Art Deco Eglomise Blue Mirrored Top Side-Table, Attrib. to Jules Leleu

Beautifully reverse painted thick glass top with an aquarium scene in tones of gold, blues and greens. Art Deco mahogany wood base is rich with color and features scalloped edges and...

This highly decorative, scalloped glass top on gold gilt metal base in the form of thick twisted tasseled rope is made by famed interior designer, ...

This is a whimsical yet practical table in the style of Maison Jansen or Maison Bagues. This exceptional mahogany two-tier table with elegant brass trim and legs. Features a revers...

This sculptural vintage solid bronze decorative side table from the Art Deco era features a square shape with leaf and floral pattern and glass top. Very significant and heavy. Han...

Coffee table from France in the Art Deco style. This table is entirely veneered with mirror and features striking eglomized detail throughout. Eglomise is a French term for a techniq...

A fine French Art Deco mahogany side table with a floral églomisé glass top and 4 curved legs ending with a bronze sabot.

French Forties Art Deco coffee table by Maurice Jallot, circa 1947, in cream lacquer with original verre eglomise glass top and gilt bronze mounts. 40” long x 17” deep x 17” high. Pictured in Mobilier et Decoration, 1947. Maurice Jallot (1900-1971) Maurice Jallot was born in Paris during the 1900 Exposition Universelle – an auspicious beginning for a career in the arts. He studied at the Ecole Boulle in Paris and upon graduating, joined his father’s (Leon Jallot) studio in 1921. He left for a while to gain outside experience and rejoined the firm in 1930. A versatile and imaginative designer, Maurice Jallot exhibited a range of pieces and ensembles at the annual salons, some in partnership with his father and some singly. For the 1925 L'Exposition internationale des arts décoratifs et industriels modernes - the World's fair held in Paris, France, from April to October 1925 the Jallots provided furnishings for the Hotel du Collectionneur (grand salon), Ambassade Francaise, La Societe Noel, La Maison de Bretagne, and Gouffe Jeune. Their furniture in the 1920s was fabricated from woods – palisander, walnut, pearwood, amboyna, camphor. From the mid-1920s the Jallots faced the Challenge common to all woodworkers: whether to adjust to, or fight, the revolutionary introduction of glass and metal. They chose the former, introducing a distinctive range of modern furniture: stainless steel tables, mirrored cabinety, etc. Maurice participated in the interior decoration for A French Embassy...

Mid Century Modern Glass Table in the style of Fontana Arte, Italy 1950s. This refined vintage coffee table showcases a beautiful combination of materials, featuring a double glass ...