Spanish Colonial Furniture

A most spectacular antique Spanish Colonial figure of Madonna, Mexico circa 19th century possibly earlier. Constructed in plaster with carved and gilt wood accent. Realistic in style...

This elegant antique jar was hand-crafted in Spain circa 1760; round in shape with narrow base and neck, the vessel features a rolled rim at the top accented with a mustard color gla...

17th Century Spanish Colonial Pietà Sculpture with Sterling Silver Halo An extraordinary and deeply devotional example of Spanish Colonial religious art, this 17th-century Pietà capt...

An exquisite Spanish Colonial oil painting from the 18th century, depicting Saint Mary Magdalene in a richly detailed composition. This piece showcases the characteristic Cuzco Schoo...

Step back in time with this exquisite 18th-century Spanish Colonial bench, a remarkable piece hailing from the region once known as Alto Peru, now modern-day Bolivia. This bench is a...

This is a unique Rustic Brazilian Walnut and Peroba wood table that was created in the mid-19th century in the Colonial Brazilian style. The large 56" diameter of this table is highl...

Presenting a rare and captivating Peruvian Cusco School painting from the mid 19th century, depicting the beloved figure of San Isidoro, the patron saint of farmers and laborers. Thi...

Early 18th Century Spanish Colonial Oil on Canvas – The Descent from the Cross This large and moving Spanish Colonial oil on canvas, dating to the early 18th century, depicts the p...

URIARTE TALAVERA - Vintage Talavera folk art glazed ceramic plate - medium size - hand made - featuring a central hand painted floral pattern within an elaborate border - signed on t...

This stunning pair of Spanish Colonial Revival beds, crafted in the 1930s, captures the essence of timeless craftsmanship and historical charm. These heavy, solid pieces are construc...

Large oil painting of the holy family on hand woven canvas. Peruvian or Bolivian. Acquired from an estate in the San Francisco Bay Area f...

A wonderfully decorative and very rare Mid Century Incan-themed embossed leather-topped table in lovely condition. Made in Peru, most likely in the 1960s, this standout decorative pi...

Handcrafted custom bar height table with wrought iron forged base. Spanish Revival bar table with simple four curved legs. Dimensions: Iron for...

Magnificent 18th Century Spanish Colonial Bench, Circa 1780 A rare and imposing example of late 18th-century Spanish Colonial craftsmanship, this monumental bench stands as a testam...

Circa 1800. We offer this Giant Colonial Church Bench. Made in mezquite and pine wood. Very antique and amazing piece.

An important and truly exceptional 18th century Cuzco School (Spanish School, Peru) Oil on Canvas of Pope Gregory XIII. Attributed to Marcos Zapata or Marcos Sapaca Inca. (Cuzco, Pe...

Late 19th century carved baby Jesus Santos with glass eyes and custom display stand. Handmade with carved wood and gesso. Glass inset eyes. Left and r...

URIARTE TALAVERA - Vintage Talavera folk art glazed ceramic charger - large size - hand made - featuring hand painted flowers and swans within a double line border - signed on the cr...

South American Colonial (Peruvian 19th Cent) cowhide and leather floor trunk (Bataca) with a geometric strap design.

Introducing a rare set of sling chairs, with accompanying set of footstools, by the incomparable Angel Pazmino. Recently and painstakingly restored by our team of craftsmen this icon...

This exquisite 18th-century Peruvian oil on canvas is a masterful example of Spanish Colonial art, embodying the profound devotion and artistic sophistication of the period. The pain...

This exquisite early 18th-century Spanish Colonial oil painting, originating from Bolivia, portrays “Mary, Queen of Heaven.” With meticulous craftsmanship, it illustrates the Coronat...

Vintage folk art terracotta charger - large size - hand made and cold painted with a bird and flowers within an elaborate border - varnished finish to the front and back - unsigned -...

This charming Spanish Colonial Revival cabinet, crafted circa 1930 in Peru, is a splendid representation of classic craftsmanship and timeless design. Standing tall with a two-part s...

Spanish Colonial Revival Console Table – Circa 1940 A splendid testament to the refined craftsmanship of the Spanish Colonial Revival movement, this circa 1940 console table combines...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

A Latin American / Spanish Colonial hand crafted pine table, having all mortise and tenon and wooden peg construction. An unusual height for a table (possibly originally used as a ki...

Hand carved Spanish Revival highboy pine chest finished in umber tones with gilded accents and rose madder highlights. Finely detailed, with an arched pediment, candlestick finial an...

URIARTE TALAVERA - Vintage Talavera folk art glazed ceramic charger - large size - hand made - featuring a central hand painted bird and foliage within an elaborate border - signed o...

URIARTE TALAVERA - Vintage Talavera folk art glazed ceramic plate - medium size - hand made - featuring a central hand painted stylized design within an elaborate border - signed on ...

A lovely and rare Spanish Colonial Statue of an Archangel in carved sabino wood, XVIII Century Origin: Central Mexico Period: XVIII Century Height: 33cm Length: 12cm Width: 8cm

Introducing a rare sling chair by the incomparable Angel Pazmino. Recently and painstakingly restored by our team of craftsmen this iconic chair has a new lease on life and we love ...

A extremely rare early 18th-century Spanish Colonial table, a remarkable piece showcasing the enduring beauty and functionality of colonial craftsmanship. This table is constructed f...

Elegant white and blue plate made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

18th-Century Peruvian Spanish Colonial Oil on Canvas - Saint Christopher This 18th-century Spanish Colonial oil on canvas, depicting Saint Christopher carrying the Christ Child, is a striking example of Peruvian Cusco School religious art. With its bold composition, expressive figures, and rich color palette, this piece embodies the grandeur of colonial-era ecclesiastical painting...

Elevate your space with this magnificent Spanish Colonial Revival bench, a striking example of craftsmanship from circa 1930, originating from Peru. This remarkable piece embodies th...

Elegant white and blue jar made with the authentic Talavera technique. Master artisan, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar...

This 17th-century oil on canvas from Spanish Colonial Peru features a striking depiction of Our Lady of Sorrows. The Virgin is shown with a somber expr...

19th century Spanish Colonial shrine for a Santos or statue of the Virgin Mary in the form of a church likely from New Mexico. Topped with three crosses with traces of gilding, two c...

This late 17th-century oil on canvas from Peru, depicting the Virgin Mary and baby Jesus, is a striking example of Spanish Colonial art. The work reflects the deep religiosity and de...

Introducing a rare sling chair by the incomparable Angel Pazmino. Recently and painstakingly restored by our team of craftsmen this iconic chair has a new lease on life and we love t...

Rare 18th-Century Mexican Spanish Colonial Oil Painting "The Mystical Lactation of Saint Cajetan" This remarkable 18th-century Mexican Spanish Colonial oil on canvas presents a rar...

Set of Three Spanish Colonial Armchairs, Peru, 18th Century — Provenance Margarida Polak Lara A rare matched set of three Spanish Colonial armchairs from 18th-century Peru, finely c...

Elegant white and blue vase made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

Peruvian Cuzo School Oil on Canvas of the Archangel Raphael, 19th Century. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, foll...

Original 18th century hand carved painted and applied ornament picture frame; continuous carved floral motif.

An outstandig early 18th Century Spanish Colonial oil on canvas depicting Mary and The Holy Trinity, or "Mary Queen of Heaven". You can notice th...

Spanish Colonial Revival Circa 1940 sideboard table. Excellent table in light solid wood in Spanish Colonial style. Rectangular table top formed by two thick wooden planks over a car...

18th century large Spanish Colonial oil on canvas painting of El Escriban, or The Scribe’, St. Augustine. Rich colors of red, gold, silver and b...

A one-of-a-kind hand-crafted silver urn using the Repousse method of hammered design. Unusually large size and excellent condition. Probably mid-to-late 20t...

Late 19th Century Spanish Colonial Style Farm Bench South America 1880–1900 This refined Spanish Colonial style farm bench dates from the late 19th century and embodies the sober d...

A rare and impressive pair of Mexican leather throne chairs in lovely condition. Made in Mexico, likely towards the end of the 20th Century, thes...

This remarkable pair of early 18th-century Spanish Colonial benches exudes historical charm and exquisite craftsmanship, making them a rare find for collectors and enthusiasts of ant...

Pair of Solid Mahogany Raised Panel Heavy Built 4 Drawer Bachelor Chests Dresser MINT

A earlier retired Iron floral candelabra by Jan Barboglio titled "Passion flower Candelabra" After many years designing clothing with her sister in their Barboglio Cristina & Jan Collection, Jan Barboglio began sculpting accessories and furniture for her own home. Her childhood, spent in north central Mexico, would prove to be fertile ground for inspiration, and every object created by her would carry with it the rich history and romance of old Mexico. Barboglio’s initial designs of wax grabbers were for her silver, bronze and iron candelabra. Altar pieces and house blessing crosses were integrated into her own home furnishings. Her love of entertainment would later result in her own iron chargers, platters and chafing dishes...

A large Spanial Colonial Giltwood and fine various coloured Sequins Decorated Round Wall Mirror by artist Velasquez. The gilt frame is carved from solid wood and features fleur-de-...

This late 19th century Mexican Folk Art devotional painting depicts St. Rita of Casia, the patron saint of lost and improbable causes. Wishing to join an Augustinian convent ...

This magnificent 18th-century Spanish Colonial oil painting is a remarkable example of religious art, showcasing a stunning depiction of the Dormition of the Virgin. Measuring grandl...

1608 Hispaniae Novae Sive Magnae Vera Descriptio Framed Mexico Map. As found custom black wooden frame/ matting. This map is based on the work of Abraham Ortelius as is an example o...

Beautiful antique Mexican oil on canvas painting of Saint Anthony with the infant Jesus. There are a few old repairs as shown on photos. Framed with ...