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French Brutalist coffee table, handcrafted in solid oak, circa 1960.
$3,100.19
£2,271.87
€2,570
CA$4,254.85
A$4,495.63
CHF 2,418.12
MX$53,827.92
NOK 30,296.26
SEK 27,746.98
DKK 19,574.58
About the Item
French Brutalist coffee table, handcrafted in solid oak, circa 1960. This exceptional piece exemplifies the raw, sculptural aesthetic characteristic of mid-20th century Brutalist design. Its bold geometric form and substantial proportions highlight the natural grain and texture of the oak, creating a powerful yet refined presence. Meticulously hand-finished, the table reflects both craftsmanship and material honesty, hallmarks of the Brutalist movement. The warm patina of the wood enhances its architectural quality, while the clean lines lend versatility to a range of interiors—from modernist to rustic or industrial spaces. Evoking a sense of timeless solidity, this table stands as both a functional surface and a work of art, embodying the strength, authenticity, and expressive spirit of French postwar design. A rare and collectible statement piece.
- Dimensions:Height: 25.4 in (64.5 cm)Width: 59.06 in (150 cm)Depth: 17.33 in (44 cm)
- Style:Brutalist (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960
- Condition:Wear consistent with age and use.
- Seller Location:Kampen, NL
- Reference Number:1stDibs: LU10652247307422
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Pierre Chapo est né dans le 19e arrondissement de Paris, mais en 1937 la famille s'installe à Vierzon, dans le Cher, le jeune homme s'essaie à la peinture. Puis rencontre en 1947 un charpentier de marine; dans son atelier il découvre le travail du bois, et décide de s'inscrire à l'École nationale supérieure des beaux-arts, section architecture avec Henri Larrieu et Louis Aublet. Les études sont entrecoupées de voyages vers les pays scandinaves, du service militaire en Allemagne, ainsi que d'un périple d'un an en Amérique centrale et un stage dans un cabinet d'architectes en Arizona.
De retour en France, Pierre Chapo poursuit le travail du bois essentiellement le chêne, le frêne et l'orme massif qu'il articule avec le double intérêt qu'il porte au design contemporain et au savoir-faire de l'artisanat traditionnel. Après quelques années, il ouvre une galerie boulevard de l'Hôpital, où il expose ses réalisations ainsi que celles d'autres créateurs comme Isamu Noguchi avec lequel il partage une approche sculpturale et organique, il reçoit ses premières commandes parmi lesquelles un lit simple demandé par Samuel Beckett. En 1960, lors de l'exposition Arts et techniques de l'artisanat, son travail est reconnu par la ville de Paris dont il reçoit la Médaille d'or.
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