Rococo Revival Furniture

Dutch Rococo style burled walnut bombe front secretaire with carved ball and claw feet. Three drawers with cast brass pulls and cast brass detailed key ho...

A most impressive and large scaled Italian 19th century Rococo Revival st. Ebonized Fruitwood and giltwood cabinet/vitrine. The four door cabinet is raised by a mottled plinth below ...

A late 19th century New York armchair in the early 18th century Dutch-Style in mahogany decorated with inlays in other woods of bows, birds, rinceau ...

A Pair of White Dolphin Wall Appliqués made of plaster and fiberglass. These offer both sculptural detail and structural durability. The appliqués are rendered in a high-relief Rococ...

Copeland Late Spode "Avondale" Water Pitcher, England. Earthenware pottery. Rococo Revival style decorated with baskets of flowers, flowers & trailing vines. Reg. No. 637555 design o...

Vintage Bronze Painted Porcelain Exotic Bird Candlesticks, Pair Offered for sale is a pair of hand painted porcelain bird candlesticks w...

Carved Mahogany Embossed Black Leather Top Petit Compact 5 Drawers Desk MINT

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

This exquisite pair of Italian Rococo style commodes from the 1930s showcases the elegance and artistry of early 20th-century craftsmanship. Each dresser features a finely shaped ser...

A very elegant antique American sterling silver repousse wine bottle holder or decanter collar, by Brand-Chatillon New York NY, circa 1915. Brand-Chatillon was an up market jeweler a...

This hand-crafted armoire is constructed entirely from solid pine and showcases a beautifully scrolled pediment with central crest detail. The two large paneled doors feature flowing...

Pair of 19th Century French "Portier" Tapestries ( 3'9" x 10'4" - 114 x 315 )

Early vintage Jenkins & Jenkins Sterling Silver Repousse bowl with extra fine detailed flowers and leaves in Fine Sterling 925/1000. The bowel weighs 146.5 grams. It is 6.75 inches a...

American Rococo Revival console table in West Indies mahogany with white Carrara marble top, circa 1835. Note: You should always request a ship...

Italian carved marble coffee table 1920s Stunning vintage Italian marble-top coffee table with a heavily carved base. Richly veined black marble...

A Swedish Rococo Revival painted wooden side table with carved apron and cabriole legs from the turn of the century. This Swedish side table features a rectangular top with rounded e...

Large gold gilted mirror flanked with cherubs and botanical details. The mirror came from a townhouse in Brooklyn and was meant to be hung ove...

With lively interlacing foliate crest above a rectangular-form frame adorned with rocaille carving at the shoulder above meandering foliate vines.

This pair of Rococo Revival cast bronze figural sconces attracted attention at an estate sale auction in Los Angeles. We found them irresistible. We are still scouring the pieces int...

A beautifully carved Rococo Revival lowboy with molded edge conforming top surmounting a case with single frieze drawer with ornate brass bird and scroll pulls and escutcheon, except...

Elegant and functional, this vintage bar cart features a drop-leaf top, exquisite floral marquetry inlay, and a lustrous high-gloss finish. Ornate turned legs, brass-rimmed bottle ho...

Round Yellow and green oyster or egg serving platter. Beautiful cream white plate with green detailed center and edge. Each dip is yellow in color and in a seashell shape. At the center, is a space for an open oyster shell or dipping sauce. This would be a wonderful way to set the tone for a fun summer supper. We imagine this plate sitting upon a large marble dining table, filled with tall flowers, crisp white plates, and yellow vintage tea glasses...

Vintage Solid Mahogany 29? Round Pie Crust Accent Table Ornately carved side table great for lamps or entries. 38? High 29? Diameter

Circa 1820 Old Sheffield plate silver candlestick now as a lamp. Rococo revival design. Originally electrified in England on a custom confor...

CARVED WALNUT MARBLE-TOP LOW COFFEE TABLE IN THE LOUIS XV TASTE France, circa 1900 Item # 403KQO18P A wonderful French coffee table with the most spectacular marble top - this gorge...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

 Pair of Meissen Porcelain Neo-Rococo Figural Reticulated Centerpiece Compotes on Stands A set of porcelain rocaille bowls with gilt branch handles have been painted and adorned wit...

Beautiful carved wood figurine shelves. A couple repairs re-gluing the two top Cherubs back on, and one Cherub is missing a foot. Strong and joinery is tight, still very usable wall ...

This is a lovely mirror with gold painted scroll and leaf raised and cut out carved patterns, surrounding a wonderful orange painted mirror frame which is all topped with cutout circ...

A fine and rare French Rococo Revival 19th century Louis XV style parcel-giltwood carved centre table with marble top. The intricately and partiall...

A fine pair of French 19th century Rococo Revival style gilt bronze and Rouge Griotte marble six-light candelabra attributed to Ferdinand Barbedienne (French, 1810-1892) After a mode...

of pegged construction the serpentine top with hand-tooled maroon leather insert above a shaped apron fitted with 3 drawers adorned with rocaille brass escutcheons; all raised on gra...

This Continental European ebonized Circassian walnut Rococo vitrine china cabinet is an extraordinary example of 19th century craftsmanship, blending ornate Rococo design with the ra...

German Rococo 800 silver centerpiece, ca 1900. Ovoid and bellied bowl with leaf and flower-capped split-mounted double-scroll end handles, and four scroll-mounted supports. Exuberant leafing scrolls, layered scallop shells, and open flower-strewn diaper. Two scrolled and bead...

A fine and rare Italian Venetian 19th century giltwood carved Rococo "Vernis Martin" style decorated credenza vitrine cabinet with a marble top. The upper single door vitrine with a ...

Elegant antique signed Philippe H. Mourey table lamp, bronze with gilt. Features beetle accents along the bottom and cherub accents along the sides. Measures 15.75 inches from the bo...

Pair of vintage Florentine beaded gilt metal and mirror framed three light sconces adorned with cut crystal garlands and drops. Wired for USA. Takes three candelabra size bulbs up to...

This elegant pair of Italian Rococo style mirrored sconces exudes timeless sophistication and decorative charm. Each sconce is finely crafted with a petite form, featuring a single c...

Rococo Revival fireplace andiron set of two, made in France in the late 19th century. Made of cast brass and forged iron stems.

Gesso Pierced Wood Gold Leaf Frame Oval Round Rococo Wall Mirror c1920s MINT!

French 19th century painted and gold-gilt barometer and thermometer. It is a recognizable ‘banjo’ shaped scientific instrument with all the carved details ...

These Louis XV Revival style bar stools blend 18th-century elegance with modern functionality. Crafted from solid birch, the frames feature gracefully curved cabriole legs and intric...

Demilune Very Fine Inlaid Console Server Cabinet Porcelain Plaque Pulls Dresser

Heavily Carved Decorative Demi Lune Bombay Style Burl Walnut Top Console Table MINT

An Italian Florentine gilt wood carved mirror and console with marble top set. The gilt-wood oval mirror frame with a floral and scrolled acanthus...

Fabulous Pair of Rococo Revival Style Venetian Him and Her wall mirror ornate etched with Bohemian gold dust flowers and leaves surrounded by twisted Murano glass. Depicting a Man holding a rose and a Woman singing, surrounded by etched flowers and pattern. The Reverse is Wood for a secure hanging construction. Made in Italy in the late 1950s. In good vintage condition with normal light wear and 1 flower on the Lady Mirror...

German Rococo silver coach. Imported to England by Berthold Muller in 1903. Cupid (Love) is in the driver’s seat but struggles to control the reins of a harnessed goat. A frisky meta...

Italian Rococo style giltwood wall mirror with oval plate within a scrolling surround (19th century).  

Turn-of-the-century German Rococo 800 silver box. Rectilinear with tapering sides and chamfered corners with scroll supports. Cover hinged, raised, and ...

Vintage Frosted Glass Globe with a 4" inch opening for easy mounting with a gothic pattern and floral painting along the bottom 5" Tall x 2' Fitter x 4" Opening

Early 20th Century Austrian Savonnerie Carpet ( 13'6" x 18'9" - 412 x 572 )

One of the rarest furniture forms created by John Henry Belter, this armoire is a testament to this legendary cabinet maker's talent. Recognized as a Pioneer in design and craftsmans...

A pair of Italian 19th-20th century Florentine cut-clear and color glass four-lights girandoles table lamps. The scrolled bronze frame with four scrolled candle-arms, surmounted with...

The elaborately carved snuff box with a scene of two mermaids on the cover and deeply carved shell on the reverse.

A Rare Pair of 19th Century Meissen Porcelain Yellow Ground Puce Watteau Scene Decorated Covered Vases, with Front and Back Cartouches. Each vase features a graceful baluster form,...

A fine French 19th century whimsical Rococo style white marble carved planter jardinière with figures of playful Putti 'Children' playing with a goats among trees and vines, raised o...

An exceptional pair of French Rococo Revival slipper chairs in Rosewood. Each chair meticulously carved with intricate detailing of flora-form in various states of bloom. Retaining the original wooden rollers and brass casters. These have been reupholstered in a gorgeous champagne colored shantung silk. One of them retained the original label from Florian Papp...

Victorian Rococo sterling silver vase. Made by George W. Shiebler & Co. in New York, ca 1900. Steep baluster with wavy scalloped rim and round foot. On shoulder and foot rim are appl...

Unique bergère, frame made of carved and gilded wood, with exquisite flower and rocaille decorations. The bergère is newly upholstered and covered with a prestigious fabric. The gild...

A fine pair of Italian venetian rococo revival style giltwood carved throne armchairs. The ornately carved frames with wide open and scrolled armrests, a padded backrest crowned with...