Octagonal Centre Table by Robert “Mouseman” Thompson, England, circa 1950

Royal House Antiques Royal House Antiques is delighted to offer for sale this very collectable, huge, circa 1950's Robert Mouseman Thompson English oak Octagonal Adzed dining table ...

We are delighted to offer for sale this Beautiful Vintage Refectory Coffee Table In The Style Of Robert "Mouseman" Thompson. Features a striki...

Description Stamped and numbered oak octagonal drum Gillow and Co. pedestal table, circa 1860. Untouched and 100% authentic with just shy of 160 years of...

A fabulous quality 19th Century walnut centre / breakfast table by Edwards & Roberts, having a wonderful figured and shaped oval tilt top with a moulded edge and shaped frieze below,...

Mirrored centre hall table or dining table in Neoclassical style.

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

Hewetson & Thexton, in the style of Bruce Talbert. An Aesthetic Movement walnut and gilt octagonal centre table with ring and spiral turned legs terminating in turned finials, united...

Stephen Webb, made by Collinson and Lock. An Aesthetic Movement octagonal centre table with floral inlay to the top and shaped aprons below, with eight turned uprights uniting a spid...

Early Victorian Centre Table. Circa 1850 Standing on turned bun feet with stylised end supports and a ring turned stretcher rail. The top featuring nice quality timbers.

A fine quality 19th Century Birdseye Maple and carved Giltwood Centre table. Having wonderful gadrooned moulding to the top, scrolling foliate decoration to the end supports, united ...