Early 19th Century Irish Amboyna Centre Table Stamped Gillingtons of Dublin

A stunning quality Irish Regency Gonzalo Alves sofa table attributed to Gillingtons of Dublin, the rounded rectangular hinged top with beaded edge, above a pair of frieze drawers wit...

A superb Irish Regency mahogany centre / dining table by Robert Strahan of Dublin, of circular form, the solid panel top , with reeded edge, turned cent...

A stunning early 19th century English Regency Pollard Oak drum /centre table Attributed to Gillows Of Lancaster & London. The circular top, inset with a gilt tooled leather writing s...

Constructed in a fine quality burr walnut the oval top with drop sides and a moulded edge raised on barley turned legs joined by a bobbin turned stretcher, on scroll trestle feet, the gate legs with porcelain castors. Stamped & No. John Taylor, Edinburgh, D7949. Circa 1880 Scottish Artists Biography: John Taylor set up business as a cabinet-maker in 1825 in West Thistle Street, Edinburgh, and subsequently at 109-10, Princes Street. In 1852 as John Taylor and Son...

A very good quality 19th century Amboyna center table, with Wedgwood porcelain plaques depicting classical scenes, having parcel gilt decoration and ormolu mounts and raised on a fou...

A mahogany Regency drum table, the circular original leather lined top of a lovely faded green color, fitted with four drawers between four dummy drawers, all with original handles a...

A rare and finely constructed circular satinwood centre table most probably by Henry Thomas Peters of Genoa. Italy Circa 1830. The circular tilt top having a finely chosen cuts of book-matched West Indian satinwood veneer with a rosewood banded and moulded edge over a splayed in-curved quatroform base, terminating on four acanthus carved scrolled rosewood lions paw feet raised on brass castors. A very fine table with wide cuts of satinwood which would have been extremely expensive in the early 19th Century. Inspired by the French Empire design as viewed through the lens of English Regency, in particular the designs of Thomas Hope of 1807, along with the construction all point to Henry Thomas Peters being the maker, active in Genova around 1820 to 1850, being one of the leading cabinet makers of the period obtaining the title of ‘cabinetmaker of his Majesty’. Henry Thomas Peters’ English antecedents remain obscure although he probably began his career in England. However, he is not listed in Beard and Gilbert’s Dictionary of English Furniture Makers 1660-1840. He arrived in Genoa in circa 1817, and by 1824 had established a workshop in Via Balbi, a neighbourhood in which the Royal Palace and other noble residences were located; today some of his works are preserved in the Palazzo Rosso, Genoa and were probably bequests from the various aristocratic families for whom he worked, including the Brignole Sale family. Peters was appointed by the Court of Savoy and produced furniture for their palaces in Turin, Genoa and Racconigi including the Palazzo Reale. Notably, in 1841, furniture for the wedding of Prince Vittorio Emanuele. In 1846, Peters and his extensive workshop won the silver medal at the Esposizione dei Prodotti e delle Manifatture Nazionali. As pointed out Peters was famed for producing furniture with the technical accuracy typical of English but adapted to the late Italian Empire style. A set of six Italian Giltwood...

This unusual 19th-century centre table is crafted from Goncalo Alves, a type of rosewood, and features a circular tilt-top along with a turned baluster stem. The table is elegantly s...