Bobby Boulon Coffee Table by Maurice Marty

This coffee table is a masterpiece of design and craftsmanship, created by famous French designer Maurice Barilone for the brand Roche Bobois. The table top is made of transparent g...

French Art Deco coffee table by Maurice Champion, circa 1935, in mirror and mahogany with original parchment facings and bronze fittings. Slides open from center to reveal fully parc...

Art Deco Maurice Dufrene modernist coffee table with nickel metal legs and glass top designed by Max Ingrand. Made in France. Circa: 1930.

Scarce Maurice Burke for Arkana, England surfboard coffee table. Possibly a custom formica top with a blue and black abstract transparency pattern. Need to confirm dimensions. Styl...

Vintage murano glass coffee table by Maurice Barilone for Reflex Italy. - Model Arlequin. Round clear glass top. Very good condition 1980s - France/ Italy Height: 42cm Diameter: ...

Sculptural bent steel 'Fleur De Fer' Coffee table by Maurice Barilone and produced and sold by Roche Bobois. The timeless design and use of rough and heavy steel makes this piece st...

Amazing Stunning Coffee Table by Maurice Bailey for Monteverdi Young. From the 1960s. Made of wood and travertine top. The base is painted with a gold leaf. Really amazing table with...

Bring home genuine Mid-Century Modern American design with this fantastic walnut and chrome coffee table by Maurice Villency of New York! This sturdy coffee table features a thick, s...

Maurice Bailey glass top coffee table for Beverly Hills furniture brand Monteverdi Young, c.1960s. The table features a walnut base with four tapered legs and brass cross bars. Dime...

French Forties Art Deco coffee table by Maurice Jallot, circa 1947, in cream lacquer with original verre eglomise glass top and gilt bronze mounts. 40” long x 17” deep x 17” high. Pictured in Mobilier et Decoration, 1947. Maurice Jallot (1900-1971) Maurice Jallot was born in Paris during the 1900 Exposition Universelle – an auspicious beginning for a career in the arts. He studied at the Ecole Boulle in Paris and upon graduating, joined his father’s (Leon Jallot) studio in 1921. He left for a while to gain outside experience and rejoined the firm in 1930. A versatile and imaginative designer, Maurice Jallot exhibited a range of pieces and ensembles at the annual salons, some in partnership with his father and some singly. For the 1925 L'Exposition internationale des arts décoratifs et industriels modernes - the World's fair held in Paris, France, from April to October 1925 the Jallots provided furnishings for the Hotel du Collectionneur (grand salon), Ambassade Francaise, La Societe Noel, La Maison de Bretagne, and Gouffe Jeune. Their furniture in the 1920s was fabricated from woods – palisander, walnut, pearwood, amboyna, camphor. From the mid-1920s the Jallots faced the Challenge common to all woodworkers: whether to adjust to, or fight, the revolutionary introduction of glass and metal. They chose the former, introducing a distinctive range of modern furniture: stainless steel tables, mirrored cabinety, etc. Maurice participated in the interior decoration for A French Embassy...