, Country of Origin: France, Circa Date: 18th Century - Size: 4 ft 4 in x 6 ft 9 in (1.32 m x 2.06 m).

Pair of 18th Century Candle Bearing Angels. Comprising a pair of charming carved polychrome and gilt wood figural candlestands modeled as angels and on integral raised stands, carved in full round and with gesso stiffened clothing. Decorate a mantel or a console with this important pair of antique polychrome painted sculptural candlesticks. Candle bearing Angels. 18th century carved wood polychrome putti...

Pair of 18th-century continental silvered wood lamps Continental, 18th Century Lamps: Height 162cm, width 33cm, depth 31cm Shades: Height 44cm, diameter 56cm This pair of Baroque Re...

Antique flat-lidded chest from the 17th century. Renaissance / Early Baroque. Made in 1691 in oak wood. Until recently, the chest was owned for 333 years by a family of lawyers from ...

AURELIANO MILANI (attributed) (Bologna, 1675 - Rome, 1749) "The Repentance of Saint Peter" Oil on canvas, 75x58.5 cm without frame 85cm x 68.5cm with frame Aureliano Milani (Bologna,...

A Swedish Baroque table from the 18th century with newer honed granite top. This Baroque occasional table from Sweden features a honed marble top which rests upon a robust wood frame...

This pair of metal handles is the result of the fine Italian craftmanship. Forged in metal and finished in burnished silver leaf, they are a piece with beauty and elegance to enrich...

This charming hand carved German corner cabinet still maintains its original faux wood-grain finish. This is being sold in original condition with original key.

LOUIS XV STYLE CHEST OF DRAWERS Portuguese, 19th century Made of various types of wood, with three large drawers. Box domed at the front and sides. Hardware and applications in gold...

Antique baroque style painted and gilt decorated wall bracket, 18th century. With a mid to late 20th century marble top, a gilt decorated cupid face with wings.

Italian 18th Century Baroque Painted and Faux Marbleized Credenza, finely executed, and painted in cheerful yellow hues to simulate marble. The two-doors opening to an interior fitte...

18th century Italian gold leaf angel head or "putto" adorned with baroque pearls. A putto is a cherub figure frequently appearing in both mythological and religious paintings and scu...

Pair of 17th Century Gilt silver framed saints. Silver saints are draped in period clothing and holding a book, against a red fabric background with ...

Distinctive set of four Italian Florentine style 20th century carved Savonarola armchairs crafted from walnut. The chairs feature a campaign style scissor folding frame with curule f...

An impressive and authentic antique iron key dating to the late 17th century. Measuring 18.5 cm in length, this key was likely made for a large estate...

17th century Portuguese "Vase" Measures: 126cm x 126cm 81 tiles Important note: This panel is with the tiles restored 17th century. The panel is delivered as if it were a painting ...

Antonio Calza (Italy, Verona, 1653-18th April 1725) "Battle between Christian and Turkish cavalry with castle" The painting depicts a bloody battle between Christian and Turkish cavalry. Characterized by dynamism, intensity of color and light, the main scene occupies the lower horizontal section of the canvas, optically interrupted by the black fumes of the shots from which emerge, on the left, the towers of a fortress. On the right, in the distance you can see the combat in progress in the countryside, beyond which you can see the pale presence of hills that create a fifth, marking the horizon. To frame the scene contributes to the left, against light and in the foreground, a portion of the wall. The painter, however, introduces a horse on the ground, of which we see only the back, a ruse to involve the observer making him become active and participate in the scene. In the foreground, lifeless bodies, wounded horses and, scattered on the ground, weapons and a drum enhance the drama of the clash. The excitement and expressive force, the intense chromatic range attentive to the conditions of light and the fine brushstrokes, decisive and dramatic, suggests the attribution to Antonio Calza, one of the most important painters of battles of the seventeenth century, excellent student and continuator of the greatest interpreter of the genre, Jacques Courtois called il Borgognone (Saint-Hyppolite 1621 - Rome 1676). Il Borgognone, although not having had a real school or direct students, places itself as a primary reference point by the Italian and foreign "battaglisti". The genre of battle painting found great success in the collections of the Italian and European nobility of the seventeenth and eighteenth centuries. The battles of the Italian Renaissance, in which the scene converged towards a precise protagonist, evolve towards a type of combat "without hero". The bloody realism of the details and the dynamic development of the narrative confuse the figure of the protagonist, when present, to give importance to the swirl of horses and armed fighters, among which, moreover, does not emerge a winner. The certain documents relating to the life and movements of Antonio Calza are scarce; it was equally difficult to reconstruct, from the critics, a catalogue of autograph works. Through paintings in private collections, in museums and paintings passed on the antiques market it has been possible to identify a copious corpus of works that can be traced back to his hand. The work of art historians, together with that of antique dealers, in conferring proper attributions in order to best outline the figure of Calza, continues but studies are still in progress. In this sense, the work of Giancarlo Sestieri should certainly be noted, who investigated the artistic production of the battaglisti and Calza, thus allowing the comparison of the numerous photographic works reported, to identify and recognize the stylistic qualities that distinguish the corpus of paintings assigned to him today. Antonio Calza was born in 1653 in Italy, in Verona and in 1664 he entered the school of Carlo Cignani in Bologna, dedicating himself to painting battles and landscapes. He then perfected in Rome, where he knew the works of the then undisputed head of the sector, Jacques Courtois called the Burgundian. In 1675 he returned to Verona and married an 88-year-old widow who, dying, left him a rich inheritance. Much appreciated by the nobility and the bourgeoisie, he received numerous commissions. Bartolomeo Dal Pozzo (Le Vite de' pittori, de gli scultori et architetti veronesi, 1718) praises "three great paintings of battles...

A fine and boldly carved Spanish parcel gilt and ebonised over mantle Baroque style mirror. The tall carver and pierced crest is profusely carved with acanthus and floral decoration ...

Small two-door wardrobe with an interesting conceptual look. The geometrically paneled and molded doors with an iron bolted lock opening to an interior featuring a top shelf above a ...

Rare 18th century Italian gaming board "Nobilissimo Giuoco Della Mea" Or "The Nobel Game of Chance" in original paint and decoupage, (lacca povera) depicting a game which appears to be a board version of "Put and Take" with different characters representing either plus or minus points. Four corners with scalloped carved coin wells, the centre slightly dished for either a top or ball to roll within. Characters include: Scimmia/Monkey - put 6, Re/King - take 1, Vople/Wolf take 3 , Pascia/Lord - take two and so on. Other characters include, Cinese/Chinese, Colombo/Pidgeon, Crepascolo/Twilight, Armigero/Knight?, Gezelia/Gazelle, Adone/Adonis, Gonhiere/Gondolier, Araba Fenice/Arab Phoenix?, Vecchio/Old Man, Leone/Lion. A very similar game board is in the collection of the Medici Villa...

This exquisite chest showcases the iconic curvaceous bombe silhouette, typical of Italian craftsmanship during the period. Crafted from rich burlwood, the surface displays mesmerizin...

This wonderful pair of corner console was made in Venice, Italy, in the Mid-18th Century, by expert craftsmen: the feet are hand carved to obta...

Beautiful giltwood angelhead fragment Italy, circa 1750 Weathered. Measurement here below inclusive the wooden base. H:22,5cm W:11cm D:10cm

Very rare rocking chair made and designed by Micheal Thonet and Anton Fix , circa 1860. The beautiful rocking chair was made with curved woodworking, a techn...

Consolle da parete con cornice in legno intagliato color oro e crema, piano in pietra onice, stile barocco, inizio XX secolo. CONDIZIONE: In buone condizioni, con segni di usura dov...

Bring rustic refinement and classical detail to an interior with this striking antique console table. Crafted in Spain circa 1860, the piece features a richly carved oak base topped ...

18th Century oil on canvas painting depicting Saint Catherine of Siena bearing lilies and a book in her left hand and a crucifix in her right ...

Late Baroque Pinewood Wingback Armchair, Southern Germany, 18th Century. With its simple yet refined hand-carved pine frame, this handsome armchair is an early example of the wing ...

In the style or School of the Important Old Master Guido Reni (Italian, 1575-1642). A stunning Old Master 18th or possibly 17th century Italian Baroque School religious portrait painting...

Specchiera da parete con doppia cornice, in legno dorato e intagliato, stile barocco, inizi del XX secolo. CONDIZIONE: In buone condizioni, con segni di usura dovuti al tempo. DIME...

Pair of 19th Century Baroque Style Bronze Dore Sconces with Bacchus Masks & 2 Lights

Bj0rn Wiinblad Christmas Plate 1978 "Angel with Harp". limited edition 11 inches diameter. Bjørn Wiinblad porcelain Christmas plate 1978, produced by Rosenthal. Dimensions: 11.25 in....

A very fine Italian 19th century carved Carrara marble figural fountain "Jardinière" modelled as a standing Putto and a Satyr supporting a sea-sh...

Spanish Sculpture of the 17th century "Saint Antony and the Child Jesus" Measures: H: 61cm, polychrome and gilded wood. Good condition.

Our 17th century style “AREZZO Grande” credenza - The Italian Art & Handcraft of Fine Antique Reproduction The Arezzo Grande Old Chestnut credenza features 2 doors + 2 drawers, hand...

A stunning Italian early 18th century Baroque period giltwood and cut glass mirror. The central rectangular mirror plate is set within a fine mottled border with exceptional finely d...

Mid-century modern matching pair of Italian regency chiavari chairs featuring high backs. Crafted from giltwood with a lovely aged patina. The seats have been upholstered with opulen...

Immaculate Conception in polychrome wood with silver crown, Spanish School, 18th century This polychrome and gilded wood carving depicts the Immaculate Conception, approximately 60...

Miniature chest of drawers handcrafted in Italy in the early 1800s using walnut. Despite being small, the chest shows all the elements of a large commode, and it may have been crafte...

A fine Vanbrugh architectural design open bookcase. The upper section is open fronted without doors and flanked by half columns and has adjustable shelving with an architectural pedi...

A most decorative and high quality Italian early 19th century Baroque st. Mecca, Giltwood, and Gris St. Anne marble console. This intricately carved console is raised on a scallop sh...

A beautifully composed custom pillow by designer Melissa Levinson, created by combining an exceptional early 19th- to late 18th-century European tapestry fragment with rich contempor...

Large and unusual 18th century Swedish Baroque alder root veneered cabinet on ball feet, circa 1730, Sweden.

Introducing an incredibly rare and well-preserved set of Jacobean Stuart/Baroque-styled hand-carved armchairs produced in Victorian England in the 1890's during the Baroque Revival ...

Stunning 17-1800s Antique Continental Baroque Walnut, Carved, Bambochi Style Cabinet!! Antque iCabinet, Bambochi Style, Continental Baroque Walnut, 18th / 19th C, 17-1800's! This...

This original Baroque armoire stands out for its exquisite hand-carved details. It dates back to 1750 and was made in southern Germany. The two door armoire is made of massif walnu...

Largest collection of Portuguese tiles in the world 18th Century Portuguese " Angels " Measures: 84 cm x 70 cm 30 Tiles. Important note: This panel is with the tiles restored 18th...

Pair of charming Danish Baroque candlesticks in wood with ebonized light stems, marble bases and pewter bobeches, Denmark, circa 1750-1780.

Of comfortable size, the four beautifully turned legs joined by conforming stretchers, scrolling, carved arms. Clean up and polish included. The chair needs to be re-upholstered and...

Enhance your home with this exquisite set of three vintage Italian gilt mirrors, each uniquely designed with intricate baroque-inspired detailing. Featuring ornate scrollwork, twiste...

A six panelled screen of the late Baroque period Oil on canvas, depicting a panoramic view of a Capriccio north European landscape, perhaps Schlesweig-Holstein, with distant views of the sea, the ruined castles, peasants, and a lady of quality mounted, within a running arched canopy...

A fine Nord Italian 18'century walnut Settee with scrolled arm-support on 8 cabriole legs , covered with silk fabric of Rubelli. cm 220x115x70

Miniature parquetry two drawer bombe chest made in Italy. All sides including back are finished.

A beautiful, original Venetian mirror with intricate giltwood carving, individual cut mirror plates, and central chinoiserie figure etched into the glass. Circa 1740.

A Set of Four Venetian Chairs, Italy, Circa 1750 Red Lacquered and Partially Giltwood This exceptional set of four Venetian chairs, dating to approximately 1750, exemplifies the ref...

This 18th century German Baroque chair was made circa 1740 in South Germany. It is beautifully carved in walnut and in its stunning original con...

Early 18th Century German Baroque Frankfurt Armoire in Walnut This exceptional Baroque armoire, made in Frankfurt circa 1700, is crafted from walnut, walnut burl, and walnut root v...

Rare Baroque chest of drawers with architectural characteristics. Walnut veneer with light marquetry on front, top and sides. Serpentine front with 3 drawers. Original fittings. ...