George IV Center Tables

Very fine George IV period mahogany drum table, the beautifully patinated morocco leather top with tooled edge and mahogany banding over four drawers incorporated into shallow apron,...

George IV rosewood circular center table with tapering octagonal column ending in triped platform base raised on bun feet with hidden casters. Table tilts up.

A George IV period center drum table in mahogany, circa 1840, with inset tooled leather top, with conforming drawers in the apron, on a pedestal base with tripod legs and scroll feet.

A nicely shaped 19th Century oval rosewood centre table, the tilt top with gadrooned edge and shallow frieze, raised on a a carved vase shaped column with four splay legs, carved lap...

English mahogany three drawer leather top drum table with turned bulbous spiral pedestal, terminating on tripod base with slipper feet. Early 19th Cen...

A very fine George IV amboyna burl and giltwood center table attributed to T. G. Seddon (formerly Morel and Seddon), circa 1835, the circular t...

English Regency mahogany tilt-top breakfast table with octagonal pedestal on tripod base, terminating on acanthus scrolled feet with original brass casters. Early 19th century.

A highly important and rare royal table made by Morel & Seddon for the Windsor Castle Commission, commanded by George IV Constructed in Amboyna, with ormolu gilt bronze mounts, hav...

English mahogany tilt top center table with octagon shaped pedestal, tripod base, and resting on the original lion's paw feet with brass casters. Table has original brass locking mec...

We sourced this c.1820's table from the Old House, Aspley Guise, Bedfordshire. The circular top with coromandel crossbanding, above a turned column with foliate detail and a tripod ...

A Very Fine George IV Parcel-Gilt Amboyna Centre Table Attributed to Thomas & George Seddon. English, Circa 1830. The table is of finely figured Amboyna with a circular tilt-top above a triform column with parcel-gilt scrolled supports. It is raised on a conforming plinth base with foliate carved feet and concealed castors. George Seddon was the eighth child of John Seddon of Blakelea, Lancashire. His father apprenticed him to George Clemaphon of Cripplegate to learn cabinet making. He became a master cabinet maker. (He was Master of the Joiner’s Company in 1795). In the early 1750s he was sufficiently successful to acquire London House, Aldersgate Street. It consisted of extensive workshops, where furniture was made, and showrooms to display the finished products. London House had formerly been a palace of the Bishops of London. The panelled state-rooms were ideal for the display of fashionable furniture; and the chapel and library made convenient workshops. When Seddon married, he converted the garden house and infirmary into the family home. Seddon was the biggest furniture maker of his time. His furniture store covered a two acre site in Aldersgate Street. His workshop there was described by London visitor Sophie v. La Roche in 1786: "We drove first to Mr. Seddon's, a cabinet-maker,...He employs four hundred apprentices on any work connected with the making of household furniture—joiners, carvers, gilders...

George IV Mahogany Drum Table A good George IV mahogany drum table on carved reeded stem, platform base and reeded bun feet; elegant shallow top, oak lined drawers and attractive old...

The circular tilt top has a central field of book-matched, figured Gonçalo alves within a broad band of cut brass inlay. The edge is boldly carved with an acanthus and dart border. The central support is hexagonal in section with a broad central flange, raised on three powerful and ornately carved legs. The knees are presented as bold acanthus carved and gadrooned volutes. The lions’ paw feet have clearly defined knuckles and claws and enclose the original brass castors. English, circa 1825. See also S. Stuart, Gillows of Lancaster and London 1730-1840, Antique Collectors’ Club, Woodbridge, 2008, Vol II, pl. E.5, which shows a pattern for this table in a drawing room layout designed for G.Bamford about 1820-30. The drawing also shows a pair of bergères and a sofa which correspond to a suite supplied by Gillow & Co. in 1824 to Thomas Wynn...

A carved mid nineteenth century Chinese centre table with exceptional carving. The top is circular with a carved foliate border and scalloped edge and striking rose marble inset. ...

A magnificent library centre table of exhibition quality of the George IVth period, in the Manner of Morel & Seddon. Constructed in amboyna, with holly and specimen woods used in t...

A Burr Elm and Ebony Inlay Circular Centre Table Provenance: John Murray, Esq. Polmaise Castle, Stirling, Scotland and thence by descent. Height: 71.5 cm...

A George IV ebony-inlaid mahogany tilt-top centre table, the circular top with a flame-veneered cross-banded border above a moulded frieze with ebony stringing and four small rectang...