Revival Furniture

Beautiful and substantial studded bronze/brass torchère wall sconces will make a dramatic statement in any room. Created by Chapman Manufacturing...

A rare and architecturally striking Victorian Rococo Revival rotating double lectern, dating from the mid-19th century and featuring an unusually complex configuration with dual book...

A wonderful pair of bronze Medici urns on black stone bases. Bronzes with high relief by Bardedienne, stamped on lower edge. Rewired with new double cluster sockets in patinated bron...

This is the most charming table, from the lower shelf for books, to the veneered wood and the serpentine details. This is an example of American furniture in its unusual forms that a...

The Neoclassical Revival style crystal pillar lamps fit into various design themes. The lamps are also reminiscent of a Victorian set of vintage lamps...

A Fine Anglo-Dutch 19th Century Baroque Style Ornately Carved Walnut Five Piece Parlor - Salon Suite, After Daniel Marot (French-Dutch, 1661–1752); comprising of a settee, two armchairs and two side chairs. The intricately pierced high-backs carved frames with scrolled and floral designs, curved armrests and cabriolet conjoined legs. Circa: 1890. Measures: Settee height: 54 3/4 inches (139.1 cm) Settee width: 70 3/4 inches (179.7 cm) Settee depth: 24 inches (61 cm) Armchairs Height: 52 inches (132.1 cm) Armchairs Width: 28 inches (71.1 cm) Armchairs Depth: 21 1/2 inches (54.6 cm) Side chairs Height: 50 inches (127 cm) Side chairs Width: 21 1/2 inches (54.6 cm) Side chairs Depth: 20 1/2 inches (52.1 cm) Seat height: 20 3/8 inches (51.8 cm). Daniel Marot or Daniel Marot the Elder (1661–1752) was a French-born Dutch architect, furniture designer and engraver at the forefront of the classicizing Late Baroque Louis XIV style. He worked for a long time in England and the Dutch Republic, where he was naturalised in 1709. Born in Paris, he was a pupil of Jean Le Pautre and the son of Jean Marot, who was also an architect and engraver. Marot was working independently as an engraver from an early age, making engravings of designs by Jean Bérain, one of Louis XIV's official designers at the Manufacture des Gobelins, where far more than tapestry was being produced. The family were Huguenots and were part of the wave of émigrés who left France in the year of the Edict of Fontainebleau and Revocation of the Edict of Nantes (1685) to settle in Holland. Daniel Marot brought the fully developed court style of Louis XIV to Holland, and later to London. In the end, the English style which is loosely called "William and Mary" owed much to his manner. In the Dutch Republic, Marot was employed by the Stadthouder, who later became William III of England; in particular, he is associated with designing interiors in the palace of Het Loo, from 1684 on. Though his name cannot be attached to any English building (and he does not have an entry in Howard Colvin's exhaustive Dictionary of British Architects) we know from his own engraving that he designed the great hall of audience for the States-General at the Hague. He also decorated many Dutch country-houses, introducing the “salon” and popularizing ornamented ceilings in The United Provinces/ Netherlands. State bed, designed by Daniel Marot, engraving, ca 1702 In 1694, he traveled with William to London, where he was appointed one of his architects and Master of Works. In England his activities appear to have been concentrated at Hampton Court Palace, where he designed the garden parterres, which were swept away in the following generation and have been restored at the end of the 20th century. His designs for the Great Fountain Garden survive. Much of the furniture, especially the mirrors, guéridons and state beds, in the new State Rooms readied for William at Hampton Court bears unmistakable traces of his authorship; the tall and monumental embroidered state beds, with their plumes of ostrich feathers, their elaborate valances and cantonnieres agree very closely with his later published designs. After William's death Marot returned to Holland where he lived at the Noordeinde 164 in The Hague from 1720 until his death in 1752. The house with his salon, kitchen, hallway and possibly some of his ceilings still exists. We owe much of our knowledge of his work to the folio volume of his furniture designs published at Amsterdam in 1712. Not surprisingly the designs show strong French and Dutch influences; what reads as their "English" look is more probably the result of Marot's court style on other London designers. Marot was a nephew of Pierre Gole...

An elegant traditional credenza by Henredon, crafted in rich walnut wood. This sophisticated piece features intricate detailing, three upper drawers, and four cabinet doors adorned w...

A Fine Italian 19th Century Florentine Pietra Dura Inlaid Table Raised on a Giltwood Carved Pedestal Stand. The circular pietra dura inlaid top centered with a bouquet of flowers inc...

A gentleman's occasional European leather armchair with leather seat back adorned with oversized antique brass studs/nailheads.Perfect for th...

English antique beaded ladle with monogram In HC though barely visible.

Beautiful vintage silver plated serving tray by Reed & Barton for the St. Francis Hotel San Francisco. This piece has timeless allure and incredible detail. Add vintage hotel silve...

The antique look of 16th to 17th century stone or marble putti lends a classic look to these cherubic table lamps that is priceless. The lamps rest on stands with resin-cast bodies. ...

A good 19th century Italian bronze neo-greque footed Tazza with scrolled handles and arge, round centrepiece, in the centre with a round relief medallion with an antique classical sc...

Visual Comfort Launceton Oversize Ring Chandelier. Made with 10 candelabra style light sockets. Antique wagon wheel/ring chandelier design, but made wit...

Rare Christofle silvered Napoleon Empereur letter opener, 1970s, France. Unique and precious details.

An exceptional American Renaissance Revival cabinet, dating to the late 19th century (circa 1875), finely crafted in walnut with burl walnut veneers, ebonized trim, and gilt highligh...

An elegant Italian Mid-Century sideboard by Mobilificio Scorza Ovada, featuring a luxurious marble top, rich burl wood veneer, and dark lacquered accents. This sophisticated piece in...

An elegant vintage sofa, re-upholstered in a vibrant striped fabric with tufted back detail and a carved wooden frame, featuring refined Louis XV style elements. Traditional Europea...

This stand has faux bamboo legs, a funky painted tile with Arabic writing lies below a black painted tile. There is a lower shelf. The bronze/brass ormolu features eagle and intricat...

A fine and rare French 19th century neoclassical Revival style gilt-metal and cut-glass prisms five-light chandelier. The classical style frame decorated with floral urns and surmoun...

Presenting an exquisite Royal Vienna Austria hand-painted porcelain oval tray dating back to circa 1940. This dish boasts an elongated shape adorned with opulent gold embellishments....

Introducing our exquisite Antique Madonna & Child Sculpture/Religious Icon, originating from 19th-century Italy. This captivating masterpiece showcases...

This beautiful pair of hand wrought iron converted lamps once lit the way as pricket candleholders, and it surely took two hands to hold one. They are heavy, handcrafted beautifully...

The Lost Spindle is an antique chair that blends sculptural detail with the quiet presence of a well-lived object. Its solid wood frame retains an original stamped leather backrest w...

19th C Mochaware milk pitcher. Very Rare pitcher.

Italian inlaid olive-wood coffee table. Mid-century piece, made in a classical French style. Cut glass top. Wood is in excellent vintage condition, with one scratch on the table top ...

One of six fun vintage study for an Italian Classic Garden Fountain. Probably some scenographic preparation. Really pleasant scenery and nice vivid color on the blue and white scale,...

A unique game board and chairs. The Chairs, table and board have all been recently refinished and are in very good condition. The table is comprised of a succession of wood cut i...

A Palatial Italian Florentine Rococo Revival Style Gilt Wood Carved Figural Mirror Frame. The ornately carved and pierced frame with scrolls and acanthus and crowned with a pair of w...

One of six fun vintage study for an Italian classic garden. Probably some scenographic preparation. Really pleasure scenery and nice vivid color on the blue and white scale, circa 1940.

A fine large Italian baroque revival carved walnut pedestal table base with a "Pietra Dura" (Pietre Dure) the inlaid marble figures of flowers and birds. The base is 19th century, the Pietra Dura top is 20th century. This beautiful and rare table may be used as a centre table, a writing table, a console or a wine cellar table...

High-end custom dining chairs in a Neoclassical Revival style. Made by Luis Rossi in the 1990's in San Francisco. The fabric is in great condition, I have 12 available Free pickup in S.F. Bay Area Luis Rossi founded Rossi Antiques...

Victorian hand carved oak Gothic revival side throne chair with woven cane wicker back and needle point seat, circa 1860.

An expressive and well-carved Itallian Rococo Revival Carrara marble niche fountain of a putti seated on a dolphin; the playful chubby putti with head tur...

the half-round top over a conforming base inlaid with satinwood inlay and ebony stringing; fitted with four drawers flanked by two hinged doors; raised on short tapering legs; paper ...

The Midnight Léopard is a captivating Victorian Rococo Revival settee, restored with precision and reimagined for the modern collector. Crafted circa 1870, the piece embodies the exu...

Large scale carved and molded clay Egyptian Pharoah head table lamp, circa 1970 The large head of an Egyptian Pharoah sits atop a custom teak wood pedestal base. Measures: 11" wide x 9" deep x 13" high at the base The head measures 17" wide x 9" deep x 14" high The overall height is 27" high to the top of the clay head...

A fine, large and impressive Italian 19th century Baroque Revival style giltwood carved mirror frame. The ornately carved rectangular shaped frame, with floral, scrolled and seashell...

A rare French 19th-20th century Baroque style giltwood carved wall console table with a veined deep burgundy Sarancolin marble top. The "Tree" style ornately carved console with a ce...

An elegant side chair that boasts impressive proportions and exquisite craftsmanship. It features beautiful carving on its walnut frame and is upholstered in fine leather. This side ...

An amazing piece, a mirror in a stunning frame with exceptional carving, new hardwood backing. Fresh new hand painted in white & topped with a wax finish. The mirror can sit on a sid...

A fine pair of French 19th century Gothic-Revival neoclassical style five-light gilt-bronze candelabra. The finely chased gilt-bronze tripod-leaf base, surmounted with floral rosette...

Pair of gilt wrought iron and hide stools by Design Frères, in the style of Gilbert Poillerat.

Antique European rosewood writing table. Hidden beneath the flip top, a desk in excellent condition. Stunning stretchers base. This piece is in remarkab...

Italian Renaissance Revival chairs crafted in the sedia tenaglia or Savonarola form, Sevilla Arc I II embody sculptural presenc...

Bring timeless European elegance into your space with this antique wall tapestry (6'1" × 7'3"), a richly woven textile that captures the romance and narrative detail of classical dec...

Designer's Delight! Rarity is key with this set of neo classical revival chairs from the 1930s in bamboo and rattan. Each chair features a squared open back centering a woven wheat-sheaf splat over a trapezoidal over-the-rail upholstered seat. Graceful swags adorn the carved rails, which are raised on four legs. They are gorgeous. There are four, chic, yet somewhat shabby vintage...

Elegant chandelier by Maison Baguès. Six lights with clear crystal tear drops, daggers and rosettes.

Pair of vintage brass and sterling silver trinket dishes by Ilias Lalaounis, Greece. A sterling silver Greek coin (replica) is set in the middle of each...

These chairs are after a model and drawings by Thomas Hope, the famous neoclassic designer of the late 18th and early 19th century England. One of his chairs you can find at the V&A ...

Antique carved marble bust of composer Richard Wagner marked ‘Wagner’. Beautiful interpretation in bust form of the likeness of this artist...

The Rosé Obscura is an early 20th-century Renaissance Revival parlor tub chair that unites sculptural craftsmanship with contemporary refinement. Its hand-carved wood frame displays ...

Set of seven Baroque wood paws. Six paws are setup like a single shelves on the back is a bracket for the wall. One is just a wooden paw. This is a original antique Lion paws. I ca...

This pair of Master Salt Cellars has the blue under glaze mark of Nymphenburg. The scenic landscape is hand painted with great detail and skill. Th...

The is a great pair of early 20th century Renaissance Revival 7-light candle torcheres. The torcheres are hand forged and have acquired a deep natural patina. We have lightly buffed ...

The entire chair was gently restored, the upholstery fabric is the finest Alpaca bouclé, in a soft cream and blue check. The Alpaca is from the Sandra Jorday Pima Alpaca collection....

A fine pair of French 19th-20th century Pâte-sur-Pâte Porcelain and gilt-bronze mounted ovoid-shaped table lamps with a white low-relief floral design carved in slip and applied to a contrasting body over the blue-green porcelain, Paris, circa 1900. Pâte-sur-pâte is a French term meaning "paste on...

Corinthian capital planter.

A Fine French 19th Century Louis XIV Style Baroque Revival Figural Carved Walnut Two-Door Vitrine. The finely carved body, crowned with a pair of male busts, the doors with symmetric...

An assembled group of three Neoclassical style ebonized torchiere lamps from the early 20th Century make a strong lighting statement. The grouping includes a pair with later scalloped bowl-form etched glass shades, bowl form cup, cylindrical standard on tall plinth base with gilt stencil ornaments. The largest lamp was produced by Tower Lamps, and it is a taller lamp with tulip-form white glass shade, compressed ball "reserve" over a cylindrical standard on a short plinth base with gilt stencil ornaments. The Tower Lamp is 25 inches tall overall, and the pair of lamps are 16 inches tall overall The trio is a wonderful acquisition from a lighting auction...