Revival Furniture

Falk Stadelmann & Co Ltd, Late19thC Oil Lamp of Large Proportions, the dimpled cranberry glass shade above a cut glass reservoir, raised on a wrythen brass Corinthian column on stepp...

This is a Marble Bas-Relief of Two Apostles. It depicts a large and heavy uprise white Carrara marble bas-relief/ sculpture of two apostles standing up together. The left one is Sain...

Antique Meissen plate in hand-painted porcelain. Romantic scene, blue border with gold decoration. Late 19th century. Diameter: 22 cm. In ex...

having a cornice top above a conforming case with four doors each with separate glass windows, framed by shaped pilasters at front sides and center, the interior with shelving, raise...

A handsome pair of English 19th-century lead urns, now converted into table lamps and elevated on later wooden plinths. Rich in neoclassical detail, each urn features a fluted balust...

A pair of Baroque-style Limoges porcelain figurines was designed by Alpinien Margaine (French, active after 1854) and produced by the renowned Gibus et Cie foundry (1853–1972). Craf...

Fabulous over-scale Gothic Revial throne style arm chair-in carved oak, with (re upholstered) seat and backrest. This example is in very good original condition showing only light ...

Cupid. Glazed porcelain, etc. Possibly Meissen, 19th century. With sticker on the base. It presents restorations. Porcelain figurine that presents an oval and golden base on which Cupid is reclining, characterized as usual by his wings, his bow and his quiver with arrows. In addition, he carries a torch and appears with a garland of leaves. The piece presents strong similarities with figures found in clocks from Meissen, dating from the 19th century. VL Veneziani was a shop headquartered on Rome's Via Frattina (and another store on Via Gregoriana) specializing in selling antique...

Antique and sculptural, Dutch oak wall coat rack. This beautiful antique coat rack, according to us, depicts the new generation (or 'patri...

19th Century Italian Sorrento Side Table. Table features intricate geometric and figural marquetry inlay to the octagonal top. The central medallion depicts a classical scene of a so...

Impressive Oak Renaissance Revival bookcase heavily carved with 2 glass doors and adjustable shelves. Barley twist columns, carved embellishments along crown, drawer, panels and thro...

French 19th century large gilt and silvered bronze table box. Finely cast Renaissance Revival gilt and silvered bronze jewelry box with tufted velvet interior lining. Four corners wi...

Majestic Italian bench in late 19th century Renaissance style. Made of walnut wood with carved decorations in Renaissance style with grotesque faces. Fa...

This is a beautiful antique French Louis Revival marquetry and ormolu mounted  walnut and king wood serpentine side table, circa 1850 in date. The beautiful shaped marquetry top is ...

Handcrafted and truly impressive Neo-Gothic Church fixture that can also be used for candles. Over the decades we have sold a number of very good antique bronze, Gothic light fixtures for both candles and electrical bulbs. However, we never offered one as high and with as many Gothic details as this hand-crafted chandelier. You will rarely come across a Gothic work of religious art that is more elaborate and with as many Gothic details as this fit-for-a-castle pendant...

Circa 1850s Gaudy Welsh Swansea Cottage Tulip Pattern Tea Pot, English, Staffordshire District. A handsome example of this popular Gaudy Welsh pattern. Transluscent china body. Molde...

PRESENTING A EXCEPTIONAL, RARE and MONUMENTAL Pair of Late 19C French Empire Brass Wall Sconces. These matching pair of wall sconces or wall lights are LARGE! Made in France, circa 1890 of solid brass in the Empire Style. Each, is three and a half foot tall (41 inches) and each has 5 branches/lights, with frosted glass flame/torch shades. Unusually, the branches, lights and shades all point downwards, probably due to the Size of each sconce. They are flush mounted wall sconces/lights and weigh around 30 lbs each. At the top they have the Classic ribbon bow. As you move downwards, the have a large convex medallion/armorial medallion, with swags and laurel wreaths below The lower portion has a central tassel swag over a fluted architectural column which ends with an acorn/flower bulb style finial. Each light branch is decorated with a floral curved and scrolling leaf. The rear of the sconces has all the ‘oxidization’ one would expect from late 19th century pieces. Fully operational and in great condition. Good quality casting. Not marked, but were undoubtedly made by a top French maker! WE ‘DARE’ YOU TO FIND ANOTHER PAIR! A 'FANTASTIC' match for the Empire Bedroom Set in our Collection as seen in the pics. Provenance: From the Private Collection of a Former Dallas French Antique...

Carved mahogany 19th century oval center table circa 1890. Elegant piece of Scandinavian furniture making. Oval top with moulded edge and applied moulding around the bottom edge of...

Important pair of decorative sculptures in white biscuit , featuring two women draped in the Antique style, accompanied by winged putti. One, holding a large sunflower, raises her ar...

19th Century French Renaissance Sculptural Leather Top Writing Table ~ Desk is a spectacular tribute to the wood sculptor's art! A brace of magnificently rendered cherubs appear on ...

Unique Gothic Revival light fixture for wall mounting. This antique Gothic wall sconce with two flowery glass shades is another one of t...

A fine pair of Italian 19th century Baroque Revival style carved walnut Sgabello figural side-chairs, each backrest with carvings of winged male figures, the base with female figures...

Wonderful 19th century antique Anglo- Indian Burmese carved hall seat from the 19th Century. Made from solid Teak, exquisite carving, this piece would have been made in Burma for th...

A W N Pugin attributed, A Gothic Revival Oak Davenport with finely executed carved gallery to the top and a sloping writing area opening to reveal storage...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

Beautiful antique gilt bronze plaque in bas relief of a Greek goddess depicted with wings, probably the goddess Clio, the plaque is mounted on a hardwood carving in neo-Gothic reviva...

Code: FG33 Antique Renaissance sideboard buffet in two parts late 19th century hand-carved massive walnut by Giuseppe Scalambrin. Six doors with ...

Beautiful late 19th century French Renaissance Revival hanging cabinet. Great for use as a bookcase, curio, vitrine or display cabinet. Made from oak with intricate carved details. Features ornate gadrooning along the crown flanked by carved lion heads leading down to intricate nobleman along the stiles dressed in overcoats with large triangular hats and a mustache. The cabinet is paneled along the sides and opens via glass chicken...

Stunning Pair of 7-candle Gothic Revival Brass Candelabra Anonymous Europe; 19th century Brass or bronze Approximate size: 13 (h) x 21 (w) x 4 (d) in. This pair of European bras...

This magnificent Greek Revival sterling silver footed bowl, crafted by the renowned silversmiths Grosjean & Woodward for Tiffany & Co., epitomizes the grandeur of 19th-century Americ...

With a rectangular top with two pull out extensions. The top in a parquet pattern. The apron of the table with carved gothic tracery supported on carved legs headed by ionic capitols...

This minature table top sized chest of drawers is unsigned, but presumed to have originated from the United States and date to approximately 1880 and done in a Colonial style. This n...

Grand 19th Century French Renaissance Revival Hunt Bookcase is a remarkable work of art, one that captivates the visual senses from the top of the crown to the base! Signed by the ...

O/6498 - Large rich giltwood frame, perfect for a mirror or for an important painting. For a mirror it's better to mount by Yourself, due to transport problems : on request I can do,...

Solid walnut Renaissance Revival trestle table which features carved trestle ends depicting griffins with female busts, northwind fac...

A charismatic 19th century Henry II side or desk chair, circa 1870s. Drawing inspiration from Spanish and Renaissance Revival. Made from mahogany w...

19th century French Henri II neoclassical walnut confiturier, cabinet is a stellar example of the petite buffet with one door affectionately called the confiturier because of its original design being intended to store confit jars in the kitchen. At some point it became obvious that a very useful miniature buffet like this would be ideal for other rooms, and the genre blossomed. This example, rendered from sumptuous French walnut, features neoclassical architecture including turned columns carved with fletching on the face fitted with Doric capitals on each cornerpost, flanking the stylized pyramidal heraldic crest on display in full relief at the center of the cabinet door. Fletching also appears on the drawer facade above, with the entire affair graced with fine molded detail. Ideal as a bathroom vanity cabinet...

A superb antique Victorian Gothic revival solid oak swivel desk chair, made in England and dating from around the 1870-1880 period. This is of outstanding quality, it is beautifully...

Likely depicting Hercules on a four horse drawn chariot. The boarder embellished with further classical scenes of horses and classical figures. In a wooden frame. Very good condition...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A very good antique Italian, Renaissance Revival carved walnut library/serving table, circa 1870. The table top having a carved gadrooned edge with substantial carved supports at each end, the ends having incised carved decoration and acanthus leaf brackets, the table is raised on large carved lion's paw feet. Condition is very good. Bloomsbury Fine Art...

Crafted in France circa 1880, this elegant barrel armchair exemplifies the French Renaissance Revival style. Built of solid oak, the rounded backrest features intricately carved scro...

American rococo rosewood turtle top center table with carved floral skirt, original marble top, floral carved stretchers and terminating on acanthus carved ...

Hand-carved pair of Carara marble, 19th century, Italy, darkened from age, very heavy weighing about 175lbs each. Some minor chips to marble. In good shape overall. Priced and sold a...

A W N Pugin, probably made by Gillows of Lancaster for the House of Lords London. A Gothic Revival oak armchair with carved rosettes to the headrest, and each side of the arms, and u...

Immerse yourself in the charm of the late 19th century with this exquisite French Renaissance Revival hunt-themed corner cabinet from a hunting lodge. Adorned with intricate, ornate ...

Gorgeous mid/late 1800 religious art for the collectors and enthousiasts. In antiques it very often is the case that how older the piece is, the better the quality and the details. ...

Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different playful and joyous scenes of putti and a cherubs reminiscent of spring, love and peace. The center panel depicting a seated putto, crowned with flowers, a standing putto behind him holding a sack of arrows and a seated cherub facing him next to a watchful peace dove on top resting of a flower bouquet. The left panel depicting a seated putto next to a standing putto with a freshly harvested apple. The right side panel depicting a standing cherub holding a fig branches with leaves. All three-in-one panels within individually carved giltwood frames. All panels signed at the lower left: Ferd. Wagner, circa 1890. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr...

Large double-sided Renaissance-style writing-desk with secrets, stamped and inscribed by François-Pierre Leglas-Maurice. It won a gold medal at the 1...

French Neo-Renaissance Majolica Plate circa 1890. Decorated with a cavalier on the center, border with medallion portraits.

Wonderful pollard or burr oak table Beautiful veneered top and solid pollard oak carved legs Possibly Scottish. I have seen similar bold gadrooning on...

19th Century French Walnut Hunt Buffet ~ Credenza will make an excellent centerpiece for a masculine decor! Hand-crafted and sculpted from fine French walnut, it features a boldly m...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

An impressive Napoleon III Empire Revival mahogany, marble, gilt bronze and patinated-bronze-mounted credenza buffet, after Pierre-Philippe Thomire (1751–1843). The large mahogany an...

A very fine antique inlaid mahogany Sheraton Revival display cabinet vitrine by Waring & Gillow, circa 1898. This very elegant antique cabinet is of the very highest quality & was ma...

Antique French Renaissance Revival walnut mantel, circa 1880.

Exquisitely handcrafted by Amitābha Studio from a 19th-century Italian Renaissance revival albarello (circa 1870–1885), this one-of-a-kind table lamp preserves the spirit of Europe’s...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

Great, sculptural stair newel post from the 1800s. This unique newel post and pedestal is beautifully and richly carved all around. Most impressive ...

A large pair of tall French 19th century Gothic Revival style carved oak and parcel-gilt Church pedestal stands. The slender body stands, each centred ...