Gothic Furniture

19th Century French Gothic Credenza ~ Cabinet is a testament to centuries of talented artisans handing down their trade to successive generations. The original style was birthed in ...

Transport yourself back to the sleek and sophisticated 1970s with this exquisite arch gothic armoire cabinet with interior mirror. The ultra rare cabinet exudes an air of luxury and ...

A rare and beautifully preserved 15th-century German crossbow, created as a true weapon of war or defense,.This piece is a remarkable survival from the Gothic period, with all of its...

Spanish hand forged iron five-piece fireplace tools set stand with scrolls ornamentation and dragon motifs, wrought iron. Spain, 1920s-1930s. This sculptural tools set hangs on a tri...

A robust, solid oak extending dining table hand-crafted in 17th century France circa 1680. Gnarled knots, beautiful grain, and an incredible range of textures give the thick tabletop...

Stunning and practical size, multi purpose Gothic chest / box from a monastery. This here Gothic chest is one of the smallest yet most stylish we ever had the pleasure of offering. ...

Belgium / 17th century / sculpted panel / oak / Gothic / Rustic / Antique A rare Belgian 17th century grotesque sculpted panel. Hand-carved with floral and foliage decorations with ...

19th Century French Gothic Hall Bench was hand-crafted from solid old-growth oak, and features a tailored classical architecture with design embellishments that are definitive of the...

Gothic style carved oak, king size bed.

A mid century French attributed sofa. Angular gothic silhouette. Iron base frame. Cream vinyl upholstery with brass brad detail. Previous owner added bolts with caps to adjust feet h...

English Gothic Revival style (19th Cent) oak high back carved and filigree Bishops throne chair with griffin finials.  

19th Century French Gothic Credenza is a remarkable work of the cabinet maker's art, featuring tailored architecture melded with the timeless intricacies of the style that dates back...

This exceptional trunk was made in England, circa 1800. The antique coffer has an interior which has been lined with metal and would make a fantastic storage or blanket chest, as wel...

This Neo-Gothic marble mantel was reclaimed from a NYC townhouse in the Upper West Side near Central Park. This striking mantel draws clear inspiration f...

In true Gothic fashion, these lamps illustrate the style of light common to many cathedrals of the time yet devoid of any religious symbols. Lights are of grand scale consisting of s...

exceptional late 15th century/early 16th century carved oak Gothic period chest from Northern of France. Very fine example of a flamboyant Gothic style chest with a superb carved f...

This French fireproof strongbox, crafted circa 1880 by Bauche in the Marne region, showcases the period’s finest industrial security design. Constructed in heavy cast iron and weighi...

Beautiful and rare Gothic Revival treasure box with bronze handle. If you are a collector of antique boxes and/or if you are looking for an extraordinary jewelry box to grace your credenza or side table then this unique and top quality made specimen in the Gothic style could be perfect. Gothic Revival boxes are very hard to find and we have never seen one with such prodigious carvings on all sides. The unique and cat-like dragon gargoyles (with fangs) that look like they are carrying this casket, are just some of the stunningly carved and detailed sculptures that make this antique rarity even more artistic and impressive. Another great feature are the peacock sculptures. In Christianity the peacock is the symbol of purity. Christians believe that once someone has passed their soul rises and goes to heaven. This is why in earlier times Christians would spread the feathers of a peacock over the deceased since it symbolized a pure soul that was immune to corruption. The peacock also represents immortality, resurrection, and the spiritual teachings of Jesus Christ and the Christian church. Have you also noticed the top quality details on both ends of the bronze handle on top? The quality of that ornamental work is of the absolute highest standard also. There are many more incredibly beautiful, hand carved details and together they show that no expense was spared to create one of the most amazing Gothic caskets...

A towering pair of 19th century French brass altar candlesticks from a cathedral or church. The center of each bobeche is fitted with a spike, surrounded by a pierced brass crown of ...

GOTHIC CHEST WITH LINENFOLD PANELS   ORIGIN : ILE DE FRANCE PERIOD : CIRCA 1500   Height : 78 cm Length : 167 cm Depth : 61 cm           Walnut   Simple in the structure, this chest ...

Gothic wrought iron candelabra style floor lamp.

An exceptional and rare Austrian longsword, designed as a two-handed weapon with a classic cruciform hilt and straight, double-edged blade. This distinguished form bridges the morpho...

Miniature "Iron Maiden" in blackened cast metal attached to its original round wood base. The front doors are pin-hinged and open to reveal pointed spikes. At base of doors is printe...

Pair of gothic mahogany tabourets or end tables circa 1910, with superbly carved arches to each panel. Believed to be of English origin. Older restoration, holds up nicely. The tops ...

This 16th-century French Gothic fireback features an unknown coat of arms. The fireback is made of cast iron and has a brown patina. Upon request, it can be made black/pewter colored...

We present this beautiful and rare small trunk made in the early 20th century. Made entirely of iron with brass decorations, this trunk has a Gothic-inspired design. A unique decora...

SPANISH CHEST WITH ARCADE DESIGN ORIGIN: SPAIN PERIOD: LATE 15TH – EARLY 16TH CENTURY DIMENSIONS: Height: 61 cm
 Length: 135 cm
 Depth: 48 cm Chestnut wood 
Good condition This H...

This impressive pair of antique chandeliers was crafted in France circa 1880. Forged from substantial wrought iron, each eight-light fixture displays bold Gothic character with elega...

Late 19th Century Wooden Door with Gothic Style Arch Detail

Dutch Gothic style (19th Century) oak and gilt filigree carved 4 section steeple (Provenance: a Dutch church 108 Utrechtsestraat St., Amsterdam).

A Rare and Monumental Italian Carved Carrara Marble Model of a Cathedral, Rome, 19th century, circa 1840. Possibly a representation of Cathedral of Santa Maria del Fiore in Florence Italy. The Italian Renaissance is renowned for its magnificent works of art and architecture, which are admired to this day for their grandeur and intricate details. Among the most impressive examples of this era are the rare and monumental carved Carrara marble models of cathedrals...

France / 16th century / Chest / oak / Gothic A remarkable French Gothic oak chest dating from the 16th century, showcasing intricate hand-carved detailing throughout its façade. The...

An extraordinary and museum-worthy 15th century Gothic Corpus Christi, masterfully hand-carved in wood with exceptional anatomical detail and partially polychromed in white and royal...

This large chest stands on high legs prolonging the lateral jambs. Presenting a sober and severe appearance the chest still belongs to the Medieval tradition. The piece is made from very high quality Hungarian wood. The jambs are joined to the facade and the lateral sides thanks to pegged mortise and tenon securing a great stability and squareness between each parts. The upper lid is made of two joined parts and so is the facade. The ironwork is present all over the surface of the chest and brings both an additional stability to the construction as well as a rich decor. The lid is secured with hinges. Hinges also run all over the chest in horizontal and vertical lines, ending in a floral motif. The hasp lock is also very ornamental. Those chests always present important proportions especially when they are made early in the period. This model was very popular in Germany and stayed in vogue until the 16th century. However the feet Gothic decor...

An exceptionally rare and important 15th century Gothic iron strongbox, weighing approximately 80 kg. This large strongbox retains its original mechanical locking system, which remai...

Gothic Country Solid Oak Welsh Dresser This is a late Victorian piece it is constructed in solid Oak including the panelled back boards, the dresser top has a classic styled top with...

Large solid oak chest from the 16th century Gothic period Very pretty French, Norman work. Decorated with Gothic motifs on 5 panels on the facade. Note reassembly in the 18th and 19...

Pair of English Gothic Architectural Valences with Baroque Carvings Unsigned 17thC Measures - 12.75"H x 62.5"W x 7.25"D This pair of English Gothic architectural valences dates back ...

Very fine English early 19th century mahogany architectural model of a church, the multiple steeples flanking a faux carved slate shingled room, wh...

A Victorian Green Man Carved Oak Bureau The bureau is superbly carved with acanthus leaves and faces of the green man from solid oak, it has a carved fall front, one long drawer an...

An exquisite, period pair of antique Cornelius and Company gilt bronze three arm candlesticks, Philadelphia, circa 1840, having been electrified ...

A Gothic Oak Barley Twist Bergere Club Fender This is a very rare piece of country House Furniture, the fender has a high flat cane seat at either side and the and the seats are j...

Antique crucifix with stunning hand carved details and an amazing patina. This remarkable and good size crucifix with a sculpture of a suffering Christ on the cross is another one...

English Renaissance (Tudor-16th Century) oak carved linen fold design paneled room with a mantle, overmantle carving and a Pair of spindle design open doo...

19th Century French Gothic Petite Trunk ~ Blanket Chest was purpose-built for a cozy niche, and its size makes it very versatile to use in any capacity! ...

This rare and beautiful ceiling lamp is a true gem for anyone looking to create the perfect ambiance. Crafted in the 1920s, this unique Gothic Revival pendant showcases a geometric ...

Description: This exquisite bleached oak chest blanket, crafted in France during the 1940s, is a stunning example of Gothic-inspired design. The chest combines the timeless elegance...

Medieval Knights Chess Set - Metal Brass & Silver Nickel Plated Crusaders Game.Made in Florence, Italy, this stunning chess set features intricately cast metal pieces in antiqued sil...

A towering pair of 18th century French forged, wrought iron andiron-chenets to watch over the hearth. They include a small basket at the top for warming, the rim impressed with a geo...

A scarce antique ecclesiastical architectural hand carved and painted wooden church - cathederal tabernacle door. 18th century or earlier, early Medieval European Romanesque Gothic style, facade with elaborate arched header atop partial quartfoil, hinged tabernacle door panel which would have opened to important religious niche...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

This unusual Spanish 1940s medieval style iron chandelier features a sturdy frame with eight torchiere arms suspended from an ornate hanger. The fixture has been recently wired to ac...

17th Century French Gothic Period andirons made of hand forged wrought iron. With cups to keep drinks or soup warm. Also with spit hooks at different heights for grilling food. The ...

Keep your jewelry and important documents locked up in this elegant, antique safe from the Champagne-Ardenne region of France. Crafted circa 1880, and built in cast iron, this heavy ...

Very beathiful set of Gothic revival Wall candle sconces . Hand forced ,Gilded Brass .very nice ornate . super rare to find a set of 4 . Comes with the hand made brackets . All in...

Large French Decorated Gothic Hall Lantern Ceiling Light This is a Large and Very Heavy Hall Lantern it is a Classic Elaborate Gothic Design decorated with animals Caryatid and symb...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

HIGHLY CARVED Antique French RENAISSANCE REVIVAL Marble Top Highly Carved Walnut Console, Sofa Table, Sideboard or Server~~c. 1890s Original "rouge" marble top, two drawers with key...

"Rare Gothic Oak Panel Carved With Vine And Grape Cluster Motif, Circa 1320–1400" Rare Gothic Carved Oak Panel with Vine & Grape Motif, c. 1320–1400 This exceptional carved oak panel is a fine example of pure Gothic design, originating from Northern Europe—most likely Flanders, northern France, or England—and dating to the early–mid 14th century. The panel is richly carved in openwork with an interlacing vine scroll bearing clustered grapes, a motif strongly associated with medieval Christian symbolism, representing the Eucharist and the “True Vine” of Christ. The design is entirely Gothic in conception, free of any later Renaissance influence, with flowing, organic tracery rather than strict symmetry. A rectangular mortise is present to one side, indicating that the piece originally formed part of a cabinet or small door—possibly from a church sacristy...

A stately and architectural set of six Belgian oak dining chairs from the 1960s, crafted from stripped wood with angular frames and high backs. The tall, panel-style backrests featur...