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Brutalist Pine Low Coffee Table, France, 1960s
$5,150
£3,925.83
€4,484.95
CA$7,246.78
A$7,937.47
CHF 4,179.08
MX$94,731.03
NOK 53,258.59
SEK 48,686.38
DKK 33,514.67
About the Item
This low coffee table evokes 1960s Brutalist design and is made from solid pine with a thick rectangular top and softly rounded edges. The visible knots and expressive grain celebrate the natural character of the wood. Chunky cylindrical legs create a grounded, architectural presence while maintaining a warm and tactile appearance. Designed in the style of Charlotte Perriand, the table reflects her influence through its honest construction, low proportions, and balance between Brutalist strength and organic materiality.
- Dimensions:Height: 13.98 in (35.5 cm)Width: 39.38 in (100 cm)Depth: 39.38 in (100 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1960
- Condition:Wear consistent with age and use.
- Seller Location:Antwerp, BE
- Reference Number:Seller: GW43731stDibs: LU933448042952
About the Seller
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Pierre Chapo est né dans le 19e arrondissement de Paris, mais en 1937 la famille s'installe à Vierzon, dans le Cher, le jeune homme s'essaie à la peinture. Puis rencontre en 1947 un charpentier de marine; dans son atelier il découvre le travail du bois, et décide de s'inscrire à l'École nationale supérieure des beaux-arts, section architecture avec Henri Larrieu et Louis Aublet. Les études sont entrecoupées de voyages vers les pays scandinaves, du service militaire en Allemagne, ainsi que d'un périple d'un an en Amérique centrale et un stage dans un cabinet d'architectes en Arizona.
De retour en France, Pierre Chapo poursuit le travail du bois essentiellement le chêne, le frêne et l'orme massif qu'il articule avec le double intérêt qu'il porte au design contemporain et au savoir-faire de l'artisanat traditionnel. Après quelques années, il ouvre une galerie boulevard de l'Hôpital, où il expose ses réalisations ainsi que celles d'autres créateurs comme Isamu Noguchi avec lequel il partage une approche sculpturale et organique, il reçoit ses premières commandes parmi lesquelles un lit simple demandé par Samuel Beckett. En 1960, lors de l'exposition Arts et techniques de l'artisanat, son travail est reconnu par la ville de Paris dont il reçoit la Médaille d'or.
Puis c'est le développement de l'atelier de fabrication de meubles, à Clamart et la participation à plusieurs projets avec des fabricants et des aménagements avec différents architectes-maitres d’œuvre dont le travail de certains comme Charlotte Perriand pour la station des Arcs l’influencera6 et dont il éditera plus tard une table basse. En 1967, il expose au Salon des artistes décorateurs et remporte la Médaille de bronze de la Société d'encouragement à l'art et à l'industrie9. Cette même année, il s'installe à Gordes et y crée sa société et son usine qui vend et fabrique les meubles audacieux et robustes, en bois massif qu'il dessine, tout en conservant l'atelier de Clamart et la boutique de Paris, étendant son réseau avec des dépositaires à Bruxelles et dans plusieurs villes de France...
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