Frederick Kiesler, Cast Nesting Aluminum Coffee Tables 2 Parts, Biomorphic Cloud

An exceptional piece by Frederick Kiesler, one of the most visionary architects and designers of the 20th century, who profoundly influenced modern design with his revolutionary conc...

Frederick John Kiesler Nesting Tables, metal, USA, 1935 Designed in 1935 by Austrian-American visionary Frederick Kiesler, this rare set of nesting coffee tables exemplifies the org...

The Ansel Cocktail Table is a striking, sculptural piece that captures natures landscapes—its form inspired by the wind-carved cliffs, striated rock formations, and shadow-play seen ...

The top of this striking living room table has an opaque gold leaf finish and plane tree wood inserts in bas-relief. The base is a semicircle made of three crossing bands of oak wood...

A calmness in the chaos! The Solace table prides itself with hand textured cast aluminum, the patterns of which are created with one mold for each piece making each piece one of a ki...

Influenced by Ansel Adams and his Classic landscape photographs, this expressive cocktail table is enhanced by a textured top. Using recycled packing material to make the mold, it is...

Original coffee table from the 70s, entirely made of golden aluminum, with a very elegant and sober line. Size 70 x 70 cm, height 34 cm, in very good storage conditions, as shown ...

Impressive reclaimed mango wood coffee table made from a six inch single slab. The top floats off the floor on mid century style cone shaped legs. Charred, sanded and sealed exposing...

Aluminum concretion coffee table by Studio Julien Manaira Dimensions: 65 x 65 x 40 cm Materials: Aluminium and stainless steel The concretion project consists of sand-casting aluminium in a base of stainless steel tubes to form objects. The tubes are placed and cut to certain heights according to what the gross object’s dimensions will be. The shapes of each horizontal surface are then prepared by hand without following any precise plan. Each pouring of aluminium is at the same time forming surfaces of the object as well as connecting elements together. The aim of this process is to create a strong relation between two types of metal: the industrial stainless steel and the brut hand-cast aluminium, that comes visually as an extension of the first one. The two types of metal have two opposite relation to time, the industrial tube can’t be placed in time, only resulting from a continuous chain of production when the hand-cast part captures the very moment of formation of the object. This opposition is not meant to compare which materiality is best, but to enrich each other by their difference, and therefore stimulate the Julien Manaira (France, 1992) successively studied industrial design (La martinière, Lyon) and fine arts -option product design (Esad, Reims). in 2015 he came to Amsterdam to follow a temporary master program (Materialisation in Art and Design) at the Sandberg Institute where he graduated in 2017 before opening his studio in the same city. His graduation project ‘The once liquid plastic’ was awarded by the RADO Star Prize 2017 and the 3rd prize of the Pure Talent Contest at IMM Cologne 2018. In the last years, he exhibited his works in different established and recognized organizations such as Paris Design Week, IMM Cologne, Design Parade Hyères, and Milan Design Week. He was commissioned by different companies, among which Nilufar Gallery, Nubikk, Van Dijk Store as well as private clients. The main focus in his practice is setting processes that allow the manufacturer or him to be mentally and physically involved in the transformation of material towards an object. He believes that this empowerment is a way to engage deeper the audience or user’s perception, and therefore create a stronger connection with the object. Serendipity, combining industrial and artisanal material, are examples of how he aims to create objects that are able to communicate their undergone transformations. Iris Box...

Bill Barretts' work can be found in close to 50 museums including. Albright college, the Cleveland museum of art and the Albuquerque museum of art. This is not the original glass top.