Textile Center Tables
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Material: Textile
Round Tri Leg Two-Tier Side Table
Located in Rockaway, NJ
Modern stained tile veneer with brass legs side table.
Category
21st Century and Contemporary Mid-Century Modern Textile Center Tables
Materials
Textile
Ottoman Turkish Table with Tughra Monogram
Located in Dallas, TX
The table is all hand-painted in a traditional Turkish style with antique woven fabric attached to the top of this table that shows the Turkish tu...
Category
1860s European Antique Textile Center Tables
Materials
Textile, Wood, Paint
Italian Midcentury Tiled Dining or Centre Table
Located in London, GB
An italian blue segmented tiled circular dining or centre table.
Italy, circa 1970s.
Ideal for a conservatory, centre display etc.
Good vintage condition.
Metal painted gold base.
Larger Size than photos suggest.
Location: Belgium Gallery...
Category
1970s Italian Vintage Textile Center Tables
Materials
Metal
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Leon Jallot Tiered Table in Pearwood and Camphor Burl
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Early French Art Deco (transitional) tiered table by Leon Jallot in pearwood and camphor wood burl, circa 1910-12. 28” diameter x 29” high.
Leon Jallot (1874-1967)
Born in Nantes, July 24, 1874, Leon Jallot studied in Paris but did not go to any school of art. Without any formal training, other than a general refined sense of culture, he opened his own workshop at age 16 and began wood sculpting and making his own furniture.Strictly self-disciplined, he began as a wood carver. By 1899, at the age of just 24, he had worked his way to become Director of the Art Nouveau workshop of the collector, Siegfried Bing, for his shop called l’Art Nouveau in Paris. He remained there until 1901, overseeing production for the shop as well as Bing’s installation at the 1900 Paris Universal Exposition. Jallot therefore participated in the creation of some of the Art Nouveau movement’s most prized works – those designed by the firm’s renowned threesome: Georges de Feure, Eduoard Colonna, and Eugene Gaillard.
In 1901 Jallot became one of the founding members of the first Salon of Societe des Artistes Decorateurs – an organization which produced highly anticipated annual exhibitions through the first half of the 20th Century. In 1903 he established his own decorating workshop where he designed and fabricated furniture, fabrics, carpets, tapestries, glassware, lacqueer and screens.
Jallot was the first of the Art Nouveau designers to turn away from floral ornamentation and to pursue linearism – as early as 1904 his decoration was limited to the natural grain of the wood – and he was an advocate of rich materials rather than over-wrought forms to suggest luxury.
Jallot’s work was shown at the Salons of Societe Nationale des Beaux-Arts from 1908, Salon d’Automne from 1919, and at the SAD throughout. A review of his exhibit at the 1921 Salon des Artistes Decorateurs, in Art et Decoration, said:
“His furniture has the easy elegance of ideas created in a flash and then mulled over – ingenuity, savoir-faire, and patience are all combined in his work.”
He created furniture for the Grand Salon of Une Ambassade Francaise and Hotel du Collectionneur at the 1925 Paris Exposition Internationale des Arts Decoratifs et Industriels Modernes (which would, years later, launch the term “Art Deco”).
From 1921, Leon Jallot partnered with his son, Maurice (see Maurice Jallot’s biography elsewhere on the Calderwood Gallery...
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Located in Pulborough, GB
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Previously Available Items
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