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Wabi sabi one piece top tripod coffee table, France 1950s

$3,255.62List Price

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Introducing the Solid Oak Wabi Sabi Brutalist Coffee Table, a timeless piece originating from 1960s France. This exquisite table seamlessly blends rustic charm with a modern aesthetic, making it an ideal addition to interiors characterized by wabi-sabi, natural, artisanal, brutalist, or rustic styles. Designed with careful consideration, its dimensions make it a versatile centerpiece suitable for a variety of spaces. Crafted from solid oak, this table boasts a rectangular form and a low height, evoking a serene and zen ambiance. The ample surface area invites creative aesthetics, allowing for tasteful decorations or the practical use of showcasing coffee table books. Beyond its conventional use, this table can also serve as a distinctive bench, adorned with a selection of captivating literature. The wood exhibits a captivating weathered and patinated finish, displaying a captivating gradient of rich browns. This unique patina adds character and depth to the piece, contributing to its overall allure. The dimensions of the table, measuring 145 cm in width, 52 cm in depth, and 42.5 cm in height, ensure its compatibility with various interior settings. Embrace the versatility of this coffee table by incorporating it into a cozy reading nook or utilizing it in unexpected spaces, such as the bathroom for towel stacking. When styling, draw inspiration from the principles of wabi-sabi and Japandi design...
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French massive oak wooden coffee table like Charlotte Perriand, Pierre Chapo, Jeanneret, trapezoidal tripod base, Wabi-Sabi. It also reminds the work of Baley and Zimbacca architects. 1940s . Brutalist work - popular. . Trapezoidal tripod base. . Dimensions : Height : 38 cm Length : 91 cm . Sublime patina.  . Charlotte Perriand was born in 1903 in Paris to a father (Charles Perriand) a seamstress, and a mother (Victorine Denis) a seamstress for haute couture. After three years spent in Moulery in Burgundy where she was raised by her maternal great-uncle, she returned to the 1st arrondissement of Paris, Place du Marché-Saint-Honoré with her parents2. In 1920 she entered the school of the Central Union of Decorative Arts. She graduated in 19253, she exhibited with the school wall panels representing nine muses for a music salon at the International Exhibition of Modern Decorative and Industrial Arts in 19252. She presented a "living room corner" at the Salon des artistes decorators of Paris from 1926, including an armchair, a pedestal table with a glass top and a library...
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